Artists
102-Year-Old Rosie the Riveter Returns to Historic WWII Factory 80 Years Later with Original Tribute Song She Wrote
As the first woman ever hired at Evaporated Metal Films — now Omega Optical’s Large Format Coatings Division in Ithaca, NY —Dorothy built gun prisms for tanks and aircraft during WWII, helping America’s soldiers fight overseas.
Now, more than 80 years later, she will return to the very factory where her journey began — carrying a powerful original song she helped write that brings her story to life.
The song, “The Things I’ve Seen,” features Dorothy’s own voice woven into the recording and was co-written by Dorothy herself alongside her niece and caretaker, Robin Nicholas, and songwriter-producers Janeen Ferdinand and Sammy Maloof.
The track captures Dorothy’s memories, resilience, and enduring love for her family, her faith, and her country.
“We don’t have many women like her left,” said Janeen Ferdinand. “Dorothy’s story isn’t just being told — she’s telling it herself. Every lyric reflects the wisdom, grit, and gratitude she’s carried for over a century. This is more than a tribute.
It’s her voice, her heart, and her history set to music.”
“Dorothy is a living example of how one woman’s hands helped build the future of America,” said Robin Nicholas, Dorothy’s niece. “This homecoming honors her work, her love, and her faithfulness.”
Media Invitation
Dorothy and her family will visit EMF (formerly Evaporated Metal Films), a division of Omega Optical in Ithaca, New York, on Friday August 1, 2025 for the first time since World War II.
Local press and national media are invited to attend this once-in-a-lifetime homecoming and legacy celebration.
For interviews or press inquiries,
Contact: Janeen Ferdinand
Email: janeenferdinand@gmail.com
About the Song
“The Things I’ve Seen” is a moving collaboration between 102-year-old Dorothy Nicholas, her niece Robin Nicholas, singer/songwriter Janeen Ferdinand, and Sammy Maloof; (star of the Netflix series: “DRIVE HARD: The Maloof Way”). Featuring Dorothy’s own voice, the song is a testament to her incredible century- long journey and the enduring sacrifice of the Greatest Generation.
Watch Dorothy’s story and listen to her song on YouTube:
https://www.youtube.com/watch?v=72AGkdM2yA8
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Tokyo Soul Singer Tyrone Hashimoto Releases New Single Oct. 2, Plays Tokyo Jazz Club Same Night
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Tyrone Hashimoto (born Shunichi Suzuki), a Tokyo-based singer-songwriter,, plans to release his latest single, "Wake Up in the Morning Sun," across streaming platforms on October 2, per his production company Teddy Bear Productions. The artist will celebrate with a live performance by the Lakeside Struttin’ Band at Sometime Jazz the same evening.
The song arrives as the latest entry in what Hashimoto has called the "Music Cruise" series, an ongoing project now in its seventh installment, according to prior coverage of his work. The announcement describes the new track as an offering of encouragement, framed around the idea that a better life is within reach.
Hashimoto has built a four-decade career that spans well beyond his nine solo albums, all recorded in English, and a catalog the announcement puts at more than 600 original songs. He’s written jingles for McDonald’s, KFC, Nissan, Canon, Sharp, Kodak and Tokyo Disneyland, among other clients, and took a bronze prize at the Cannes Commercial Film Festival in 1994 for a Panasonic spot. One commercial job, for the Japanese coffee brand UCC, reportedly involved bringing James Brown into the studio to sing for the ad.
Originally from Yaita in Tochigi prefecture, Japan,, Hashimoto won the Grand Prix at the first All Japan Folk Music Festival at age 17, citing Simon & Garfunkel and Peter, Paul and Mary among his early influences. He went on to work with Haruomi Hosono’s Tin Pan Alley project, played a role in Yellow Magic Orchestra’s debut album, and became an original member of La Orquesta Del Sol, described in the announcement as Japan’s first major salsa band.
His American profile traces back to a 1987 visit to Seattle, where local press and broadcasters, including KIRO, KUOW and NBC affiliate KING5, covered his music; a KING5 documentary profiling the artist that was subsequently distributed to 37 additional U.S. markets. He has also taught voice and guitar to more than 1,000 students, including Japanese musicians Sugizo, Miyavi, Takeru and Junya Enoki, and recently received an honorary doctorate in music education from University of Perpetual Help System DALTA in the Philippines.
For Studio CarryOnHarry, the throughline here isn’t the single itself but the career behind it: a working musician who has moved fluidly between recording artist, jingle writer and educator for going on 40 years, in two countries, without a signature hit driving any of it.
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According to the announcement, the record lands following months of roster adjustments that solidified the five-member configuration, and the record is framed as the sound of that lineup settling into place. The band describes the title not as a literal question but as a kind of shrug, an expression of the loose, sideways attitude that runs through the tracklist.
The EP opens with “Feeling Sideways,” which the band positions as the reset point for this new phase, constructed from restless grooves and crooked rhythms, per the band’s description. The focus single, “Crooked,” follows, built around jagged guitar work, live drums and a melodic bassline, with the line “I move crooked but I land just right” serving as the track’s stated thesis.
“Morning Sun” is described as a tonal shift toward something wider and brighter, using imagery like a “paper weight sky” to move from heavier material toward something more lifted. “Not Lost” continues that throughline lyrically, with the band pointing to the line “I’m not lost, I’m just aligned / With the beat that hides between your time” as a statement of purpose. The EP closes with “My Shadow’s Got Its Own Mind,” which the announcement calls a late-night, low-lit close to the record, framing the band’s embrace of unpredictability as a deliberate stance rather than a lack of direction.
Taken together, the band and its team describe What The …. as the clearest statement yet of Song 1’s identity: an alternative indie-punk work anchored in big hooks, live-wire guitars and knowing self-awareness about not fitting a mold.
Studio CarryOnHarry will be watching whether “Crooked” gives the band a genuine breakout moment beyond the EP cycle, since focus singles built around a clear lyrical hook are often where a band either finds a wider audience or doesn’t.
No compass or straight lines required, as the band themselves put it, just an audience willing to turn it up.
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