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The National Children’s Chorus (NCC) Launches Opera Division and New VAIL OPERA CAMP Initiative Under the Leadership of Artistic Director Luke McEndarfer

Harry Johal

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The National Children’s Chorus (NCC) Launches Opera Division and New VAIL OPERA CAMP Initiative Under the Leadership of Artistic Director Luke McEndarfer

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NCC Appoints Johnathan McCullough as Opera Program Director and Dylan F. Thomas as Opera Program Coordinator

The GRAMMY® Award-winning National Children’s Chorus is teaming up with its newly appointed Opera Program Director, GRAMMY®-nominated Johnathan McCullough, to launch the organization’s new VAIL OPERA CAMP initiative and Opera Vocal Studies program. 

The VAIL OPERA CAMP is an all-encompassing program where the next generation of singers, directors, conductors, stage managers, and designers can go to hone their skills with guidance from faculty and guest artists working at opera houses around the world. This season, the NCC is opening enrollment to grade school and high school students across the country and is actively looking to recruit young artists interested in opera for summer 2023.

This August, all participants will convene in Vail, Colorado, to mount a fully staged opera and learn opera history, stagecraft, design, and acting. The opera camp will offer fellowships in directing/stage management and artistic conducting, building a unique opera company for youth where students ages 10-18 will be able to gain practical experience that can be powerful for their futures as they continue studies in higher education. 

For more information about VAIL OPERA CAMP and to set up an audition, please visit https://nationalchildrenschorus.com/opera-camp/ or scan the QR code (https://imgur.com/a/RjFsVt8). Scholarship opportunities are available for all families who qualify. Enrollment is open through April 1, 2023. 

In addition to directing NCC’s VAIL OPERA CAMP, McCullough and Dylan F. Thomas (Opera Coordinator) will hold courses throughout the year for NCC members, covering a variety of topics, including opera history, acting, performance, and audition techniques. 

“It is an honor to appoint GRAMMY® Award-nominee Johnathan McCullough to lead this exciting new program. He is a distinguished NCC alumnus and looks forward to rejoining the organization — this time as a Program Director,” said Luke McEndarfer, Artistic Director and CEO.

The opera presented for summer 2023 will be “The Tinker of Tivoli,“ an original opera pastiche drawn from the works of Gioachino Rossini, including “The Barber of Seville” and “Cinderella.“ The storyline is adapted from the Grimm Brothers’ tale “The Gallant Tailor,” by Michael Jacobsen. 

The performance will be presented at the AVON Performance Pavilion at the base of the Rocky Mountains on the evening of Aug. 11. The event is free and open to the general public. It will be directed by Johnathan McCullough and conducted by Maestro Allan Laiño. 

“I’m very excited to step into this new role directing the opera program of the very chorus that started my love for singing. The NCC is where I was first introduced to classical music, which then led me to pursue my first role with Los Angeles Opera’s Opera Camp. There, I discovered my passion for opera, which led to a professional career,” said McCullough. “I’m truly thrilled to build an unparalleled resource where students can choose to train in multiple areas of operatic disciplines. I’m also honored to have Dylan F. Thomas, a brilliant director, educator and co-founder of Valley Opera & Performing Arts, on staff throughout the year, leading acting classes for our students in his new role as Opera Program Coordinator.”

To access high-definition photos that are freely available for distribution across all media platforms, please refer to this link: https://imgur.com/a/d6wb6wr.

About National Children’s Chorus:

The GRAMMY® Award-winning National Children’s Chorus, under the leadership of Artistic Director Luke McEndarfer and Associate Artistic Director Dr. Pamela Blackstone, has quickly become one of the world’s leading children’s choirs. Among the most exciting and fastest-growing music institutions for youth in the nation, the chorus provides its unparalleled training to talented singers locally and abroad, with more than 35 choirs and 1,000 students based in the chapter cities of Los Angeles, New York City, Washington, D.C., San Francisco, Austin, Dallas and Boston. Now in its second decade, the NCC’s groundbreaking Season 2022/23, entitled Resounding Voices, expands on the chorus’ recent success, featuring an array of special projects, demonstrating the organization’s firm commitment to eclectic programming, new music, world culture and extraordinary collaborations.

About Luke McEndarfer: 

Luke McEndarfer is a GRAMMY® Award-winning American conductor and one of the most compelling forces in the choral world today, with a dynamic career shaped by ambitious innovation, artistic creativity and musical excellence. Currently, he serves as Artistic Director, President and CEO of the National Children’s Chorus, one of the fastest-growing and most successful youth arts organizations in the United States. His conducting collaborations include work with the Los Angeles Philharmonic, American Youth Symphony, Los Angeles Master Chorale, Los Angeles Opera Company, New York City Master Chorale, Musica Angelica Baroque Orchestra, the Joffrey Ballet, Opera Parallèle, Kronos String Quartet, and Stephen Petronio Dance Company. Over the years, he has prepared choruses and soloists for Gustavo Dudamel, Grant Gershon, James Conlon, Stephen Layton, David Alan Miller, Ibrahim Maalouf, John Rutter, Helmuth Rilling, David Willcocks, Eric Whitacre and the late Paul Salamunovich, among others. To date, his premiere conducting performances include music by Morten Lauridsen, Sharon Farber, James Wright, Stephen Cohn, Thomas Hewitt Jones, Daniel Brewbaker, Sage Lewis, Shawn Kirchner, Paul Gibson, Rufus Wainwright, and Nico Muhly. Visit nationalchildrenschorus.com/team/.

About Johnathan McCullough: 

GRAMMY®-nominated baritone and director Johnathan McCullough recently premiered his production of David T. Little’s Soldier Songs produced by Opera Philadelphia, which was nominated for an International Opera Award and won the Artistic Creation Prize at the inaugural Opera America Awards for Digital Excellence. The film is currently streaming on the Opera Philadelphia Channel and Marquee TV. He will make his Canadian directing debut this season with the Atelier Lyrique of Opéra de Montréal in a program entitled “Emily,“ centered around works written by Emily Dickinson, co-created by conductor and pianist Christopher Allen. 

He has sung leading roles at Opera Philadelphia, Komische Oper Berlin, English National Opera, Opéra de Lausanne, Portland Opera, Wolf Trap Opera, Opera Theatre of Saint Louis and many more. McCullough was selected by Renée Fleming to participate in the Weill Institute Song Studio at Carnegie Hall where he has also performed in concert. Upcoming singing engagements include Carnegie Hall Citywide Series recital with pianist Carol Wong; the baritone soloist in Britten’s “War Requiem“ at Walt Disney Concert Hall with the National Children’s Chorus and American Youth Symphony; and appearances in leading roles with Pittsburgh Opera, Boise Philharmonic, and Opera Philadelphia. 

He holds a B.M., M.M., and Artist Diploma from the Curtis Institute of Music and has been engaged as a guest speaker with institutions including Yale, Curtis, UCLA, Mannes Opera, Young Arts: The National Foundation for the Advancement of the Arts, and Pacific Opera Victoria. As a director, McCullough’s work has been noted by The New York Times as “a pacesetter for cinematic opera.” Visit  https://mcculloughbaritone.com/.

About Dylan F. Thomas: 

Dylan F. Thomas is the co-founder and Principal Stage Director of Valley Opera & Performing Arts, currently in its 17th season in Los Angeles’ San Fernando Valley, where he has directed full productions of numerous operas, musicals, and concerts. Over the years, he has directed several family productions for the Pacific Symphony and Opera Pacific, where he also acted as both Resident Outreach Director and Education Stage Director, as well as Program Director for Opera Pacific’s Opera Camp. Metropolitan Opera soprano Ana Maria Martinez described Dylan F. Thomas as an artist who “thinks out of the box in an intriguing and captivating way … an inspiring director and mentor, particularly for young artists.” Visit https://dylanfthomas.com/. 

Source: National Children’s Chorus

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Editor's Choice

Audiences Are Rating ‘Spider-Man: Brand New Day’ and ‘Resident Evil’ Among 2026’s Hottest Films

H Johal

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Audiences Are Rating ‘Spider-Man: Brand New Day’ and ‘Resident Evil’ Among 2026’s Hottest Films

Balle Balle Radio™ Entertainment Desk

Two 2026 releases, "Resident Evil" and "Spider-Man: Brand New Day," are tied at the top of Rotten Tomatoes’ running Verified Hot list, each pulling in more than 5,000 Verified ratings from ticket-buying audiences, according to the site’s latest update.

Just as Certified Fresh represents critics’ consensus via the Tomatometer, Verified Hot is its audience equivalent, requiring a minimum 90% score on the Popcornmeter using ratings exclusively from Fandango ticket buyers, according to the guide. Rotten Tomatoes introduced the badge to give paying audiences their own equivalent stamp of approval, separate from critical consensus.

Behind the two leaders in the largest-sample tier, "The Odyssey" ranks second with over 5,000 Verified ratings, followed by "Project Hail Mary," "Obsession," "Hoppers" and "The Super Mario Galaxy Movie." Several of these titles also turn up on other year-end and mid-year lists tracking 2026’s most-discussed films, including "The Odyssey," "Project Hail Mary" and "Obsession" among the movies cited as generating the most audience conversation this year.

In the next tier, covering films with 1,000 to 5,000 Verified ratings, "Avengers: Endgame," "Heart of the Beast," "Forgotten Island" and "Practical Magic 2" share the top spot, with "Coyote vs. Acme," "The Invite," a musical performance film featuring Stray Kids and others filling out the rest of the ranking. Rotten Tomatoes notes a third, smaller tier of 250 to 999 ratings exists for titles still building an audience track record, which it describes as newer and more niche releases.

New films earning a 90% Popcornmeter score are added weekly, with placement within each tier based on cumulative Verified rating volume.

Studio CarryOnHarry will be watching whether films lower in the 1,000-to-5,000 tier gain enough ratings to crack the top bracket as the list updates through the rest of 2026.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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Editor's Choice

Revisiting Octavia Butler’s “Wild Seed,” the 1980 novel that opens her Patternist series

H Johal

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Revisiting Octavia Butler’s “Wild Seed,” the 1980 novel that opens her Patternist series

Balle Balle Radio™ Entertainment Desk

Octavia E. Butler’s "Wild Seed," released in 1980, remains one of the author’s most widely read novels decades after its release. It opens Butler’s five-book Patternist cycle, a five-book speculative fiction cycle, and continues to draw new readers and critical attention.

Butler, who died in 2006, is widely regarded as one of the first Black women to gain major recognition in American science fiction, a genre that offered her few peers when she began publishing in the 1970s. Her work is frequently cited within Afrofuturism, the broader cultural movement that uses speculative fiction, technology, and alternate histories to explore the experiences of the African diaspora and to imagine Black futures beyond the constraints of the present.

"Wild Seed" is addresses themes of gender, healing roles, and the experiences of Black women, reflecting the novel’s focus on characters navigating power, transformation, and survival across generations. Readers and reviewers have consistently described it as a character-driven work rather than a plot-heavy one, with its two central figures carrying the novel through sustained psychological and emotional depth. The book is the first in the five-volume Patternist series and has drawn an active readership on platforms like Goodreads, where it holds a strong average rating from tens of thousands of readers.

The novel has also found renewed life in reading groups and community discussions in recent years, often paired with other Afrofuturist or speculative work, a sign of Butler’s lasting pull on readers well outside the genre’s traditional audience.

Studio CarryOnHarry sees "Wild Seed" as a useful entry point for readers curious about Butler’s influence on contemporary speculative fiction, and worth a look for anyone building out an Afrofuturism reading list.

About the Author: An American science fiction writer, one of the best-known among the few African-American women in the field.

[Comment by Tricia Sullivan, on The Guardian][1]:
Octavia E Butler (1947–2006)

> I was teaching in New York when I came across Octavia E Butler’s Kindred in a secondary-school catalogue of novels recommended to support diversity. It caught my attention because Butler was described as a science-fiction writer. I thought I was familiar with science fiction, but I’d never heard of her – nor have a great many other readers, I suspect. For many years, Butler was the sole African-Ameri

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Harry Johal is the Entertainment Editor at Studio CarryOnHarry, overseeing the newsroom's day-to-day coverage.

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