Editor's Choice
Welcome To The Jungle Day 3 Box Office: Akshay Kumar Hits Rs 26 Crore Sunday
Studio CarryOnHarry Entertainment Desk | 28 June 2026
Welcome To The Jungle Roars on Day 3 — Akshay Kumar’s Comic Caper Eyes Rs 26 Crore Sunday
Akshay Kumar’s much-anticipated ensemble comedy Welcome To The Jungle, helmed by director Ahmed Khan, has delivered an impressive Sunday at the domestic box office. The film’s third day collections are tracking toward a healthy Rs 26–27 crore finish, cementing a strong opening weekend for the mass entertainer.
Welcome To The Jungle Day 3 Box Office Numbers
Early estimates pegged the film’s earnings at approximately Rs 24 crore by 9 PM on Sunday, with projections pointing to a final Day 3 tally in the Rs 26–27 crore range. This kind of Sunday surge signals that family audiences and walk-in crowds turned out in impressive numbers as the weekend peaked.
It is worth noting that the film had already shown strong momentum from its paid previews, which reportedly earned Rs 3.75 crore net across over 2,400 shows — a sign of early audience enthusiasm that carried through into the weekend. For the latest on Bollywood’s top stories, stay tuned to Studio Carry On Harry.
Key Markets and Occupancy Breakdown
Sunday’s performance was fuelled by a notable jump in occupancy rates throughout the day. Afternoon shows crossed the 40 per cent mark, while evening screenings climbed past 50 per cent across multiple centres nationwide.
Top Performing Circuits
- Maharashtra — among the highest contributors on Day 3
- Gujarat — consistent footfall across multiplex and mass centres
- NCR (Delhi-NCR) — strong evening and night show demand
Together, these three circuits accounted for close to 50 per cent of Sunday’s total earnings. Mumbai led all individual cities, with Delhi and Ahmedabad rounding out the top three performers for the day.
Multiplex vs Mass Centre Split
The PVRInox and Cinepolis chains collectively contributed nearly 48 per cent of Day 3 collections, with the remainder arriving from single-screen and non-national-chain properties. This balanced performance across both premium multiplexes and mass-market venues reflects the film’s broad commercial appeal.
Analysts tracking entertainment industry coverage have pointed to this multiplex-mass synergy as a key indicator of a film’s long-term box office staying power.
What Comes Next: The Monday Test
With a strong opening weekend now within reach, all eyes shift to the crucial Monday hold. Weekend numbers mean little without a stable weekday trend, and Welcome To The Jungle must demonstrate resilience once the regular working week begins.
If the film can retain even a reasonable fraction of its Sunday numbers on Monday, it will be well-positioned to sustain momentum through the coming weekdays and build toward a healthy overall run at the box office.
– Entertainment Desk, Studio Carry On Harry
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Editor's Choice
Audiences Are Rating ‘Spider-Man: Brand New Day’ and ‘Resident Evil’ Among 2026’s Hottest Films
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Two 2026 releases, "Resident Evil" and "Spider-Man: Brand New Day," are tied at the top of Rotten Tomatoes’ running Verified Hot list, each pulling in more than 5,000 Verified ratings from ticket-buying audiences, according to the site’s latest update.
Just as Certified Fresh represents critics’ consensus via the Tomatometer, Verified Hot is its audience equivalent, requiring a minimum 90% score on the Popcornmeter using ratings exclusively from Fandango ticket buyers, according to the guide. Rotten Tomatoes introduced the badge to give paying audiences their own equivalent stamp of approval, separate from critical consensus.
Behind the two leaders in the largest-sample tier, "The Odyssey" ranks second with over 5,000 Verified ratings, followed by "Project Hail Mary," "Obsession," "Hoppers" and "The Super Mario Galaxy Movie." Several of these titles also turn up on other year-end and mid-year lists tracking 2026’s most-discussed films, including "The Odyssey," "Project Hail Mary" and "Obsession" among the movies cited as generating the most audience conversation this year.
In the next tier, covering films with 1,000 to 5,000 Verified ratings, "Avengers: Endgame," "Heart of the Beast," "Forgotten Island" and "Practical Magic 2" share the top spot, with "Coyote vs. Acme," "The Invite," a musical performance film featuring Stray Kids and others filling out the rest of the ranking. Rotten Tomatoes notes a third, smaller tier of 250 to 999 ratings exists for titles still building an audience track record, which it describes as newer and more niche releases.
New films earning a 90% Popcornmeter score are added weekly, with placement within each tier based on cumulative Verified rating volume.
Studio CarryOnHarry will be watching whether films lower in the 1,000-to-5,000 tier gain enough ratings to crack the top bracket as the list updates through the rest of 2026.
Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.
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Revisiting Octavia Butler’s “Wild Seed,” the 1980 novel that opens her Patternist series
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Octavia E. Butler’s "Wild Seed," released in 1980, remains one of the author’s most widely read novels decades after its release. It opens Butler’s five-book Patternist cycle, a five-book speculative fiction cycle, and continues to draw new readers and critical attention.
Butler, who died in 2006, is widely regarded as one of the first Black women to gain major recognition in American science fiction, a genre that offered her few peers when she began publishing in the 1970s. Her work is frequently cited within Afrofuturism, the broader cultural movement that uses speculative fiction, technology, and alternate histories to explore the experiences of the African diaspora and to imagine Black futures beyond the constraints of the present.
"Wild Seed" is addresses themes of gender, healing roles, and the experiences of Black women, reflecting the novel’s focus on characters navigating power, transformation, and survival across generations. Readers and reviewers have consistently described it as a character-driven work rather than a plot-heavy one, with its two central figures carrying the novel through sustained psychological and emotional depth. The book is the first in the five-volume Patternist series and has drawn an active readership on platforms like Goodreads, where it holds a strong average rating from tens of thousands of readers.
The novel has also found renewed life in reading groups and community discussions in recent years, often paired with other Afrofuturist or speculative work, a sign of Butler’s lasting pull on readers well outside the genre’s traditional audience.
Studio CarryOnHarry sees "Wild Seed" as a useful entry point for readers curious about Butler’s influence on contemporary speculative fiction, and worth a look for anyone building out an Afrofuturism reading list.
About the Author: An American science fiction writer, one of the best-known among the few African-American women in the field.
[Comment by Tricia Sullivan, on The Guardian][1]:
Octavia E Butler (1947–2006)
> I was teaching in New York when I came across Octavia E Butler’s Kindred in a secondary-school catalogue of novels recommended to support diversity. It caught my attention because Butler was described as a science-fiction writer. I thought I was familiar with science fiction, but I’d never heard of her – nor have a great many other readers, I suspect. For many years, Butler was the sole African-Ameri
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Harry Johal — Entertainment Editor
Harry Johal is the Entertainment Editor at Studio CarryOnHarry, overseeing the newsroom's day-to-day coverage.
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