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ReachTV Announces Content & Distribution Partnership With PickleJar

Harry Johal

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ReachTV Announces Content & Distribution Partnership With PickleJar


Press Release


Mar 2, 2023 09:00 EST

ReachTV, the largest streaming television network targeting travelers, today announced a partnership with PickleJar, the leader in unified live entertainment technology, that will bring greater visibility to PickleJar artists, podcasters, and content partners to over 50 million Nielsen-rated monthly viewers.

The multi-year deal is part of ReachTV’s aggressive expansion into original content and focus on storytelling. It will include the broadcast of PickleJar’s curated music and entertainment content, including PickleJar’s original shows. Additionally, ReachTV will be able to extend its advertisers’ reach across PickleJar’s growing nationwide network of on-premise digital signage in local partner venues.Β 

“PickleJar’s fierce ‘artist first’ approach is in true alignment with ReachTV, and we are looking forward to the collaboration and opportunities ahead in this space,” said Lynnwood Bibbens, founder and CEO of ReachTV.

“Live music touches all of us. This partnership significantly expands the voice of our PickleJar artists and partners,” said Jeff James, PickleJar chief executive officer. “This partnership will give both parties immense opportunities for growth and new audience engagement, and leverages the technology of ReachTV to showcase the artists, venues and partners on our platform.”

As part of the agreement, ReachTV will also cross-sell PickleJar’s digital signage inventory and in-app ad network, part of PickleJar’s Venue Managed Services offering launched late last year. The partnership was brokered byΒ THE SHARPE ALLIANCE, currently managing partnerships, brand integrations, sponsorships and co-marketing opportunities for its client, PickleJar.

About ReachTV:

ReachTV is a free ad-supported streaming television network with more than 40 million viewers per month. The network is distributed in 500,000 hotels and 2,500+ airport screens across North America, and powers 24-hour live sports in-flight. ReachTV brings together tech, data and storytelling to offer viewers a new connected media experience with shopability, featuring a rich library of content with originals, live rights to the NFL, and licensed content from NBCU, AMC, Live Nation, Advertising Week, Fast Company and more. Learn more at https://reachtv.com/.

About PickleJar Holdings:

PickleJar is a content-driven media network and live entertainment technology, unifying every touchpoint of the fan experience for emerging artists, mid-sized venues, and global brands. The Company’s payments technology, Venue Managed Services and proprietary performance management tools are changing the way money is made and moved in the entertainment industry. Leveraging the advertising and music industry expertise of our leadership team, the Company offers a suite of services and revenue-share programs to create direct engagement between artists and fans and increase loyalty for venues and brands through the PickCoins rewards program for the new Gratitude Economy. VisitΒ PickleJar.com to learn more about The Company’s expanding platform of services engineered to “monetize the moments.”

Source: ReachTV



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Ex-XM Executive’s Memoir Recalls Satellite Radio Launch Delayed by 9/11

H Johal

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Ex-XM Executive’s Memoir Recalls Satellite Radio Launch Delayed by 9/11

Balle Balle Radio™ Entertainment Desk

Twenty-five years after the September 11 attacks postponed its debut, a founding XM executive has released a memoir about the satellite radio company’s launch. "They Pay for Water: Building XM Satellite Radio from a Paper Concept to Millions of Subscribers," by Dan Murphy, went on sale August 17 in ebook, paperback and hardcover, according to the announcement.

The company was set to launch its inaugural U.S. satellite radio service on September 12, 2001, in the Dallas/Fort Worth and San Diego markets. Murphy and the executive team flew out of Washington, D.C. in the early morning hours of September 11, per the announcement. The launch was pushed back, going live September 25 and expanding nationally by that November.

After joining Sony as a 24-year-old with minimal prior experience, Murphy spent 15 years helping to capitalize, build, and launch XM’s satellite infrastructure, create its receivers, and establish distribution channels in retail and automotive sectors., the announcement states. "After Walkman, Discman, I was looking to join the next big audio innovation when a recruiter called," Murphy said. "It sounded perfect. It was going to be radio the way it should be."

The volume addresses the company’s funding rounds, satellite deployment, distribution challenges across retail and automotive channels, programming strategy, customer economics, multiple Chapter 11 threats, and its ultimate acquisition by Sirius., according to the announcement. "We had spent years getting ready for the biggest launch of our careers, and then the country stopped," Murphy said. "For weeks afterward, I did not know whether anyone would still care about satellite radio."

Positioned as both corporate history and personal narrative, the book targets audiences seeking insight into the construction of major consumer-facing ventures requiring substantial capital investment. β€” a framing the announcement ties to ongoing debates in the audio industry over subscription economics. It is Murphy’s first book and is available now on Amazon.

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‘SALIGIA’ Inverts the Seven Deadly Sins: New Book Explores Virtues Through Mythological Fantasy

H Johal

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‘SALIGIA’ Inverts the Seven Deadly Sins: New Book Explores Virtues Through Mythological Fantasy

Balle Balle Radio Entertainment Desk

Author Tagore Almeida’s new book, “SALIGIA: The Evil Is Outside. The War Is Within.,” is now available on Amazon, according to the announcement promoting the release.

The title is not invented for the book. SALIGIA is a centuries-old Latin mnemonic device used in Christian theology to remember the seven deadly sins: Superbia (pride), Avaritia (greed), Luxuria (lust), Invidia (envy), Gula (gluttony), Ira (wrath) and Acedia (sloth). The sins themselves never appear as an explicit list in the Bible; the grouping developed within early Christian tradition, drawing on scattered biblical passages, and the acronym became a memory aid for clergy and laypeople alike. The announcement itself does not spell out this connection, though it’s central to how the book’s central conceit works.

Where the traditional mnemonic catalogs vices, Almeida’s book inverts it: according to the announcement, the story is structured as a journey through a symbolic ancestral dwelling with separate rooms, each embodying different virtues rather than sins β€” courage, compassion, humility, integrity, forgiveness, reverence and love. Other promotional material describes the book as a mythological fantasy following characters named Salem and Medea on a quest against the forces the title names, and credits the release to publisher The Alcove Publishers, which has described the book as blending mythology, self-reflection and mystery.

The announcement frames the project as “a fusion of mythological elements, spiritual themes, philosophical inquiry, and personal exploration,” built around the idea that readers already possess the virtues the book examines, rather than seeking them from external sources.

The book is currently listed for sale on Amazon under Almeida’s author page.

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