Artists
Alisha Liston Lashes Out at Unrealistic Social & Beauty Standards Through Music
Alisha Liston releases Whose Definition to streaming media. Whose Definition is a fast-paced song about unrealistic social and beauty standards. It reminds us about the dangers of getting caught up in the vicious cycle of trying to conform to these unrealistic ideals, and that there is no single standard. We’re all different, and we are all beautiful. Like a floral bouquet, each one is different, and all so beautiful.
Orange County, CA, June 11, 2021 –(PR.com)– Alisha Liston releases Whose Definition, the 2nd song on her upcoming EP, to streaming media.
Whose Definition is a fast-paced song that you will want to sing and dance to, about a very serious topic – unrealistic social and beauty standards. These standards often develop within us through our constant exposure to social media, and the rewards it provides.
Often, we find ourselves striving to present the version of ourselves that gets us the most likes and the most followers. Our need for social approval can be addicting, and it can drive us toward unhealthy, even deadly behaviors.
Whose Definition reminds us about the dangers of getting caught up in the vicious cycle of trying to conform to these unrealistic ideals, and that there is no single standard. We’re all different, and we are all beautiful. Like a floral bouquet, each one is different, and all so beautiful.
Alisha writes music about the feelings and experiences she’s had in hopes to help others (especially teens) grow and persevere through life’s difficulties.
Stylistically, Alisha loves painting pictures with vivid lyrics to enhance the emotional journey for her audience. She connects at an emotional level bringing to them an understanding, while offering words of hope and encouragement.
While Alisha writes music from a teenager’s point of view, she’s found her music appeals to all age-groups.
About Beautiful Illusion
Beautiful Illusion is the title of Alisha’s first EP. It is due to release in August 2021. Alisha wrote Beautiful Illusion as a way to help people (especially young people) persevere when they are faced with a difficult situation. It is those challenges that are, in a sense, a beautiful illusion. On one hand they can be very painful; however, they are often the catalyst in our development. They give us the opportunity to grow and become stronger; and in that sense, those same challenges possess a beauty inside them.
Beautiful Illusion will consist of six (6) songs, plus a bonus track. They are all very different in tempo and style. Some are acoustic ballads, whiles others are fast-paced dance beats. Together, they tell a story of the struggle and hope of the beautiful illusion.
About Alisha Liston
Alisha Liston is a 13-year old singer, songwriter, actress and aerialist who was born and raised in Southern California. Alisha has been singing for as long as she can remember, and music has always been her go-to. During her tween years, Alisha found it challenging to find age-appropriate music she could relate to. This inspired her to start writing music that speaks to young people and the challenges of that age group.
To date, Alisha has co-written and released about a half a dozen singles, and is currently working on her first EP titled, Beautiful Illusion due out in August 2021. She plans to release 3 of the songs from the EP as singles.
You can listen to Alisha’s music via her website at https://alishalistonmusic.com. Her music is also available on most streaming music platforms including Apply Music, iHeartRadio, Pandora, Spotify and YouTube Music.
YouTube: Alisha Liston
Instagram: @alishaliston
Facebook: @alishalistonmusic
For more information, contact Susan @ 949-922-5458 or susan@alishalistonmusic.com
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Tokyo Soul Singer Tyrone Hashimoto Releases New Single Oct. 2, Plays Tokyo Jazz Club Same Night
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Tyrone Hashimoto (born Shunichi Suzuki), a Tokyo-based singer-songwriter,, plans to release his latest single, "Wake Up in the Morning Sun," across streaming platforms on October 2, per his production company Teddy Bear Productions. The artist will celebrate with a live performance by the Lakeside Struttin’ Band at Sometime Jazz the same evening.
The song arrives as the latest entry in what Hashimoto has called the "Music Cruise" series, an ongoing project now in its seventh installment, according to prior coverage of his work. The announcement describes the new track as an offering of encouragement, framed around the idea that a better life is within reach.
Hashimoto has built a four-decade career that spans well beyond his nine solo albums, all recorded in English, and a catalog the announcement puts at more than 600 original songs. He’s written jingles for McDonald’s, KFC, Nissan, Canon, Sharp, Kodak and Tokyo Disneyland, among other clients, and took a bronze prize at the Cannes Commercial Film Festival in 1994 for a Panasonic spot. One commercial job, for the Japanese coffee brand UCC, reportedly involved bringing James Brown into the studio to sing for the ad.
Originally from Yaita in Tochigi prefecture, Japan,, Hashimoto won the Grand Prix at the first All Japan Folk Music Festival at age 17, citing Simon & Garfunkel and Peter, Paul and Mary among his early influences. He went on to work with Haruomi Hosono’s Tin Pan Alley project, played a role in Yellow Magic Orchestra’s debut album, and became an original member of La Orquesta Del Sol, described in the announcement as Japan’s first major salsa band.
His American profile traces back to a 1987 visit to Seattle, where local press and broadcasters, including KIRO, KUOW and NBC affiliate KING5, covered his music; a KING5 documentary profiling the artist that was subsequently distributed to 37 additional U.S. markets. He has also taught voice and guitar to more than 1,000 students, including Japanese musicians Sugizo, Miyavi, Takeru and Junya Enoki, and recently received an honorary doctorate in music education from University of Perpetual Help System DALTA in the Philippines.
For Studio CarryOnHarry, the throughline here isn’t the single itself but the career behind it: a working musician who has moved fluidly between recording artist, jingle writer and educator for going on 40 years, in two countries, without a signature hit driving any of it.
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According to the announcement, the record lands following months of roster adjustments that solidified the five-member configuration, and the record is framed as the sound of that lineup settling into place. The band describes the title not as a literal question but as a kind of shrug, an expression of the loose, sideways attitude that runs through the tracklist.
The EP opens with “Feeling Sideways,” which the band positions as the reset point for this new phase, constructed from restless grooves and crooked rhythms, per the band’s description. The focus single, “Crooked,” follows, built around jagged guitar work, live drums and a melodic bassline, with the line “I move crooked but I land just right” serving as the track’s stated thesis.
“Morning Sun” is described as a tonal shift toward something wider and brighter, using imagery like a “paper weight sky” to move from heavier material toward something more lifted. “Not Lost” continues that throughline lyrically, with the band pointing to the line “I’m not lost, I’m just aligned / With the beat that hides between your time” as a statement of purpose. The EP closes with “My Shadow’s Got Its Own Mind,” which the announcement calls a late-night, low-lit close to the record, framing the band’s embrace of unpredictability as a deliberate stance rather than a lack of direction.
Taken together, the band and its team describe What The …. as the clearest statement yet of Song 1’s identity: an alternative indie-punk work anchored in big hooks, live-wire guitars and knowing self-awareness about not fitting a mold.
Studio CarryOnHarry will be watching whether “Crooked” gives the band a genuine breakout moment beyond the EP cycle, since focus singles built around a clear lyrical hook are often where a band either finds a wider audience or doesn’t.
No compass or straight lines required, as the band themselves put it, just an audience willing to turn it up.
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