Studio Team CarryOnHarry, July 28, 2025

Rajiv Rai’s return to filmmaking with “Zora” after a two-decade hiatus is more than just a comeback; it’s a defiant statement against the current Bollywood landscape. His journey, as revealed in this comprehensive interview, is a fascinating blend of creative passion, pragmatic resourcefulness, and a deep-seated belief in the power of storytelling over star power.

Rai’s initial break wasn’t merely a career pause but a conscious decision to prioritize family, particularly his son. This reveals a personal depth often unseen in the glitzy world of Bollywood. His return to filmmaking, spurred by a creative itch and a desire to contribute something meaningful, underscores a genuine love for the craft. He wasn’t driven by financial necessity, which afforded him the freedom to pursue a project entirely on his own terms.

“Zora” is a testament to Rai’s commitment to budget control and creative freedom. Eschewing corporate partnerships and OTT platforms, he chose to self-fund and maintain complete artistic control. This allowed him to make a film true to his vision, a suspense thriller focused on story and suspense rather than extravagant sets or A-list actors. His decision to cast entirely new faces from regional cinema, modeling, and theatre is a bold move, a direct challenge to the nepotism that often plagues Bollywood. The meticulous casting process, spanning eight months, highlights his dedication to finding the right talent, regardless of their prior experience.

Rai’s filmmaking philosophy, shaped by his 50 years in the industry, emphasizes audience engagement and entertainment. He acknowledges that critics haven’t always been kind to his films, but he prioritizes the appreciation of the viewers. His belief that a popular film is a good film reflects a populist approach, a desire to connect with the masses rather than cater to niche tastes. This is further illustrated by his anecdote about the beggar who prioritizes a movie ticket over food – a testament to the power of cinema to provide escapism and enjoyment.

The technical aspects of “Zora” also reveal Rai’s ingenuity. The use of multiple cameras and older equipment demonstrates a resourcefulness born from necessity. By forgoing elaborate sets and shooting on real locations in Rajasthan, he created a realistic and authentic backdrop for his story. Even the dietary restrictions on set (vegetarian only) reflect a personal touch and commitment to his values.

Rai’s reflections on his past successes and his relationship with Amitabh Bachchan offer valuable insights into the dynamics of the film industry. His disappointment over the unmade film “Dada Thakur” ultimately led him to create “Mohra,” a film that solidified his reputation as a master of suspense. His story serves as a reminder that setbacks can often pave the way for unexpected opportunities. His view on nepotism is especially welcome at a time where this topic is heavily discussed.

Ultimately, Rajiv Rai’s return with “Zora” is a refreshing reminder that compelling storytelling and genuine passion can triumph over budget constraints and industry conventions. It is a testament to his resilience, his creative vision, and his unwavering commitment to entertaining the audience, a pure Hindi film crafted with honesty, integrity, and a deep love for cinema.