Books
Author Sharon Rogers’s New Book, “Auntie and the Big Red Comb,” is a Beautiful Story of a Young Girl Whose Aunt Uses Her Special Red Comb to Help with Her Hair
A native of Hickman, Kentucky, author Sharon Rogers holds a bachelor’s degree in home economics majoring in child development from Murray State University, as well as a master’s degree in education and instructional technology from American InterContinental University. As a Head Start teacher, she would often write stories about her students to make them laugh and, in her spare time, she enjoys motivational speaking for teenagers, braiding hair, writing children’s short stories and poetry, and running the Mrs. Sharon Reading Corner for young children online.
Sharon writes, “For us as children, every Saturday was our hair ritual day. We would wake up, clean the house, and start the practice. We would wash, dry, and straighten our hair. My mom or older sister would braid our hair. As a grown-up, it is my turn. This ritual continued, but it is I who would wash, condition, blow-dry, and braid my niece’s hair. It is always a great bonding and learning time. There are special combs for combing and parting our hair.
“This story is about a little girl named Brittany and her auntie. Brittany knows that when Auntie walks in with her bag with the big red comb and supplies, it is time to do her hair. Brittany also knows that she will be counting, sorting, and making patterns with beads to go on her hair. Auntie believes that when she braids Brittany’s hair in love, it will always come out in a beautiful style. It never comes out the same way twice. Not only is Auntie making her beautiful, but she is also teaching her some math skills.”
Published by Page Publishing, Sharon Rogers’s adorable tale is inspired by the author’s own experiences doing her niece’s hair, and the wonderful connection they share from spending that time together. With colorful and vibrant illustrations by Mark Watts, readers of all ages are sure to be delighted by “Auntie and the Big Red Comb” and want to revisit this riveting tale over and over again.
Readers who wish to experience this enthralling work can purchase “Auntie and the Big Red Comb” at bookstores everywhere, or online at the Apple iTunes Store, Amazon, Google Play, or Barnes and Noble.
For additional information or media inquiries, contact Page Publishing at 866-315-2708.
About Page Publishing:
Page Publishing is a traditional, full-service publishing house that handles all the intricacies involved in publishing its authors’ books, including distribution in the world’s largest retail outlets and royalty generation. Page Publishing knows that authors need to be free to create, not mired in logistics like eBook conversion, establishing wholesale accounts, insurance, shipping, taxes, and so on. Page’s accomplished writers and publishing professionals allow authors to leave behind these complex and time-consuming issues and focus on their passion: writing and creating. Learn more at www.pagepublishing.com.
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New Space Opera ‘Cacophony Of Separation’ Follows Two Broken Souls Through a Galactic Empire Built on Subjugation
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Bryan P. Harty has a new novel out: "Cacophony Of Separation," a dark space opera depicting a future in which Earth’s dominant leaders control alien races and subjugated worlds through force. Studio CarryOnHarry received an announcement of the release, published through Newman Springs Publishing.
The book follows two central characters. Boer, a disgraced addict, seeks redemption by facing trials the publisher characterizes as impossible. Rebecca has lost her memory but is driven by vengeance. According to the announcement, the two are on a collision course that will determine whether humanity’s empire survives its own corruption, with ancient powers maneuvering behind the scenes throughout.
The publisher describes Harty’s work as centered on morally ambiguous protagonists and unresolved consequences, with the author’s stated approach avoiding tidy endings in favor of choices that carry lasting weight. The novel’s advertised themes include addiction, redemption, transformation, and the fracturing of empires built on subjugation.
Harty framed the book’s central question in his own words: "This novel asks what we’re willing to become in pursuit of redemption, and whether the cost is ever worth the price. Boer and Rebecca exist in a galaxy that doesn’t forgive weakness, yet both must find strength in the wreckage of their former selves. I wanted to create a space opera that refuses to look away from the brutality of power and the hunger for transformation."
Retail listings describe the book similarly, pitching it as a dark, unflinching look at power, addiction, transformation and the cost of redemption, with cover copy inviting readers to "step into a galaxy where nothing — and no one — is what it seems." The novel is listed for sale in paperback and Kindle editions, alongside Apple iTunes, Google Play, and Barnes & Noble.
Studio CarryOnHarry will be watching to see whether Harty’s promise of unresolved, morally messy storytelling holds up as more readers weigh in, given how heavily the announcement leans on that distinction.
Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.
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The story follows two characters whose paths cross unexpectedly, according to the announcement, setting off a relationship neither one saw coming. From there, the book traces how that single encounter ripples outward, testing the couple through what the announcement describes as life’s unpredictable challenges while they try to build something lasting without losing their individual sense of self.
Haynes has described the novel as an attempt to work through some of the bigger questions romance fiction tends to circle back to: what draws two particular people together, how a couple holds together under strain, and what it actually takes to build a life with someone else. "Through writing this story, I wanted to capture the essence of how love transforms us," Haynes said in the announcement. "Every relationship contains its own unique adventure, and I hope readers see their own experiences reflected in these pages."
No detailed author biography accompanied the release, so how "Fate" fits into any earlier work by Haynes isn’t clear from the material provided. The premise — a single fateful encounter reshaping two lives — sits within a long tradition in romance fiction of chance-meeting narratives, a structure readers of the genre will likely recognize.
For Studio CarryOnHarry, the interesting question with a book like this isn’t the plot, which follows a familiar romance template, but whether Haynes’s take on "transformation through connection" gives readers something more specific than the setup promises.
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