Artists
Indie Band Reaches Next Level with Producer Joey Bradford of The Used
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Taking advantage of the COVID lockdown rather than letting it slow them down, the new version of the band took the time to blend their talents as well as create new friendships. As San Diego music venues began to reopen, they were ready to rock. Now, two years later, they are releasing their first album, “Next Level” – produced by Joey Bradford. Although still touring with The Used, Bradford runs a recording studio in Vista, CA. Helping to elevate and round out the band’s Electro Pop sound with the addition of dance and modern rock vibes, the songs on the new album truly are “next level.”
“Feeling the tremendous energy from our audiences and connecting with them personally at our live shows has been amazing the past couple of years,” says lead singer, Chase Manary. “I have been in several different bands and enjoyed being a part of each one. But I think that connecting with these guys was my destiny.”
Original band member and drummer, Chris “Jaws” Ruzika agrees that the band has evolved into what he has been working toward for many years. “I couldn’t be happier with where we are as a band. We have been recording a new song almost every other month and to see this album come together has been phenomenal.”
The first song they recorded in 2021, “Midnite Drive,” hit the top 91 songs list for 2021 for San Diego’s popular radio station, 91X. Since then, the station has chosen three of their other songs as the song of the month for the Local Break Show that airs every Sunday night.
In addition to being nominated for the Best Indie/Alternative Artist at the San Diego Music Awards for two years in a row, they recently received a nomination from the Hollywood Independent Music Awards for their song, “Upload.”
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SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.
The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.
"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."
Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.
Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.
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The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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