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Vivid Sydney 2024 Program Unveiled

Harry Johal

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Vivid Sydney 2024 Program Unveiled


Vivid Sydney, the Southern Hemisphere’s largest multi-artform festival, today unveiled its captivating program for 2024.

From 24 May to 15 June, the festival promises 23 nights of unforgettable experiences, exploring the theme of ‘Humanity’ through Light, Music, Ideas and Food. 

Australia’s largest event will transform Sydney with mesmerising light installations and 3D projections from Circular Quay to The Goods Line; genre-spanning music performances and creative showcases; a formidable Vivid Ideas program featuring experiences that will open minds; and a mouth-watering Vivid Food program.

Vivid Sydney 2024 will deliver an immersive, holistic and diverse festival, spotlighting what makes us uniquely human — love, kindness, compassion and creativity — across the interactive experiences and events that make up the 23-day program.

John Graham, Minister for Jobs and Tourism, Minister for the Arts, Minister for Music and the Night-time Economy, said: “We’re getting set for the 14th Vivid Sydney. It’s an important event every year that Sydneysiders and visitors alike have come to love. It’s not just a light show, it’s a celebration of light, music, ideas and food – a program full of rich cultural experiences that resonate with locals and visitors alike. 

“Vivid Sydney brings together important parts of Sydney’s culture – Light, Music, Ideas and Food. It celebrates what’s great and unique about our city, and our state and creates a uniquely Sydney experience. That’s why it’s been so popular over so many years. 

“This year’s festival will have a variety of free and cost-effective events on offer to provide many opportunities for people to come together and celebrate.

“Last year, the festival achieved the biggest attendance on record and the largest visitor expenditure in its history, with more than 3.48 million attendees generating more than $206 million in visitor expenditure. 

“We look forward to welcoming Sydneysiders and the world as they come and experience first-hand Sydney at its creative best at Vivid Sydney 2024.”

Vivid Sydney Festival Director Gill Minervini said this year’s festival looks at how creativity fuels our interconnected world.

“Humanity is at the core of everything we do, and this year Vivid Sydney is diving deep into what makes us uniquely human,” Ms Minervini said.

“We have curated a diverse program that explores the human spirit, designed to foster connections, spark imagination and showcase the multitude of ways creativity enriches our lives. Everyone is invited to be part of this global event in the world’s most beautiful city to connect, create and celebrate.”

Staged across Sydney, Vivid Sydney festival locations and venues include Circular Quay, the Sydney Opera House, The Rocks, State Library of New South Wales, Walsh Bay, Walsh Bay Arts Precinct, Barangaroo, Darling Harbour, University of Technology Sydney, The Goods Line, Royal Botanic Garden Sydney, Carriageworks, and more. 

Vivid Sydney 2024 will engage audiences across four pillars: Vivid Light, Vivid Music, Vivid Ideas and Vivid Food. Vivid Light will dazzle with large-scale projections, immersive experiences and interactive artworks. Witness a 40km stretch of rainbow lasers emanating from the Sydney Tower, a universal symbol of hope by US artist Yvette Mattern. Immerse yourself in the captivating display of the 2023 Archibald Prize winner, Julia Gutman, adorning the Sydney Opera House sails for Lighting of the Sails: Echo (2024). Reg MombassaGuan Wei, Leila Jeffreys and many more join the line-up, transforming the city into a dynamic open-air art gallery.

Vivid Music ignites the city with a curated program of live performances, concerts and DJ sets across diverse venues. Tumbalong Nights returns with a free program, featuring established and emerging artists including Budjerah, grentperez and Mallrat, while the newly opened Machine Hall Precinct pulsates with headliners like Deerhoof, Jen Cloher and No Fixed Address.

Vivid Ideas, a cornerstone of the festival, sparks curiosity with new ways to experience ideas – theatre, installations and engaging discussions are just the beginning. Engage in After The Fact, nightly discussions on current affairs, or peek into someone else’s window at Window Dressing and discover a universal human trait. Participate in unique experiences like A THOUSAND WAYS: An Encounter, which fosters connections with strangers; experience the immersive dance and art installation of Shifting Perspectives; or join influential Australians at the Golden Age of Humanity film screenings and discussions at Golden Age Cinema.

Vivid Food celebrates the diverse culinary landscape of Sydney and NSW. Vivid Fire Kitchen returns with delectable offerings at its new location, The Goods Line. A Culinary Canvas by Danielle Alvarez showcases women in Australian gastronomy, while Plates with Purpose offers a taste of Ukraine at Kyiv Social. Explore over 20 top chefs and restaurateurs at the VividPlace Food Trail or indulge in a bespoke bar snack and cocktail experience at Aurorae at Bennelong Bar.

Tickets go on sale on March 11 (AEDT). To learn more and stay updated about additions to the program, go to vividsydney.com.

Source: Vivid Sydney

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Tokyo Soul Singer Tyrone Hashimoto Releases New Single Oct. 2, Plays Tokyo Jazz Club Same Night

H Johal

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Tokyo Soul Singer Tyrone Hashimoto Releases New Single Oct. 2, Plays Tokyo Jazz Club Same Night

Balle Balle Radio™ Entertainment Desk

Tyrone Hashimoto (born Shunichi Suzuki), a Tokyo-based singer-songwriter,, plans to release his latest single, "Wake Up in the Morning Sun," across streaming platforms on October 2, per his production company Teddy Bear Productions. The artist will celebrate with a live performance by the Lakeside Struttin’ Band at Sometime Jazz the same evening.

The song arrives as the latest entry in what Hashimoto has called the "Music Cruise" series, an ongoing project now in its seventh installment, according to prior coverage of his work. The announcement describes the new track as an offering of encouragement, framed around the idea that a better life is within reach.

Hashimoto has built a four-decade career that spans well beyond his nine solo albums, all recorded in English, and a catalog the announcement puts at more than 600 original songs. He’s written jingles for McDonald’s, KFC, Nissan, Canon, Sharp, Kodak and Tokyo Disneyland, among other clients, and took a bronze prize at the Cannes Commercial Film Festival in 1994 for a Panasonic spot. One commercial job, for the Japanese coffee brand UCC, reportedly involved bringing James Brown into the studio to sing for the ad.

Originally from Yaita in Tochigi prefecture, Japan,, Hashimoto won the Grand Prix at the first All Japan Folk Music Festival at age 17, citing Simon & Garfunkel and Peter, Paul and Mary among his early influences. He went on to work with Haruomi Hosono’s Tin Pan Alley project, played a role in Yellow Magic Orchestra’s debut album, and became an original member of La Orquesta Del Sol, described in the announcement as Japan’s first major salsa band.

His American profile traces back to a 1987 visit to Seattle, where local press and broadcasters, including KIRO, KUOW and NBC affiliate KING5, covered his music; a KING5 documentary profiling the artist that was subsequently distributed to 37 additional U.S. markets. He has also taught voice and guitar to more than 1,000 students, including Japanese musicians Sugizo, Miyavi, Takeru and Junya Enoki, and recently received an honorary doctorate in music education from University of Perpetual Help System DALTA in the Philippines.

For Studio CarryOnHarry, the throughline here isn’t the single itself but the career behind it: a working musician who has moved fluidly between recording artist, jingle writer and educator for going on 40 years, in two countries, without a signature hit driving any of it.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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Song 1’s New EP “What The ….” Leans Into Five Tracks of Deliberate Disorder

H Johal

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Song 1’s New EP “What The ….” Leans Into Five Tracks of Deliberate Disorder

Balle Balle Radio™ Entertainment Desk

London indie-punk band Song 1 have released a new five-track EP called What The…., following a year of lineup changes and what the band describes as a shift toward sharper, more off-kilter songwriting.

According to the announcement, the record lands following months of roster adjustments that solidified the five-member configuration, and the record is framed as the sound of that lineup settling into place. The band describes the title not as a literal question but as a kind of shrug, an expression of the loose, sideways attitude that runs through the tracklist.

The EP opens with “Feeling Sideways,” which the band positions as the reset point for this new phase, constructed from restless grooves and crooked rhythms, per the band’s description. The focus single, “Crooked,” follows, built around jagged guitar work, live drums and a melodic bassline, with the line “I move crooked but I land just right” serving as the track’s stated thesis.

“Morning Sun” is described as a tonal shift toward something wider and brighter, using imagery like a “paper weight sky” to move from heavier material toward something more lifted. “Not Lost” continues that throughline lyrically, with the band pointing to the line “I’m not lost, I’m just aligned / With the beat that hides between your time” as a statement of purpose. The EP closes with “My Shadow’s Got Its Own Mind,” which the announcement calls a late-night, low-lit close to the record, framing the band’s embrace of unpredictability as a deliberate stance rather than a lack of direction.

Taken together, the band and its team describe What The …. as the clearest statement yet of Song 1’s identity: an alternative indie-punk work anchored in big hooks, live-wire guitars and knowing self-awareness about not fitting a mold.

Studio CarryOnHarry will be watching whether “Crooked” gives the band a genuine breakout moment beyond the EP cycle, since focus singles built around a clear lyrical hook are often where a band either finds a wider audience or doesn’t.

No compass or straight lines required, as the band themselves put it, just an audience willing to turn it up.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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