Artists
Two New String Quartets to Premiere at Pasadena Concert Spotlighting Latin American Composers
Balle Balle Radio™ Entertainment Desk
This fall, the Hispano String Quartet will debut two newly composed works as part of “Viva la Hispanidad,” a chamber music concert scheduled for October 24, 2026, at St. Andrew Catholic Church in Pasadena. The program pairs the debuts with an established repertoire piece and works by five other composers from Cuba, Costa Rica and Mexico.
The concert is produced by composer and conductor Yalil Guerra through RYCY Productions, a division of RYCY Music Group, and advances the quartet’s mission to increase representation of Hispanic and Latin American composers in classical music programming.
The two premieres are “Guerra String Quartet” by Costa Rican composer Francisco Castillo and “De cuerdas…” by Cuban composer Jorge Maletá, according to the announcement. Both pieces were written for the ensemble, allowing composers to connect directly with performers and audiences instead of encountering their work through intermediaries. The program also includes Guerra’s own String Quartet No. 2, which earned a Latin GRAMMY nomination in 2014, alongside works by Paquito D’Rivera, Eddie Mora and Eduardo Gamboa. Together the six composers represent three national traditions: Cuban, Costa Rican and Mexican.
The quartet itself is made up of violinists Marlene Gentile and Alejandro Junco, violist Alejandra Moreno and cellist Masiel Medina.
“In a time when classical music must find new ways to remain vital and relevant, building a genuine relationship between composers and audiences is essential,” Guerra said in the announcement, adding that the goal is to close the distance between the stage and the public and give listeners a reason to return to live concerts.
The concert begins at 8 p.m. at St. Andrew Catholic Church, 311 North Raymond Ave. in Pasadena. Tickets are on sale now through Eventbrite. No information was provided about future recordings or performances of the new works beyond their Pasadena premiere.
Studio CarryOnHarry Perspective
At Studio CarryOnHarry, we recognize that hosting classical premieres in a church sanctuary carries significance beyond programming. St. Andrew’s acoustic properties—designed centuries ago for music and gathering—create an intimacy that concert halls sometimes can’t replicate, allowing chamber works to breathe naturally while inviting broader community participation. This choice anchors the concert in Pasadena’s cultural fabric, positioning it not as an exclusive event for classical music insiders but as a neighborhood gathering that values accessibility. The sacred space itself becomes part of the artistic statement: these new Latin American voices aren’t being cordoned off in specialized venues, but integrated into communal cultural life. For audiences hesitant about classical music’s perceived formality, a church setting feels more welcoming—suggesting that discovery and connection matter more than rigid concert etiquette. This approach models how classical music remains vital by meeting listeners where they are.
Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.
Press Releases at Studio CarryOnHarry
Artists
SENSANE to Release Debut Vocal Album in October with UK and Indian Artists
Balle Balle Radio™ Entertainment Desk
SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.
The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.
"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."
Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.
Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.
Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.
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Artists
From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’
C’batch reworks a previous guitar recording into instrumental piece “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” continuing the artist’s practice…
Balle Balle Radio™ Entertainment Desk
C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.
The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.
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