TV & MOVIES

The Fault in Our Stars and Poor Things Head Netflix’s September 2026 Exit List

Published

3 hours ago

August 25, 2026

Johal

The Fault in Our Stars and Poor Things Head Netflix’s September 2026 Exit List

Balle Balle Radio™ Entertainment Desk

The Fault in Our Stars departs Netflix on Sept. 1 and Poor Things on Sept. 7, per Netflix’s content rotation schedule, as a broader wave of licensed titles cycles off the service next month.

As Netflix adds films such as 17 Again, Knocked Up, and What’s Your Number? this September, it simultaneously removes other licensed content per existing distribution deals. Other tracking of the September changes lists additional departures including Creed, Anatomy of a Fall, The Big Lebowski, The Breakfast Club, Schindler’s List, the Zombieland films, and the Rocky and live-action Scooby-Doo franchises — a pattern of large-scale content shifts that the platform now executes as standard practice.

The Fault in Our Stars, the 2014 adaptation of John Green’s novel, stars Shailene Woodley and Ansel Elgort as teenagers who meet in a cancer support group and fall in love. It leaves Netflix Sept. 1, though it remains available on Disney+. Poor Things, directed by Yorgos Lanthimos and starring Emma Stone in an Academy Award-winning performance, exits Sept. 7; the film has drawn attention on outgoing lists this cycle as one of the more recent awards-season titles to make an early exit from the service.

The complete September removal slate runs longer than these two films, spanning both current awards contenders and decades-old franchise catalogs, but Netflix has not published a single consolidated schedule — the full picture has instead emerged piecemeal across multiple tracking lists this week.

Studio CarryOnHarry Perspective

At Studio CarryOnHarry, we recognize that Netflix’s content departures matter most when viewers know exactly *when* to watch. The fragmented rollout of removal dates—scattered across multiple tracking lists rather than consolidated by Netflix itself—creates friction for subscribers trying to plan their viewing. While the article captures the scope of September’s changes, the lack of a unified removal calendar forces fans to hunt for dates across sources. A clear countdown approach transforms what could feel like an overwhelming content purge into an actionable viewing schedule. For audiences who treasure *The Fault in Our Stars* nostalgia or want to experience Emma Stone’s Oscar-winning *Poor Things* before it vanishes, having every departure date in one place isn’t just convenience—it’s service journalism that respects viewers’ time and priorities.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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Editor's Choice

Arijit’s Exit Unlocks Shaan’s Private Battle With Playback Singing

Published

2 days ago

August 23, 2026

Johal

Arijit’s Exit Unlocks Shaan’s Private Battle With Playback Singing

Studio CarryOnHarry Entertainment Desk | 23 August 2026

Veteran Bollywood singer Shaan has opened up about a deeply personal crossroads in his career — a moment when he seriously considered walking away from playback singing altogether. His candid confession comes in the wake of Arijit Singh’s headline-making decision to step back from film playback work, which has been one of the most talked-about developments in Bollywood’s top stories of 2026.

Shaan Opens Up on Arijit Singh’s Departure

Speaking in a candid conversation with veteran trade analyst Komal Nahta, Shaan was quick to offer some nuance around Arijit’s situation. He noted that Arijit hasn’t retired from singing entirely and has reportedly recorded a substantial volume of songs that are yet to see a public release.

“In the next two years, you’ll get to hear a lot of Arijit Singh,” Shaan remarked, adding that nothing is set in stone and the acclaimed singer could very well change his mind down the line.

The Personal Dilemma Shaan Faced in His Thirties

Shaan then turned the lens on himself, revealing that around the age of 33–34, at a point when his career was flourishing and awards were coming his way, he found himself questioning his path. A strong pull toward social work and community service made him feel that his relentless schedule was leaving no room for anything beyond music.

Singing for Everyone — A and B-Grade Films Alike

Unlike Arijit Singh, who rose swiftly to the top and became highly selective about the projects he accepted, Shaan took a very different approach. He would leave home early each morning and lend his voice to films across every budget category — from prestige productions to smaller, independent ventures.

Fellow singers KK and Sonu Nigam repeatedly advised him to be more selective
Their message was direct: “Don’t sing all kinds of songs. Keep your standard, bro”
Shaan, however, found it impossible to decline when approached with warmth and affection

A Legacy Rooted in Family and Gratitude

Shaan’s deep ties to the industry made turning down requests especially difficult. His grandfather was lyricist Jahar Mukherjee, and his father was the late, celebrated music director Manas Mukherjee. Colleagues of his father and their families would often approach Shaan for playback work — and saying no felt like a betrayal of those bonds.

“I got a lot of blessings from them,” Shaan reflected, suggesting that those experiences, however commercially varied, enriched his journey in ways that go beyond awards or chart positions. For broader entertainment industry coverage, this kind of insider perspective rarely surfaces so honestly.

Studio COH Perspective

Shaan’s revelation adds vital context to the ongoing conversation about artistic identity in Bollywood’s playback ecosystem. When icons like Arijit Singh step back and legends like Shaan admit to their own moments of doubt, it signals a deeper reckoning within the industry. The pressures of loyalty, legacy, and commercial demand are forces every artist navigates — and these honest conversations help fans and industry watchers alike understand the human cost of a career in the spotlight.

– Entertainment Desk, Studio Carry On Harry

Background & Timeline

Shaan, born Shantanu Mukherjee, comes from one of Bollywood’s most storied musical families. His grandfather was lyricist Jahar Mukherjee, his father the late music director Manas Mukherjee, and his sister is singer Sagarika. Shaan rose to prominence in the late 1990s and 2000s, becoming one of Hindi cinema’s most versatile voices. In 2026, Arijit Singh’s announcement of stepping back from film playback singing reignited broader discussions about artistic burnout, selectivity, and the personal toll of a high-demand creative career in Bollywood.

Studio CarryOnHarry Perspective

At Studio Carry On Harry, we see Shaan’s candid revelation as a mirror held up to an industry that rarely pauses to reflect. When two of Bollywood’s greatest voices — Arijit Singh and Shaan — both arrive at moments of existential doubt, it tells us something profound about the cost of creative generosity. Shaan’s story, rooted in family loyalty and an open heart, is a reminder that behind every beloved song is a human being navigating impossible choices. That’s the Bollywood story worth telling.

What’s Next?

Watch closely for any further statements from Arijit Singh regarding his playback future, and keep an eye on whether Shaan takes on a more selective approach to his projects in the coming months. With a reported two years’ worth of Arijit recordings still to release, the conversation around Bollywood’s golden-voiced generation is far from over.

Editor’s Verdict

Shaan’s candour here is rarer than it appears. Two celebrated voices, two very different careers, yet both arrived at the same quiet question — is this still worth it? What’s striking is that Shaan’s hesitation wasn’t about fame or fatigue, it was about meaning. He kept saying yes not out of commercial calculation but out of inherited loyalty, the kind that doesn’t show up on a streaming dashboard. That generosity cost him selectivity but gave him something else entirely — a career woven into the fabric of the industry rather than positioned above it. Whether that trade-off was wise is genuinely debatable, but it was deeply human. Beyond the headlines, the most enduring voices in Bollywood may not be the ones who guarded their legacy most carefully, but the ones who gave it away most freely.

Studio Ki Raye

Arijit ka playback se step back lena ek bada news moment tha — lekin Shaan ki baat ussse zyada revealing hai. Arijit ki selectivity ek luxury thi jo overnight stardom ne di. Shaan ka model bilkul ulta tha — har film, har budget, har request. KK aur Sonu Nigam jaisa industry ka koi bhi singer yahi advice deta, lekin Shaan ke liye “standard maintain karna” ek emotional option nahi tha jab baap ke saathiyon ke bachche darwaza khadkhaate the. Yeh sirf nostalgia nahi hai — yeh ek important reminder hai ki Bollywood mein loyalty aur legacy kabhi kabhi artistic identity se bhaari pad jaati hai. Aur is industry mein jo log sab kuch lete hain, woh aksar woh hote hain jinhe “no” kehna sikhaya hi nahi gaya.

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TV & MOVIES

Netflix India’s August Release ‘Pyaar Prema Kalyanam’ Challenges Marriage Expectations Through Humor

Published

4 days ago

August 21, 2026

Johal

Netflix India’s August Release ‘Pyaar Prema Kalyanam’ Challenges Marriage Expectations Through Humor

Balle Balle Radio Entertainment Desk

Netflix India released the Tamil-language film "Pyaar Prema Kalyanam" on August 21, a romantic comedy built around a reversal of a common Indian marriage custom: rather than the bride moving into her husband’s family home, the film follows a husband who moves in with his wife and her parents.

The movie is a spiritual sequel to the 2018 film "Pyaar Prema Kaadhal," according to the release, though the earlier film is not available on Netflix. Writer-lyricist Elan, who directed that 2018 film, returns to direct the new one and makes his acting debut in the lead role. The release arrives as part of a broader push: Netflix has said it plans to release at least one new Tamil, Telugu or Malayalam title — a mix of Originals and theatrical acquisitions — every week for the remainder of 2026, and roughly half of the Tamil and Telugu Originals it previously announced for the year have already debuted.

According to Netflix’s synopsis, the film centers on Pavi (Saanvee Meghana), an influencer who refuses to leave her family home after marriage, prompting her husband Elan to move in instead. The arrangement sets off what the synopsis describes as culture clashes and family tension as the couple navigates who gets to define their own relationship.

The film is produced by Sreenidhi Sagar for Rise East Entertainment, the studio behind Netflix’s Tamil Original "Made in Korea." It’s written by debut screenwriter Nivedita Pohankar, with music by composer Yuvan Shankar Raja, who also scored "Maareesan."

Saanvee Meghana, who plays Pavi, previously appeared in the 2021 Telugu anthology "Pitta Kathalu." The supporting cast includes Radhika Sarathkumar, Yogi Babu, M.S. Bhaskar, Geetha Kailasam and Senthil. In a statement included with the release, Elan said the story aims to feel "familiar yet refreshingly different" and called his acting debut "incredibly special."

"Pyaar Prema Kalyanam" runs 2 hours 6 minutes and carries a TV-14 rating in the U.S. for language and smoking. It is streaming now on Netflix.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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