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HOFA Returns to Art Central 2024 With Eight Exceptional International Artists

Harry Johal

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HOFA Returns to Art Central 2024 With Eight Exceptional International Artists

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HOFA Gallery returns to Art Central Hong Kong from 28 to 31 of March 2024, eager to captivate audiences at Booth B11 with a showcase titled ‘Abstract Actuality’. Presenting the works of eight internationally renowned artists, exhibiting Ilhwa Kim, Jan Kaláb, Mary Ronayne, Hannes Schauer, Alejandro Monge, Li Jie, Breakfast and Sougwen Chung, that intentionally play with the realms of reality.

Elio D’Anna, co-founder of HOFA, elaborates by stating, “Art Central is renowned for pushing the boundaries of contemporary art since its inception and HOFA is proud to exhibit alongside Asia’s most innovative galleries alongside distinguished artists from around the world.”

For 2024’s edition of Art Central, HOFA, the renowned contemporary London gallery, presents a captivating array of eclectic contemporary subjects, accentuating the profound connections engendered by explorations of mind, matter and nature intertwined, challenging the aspects of abstract vs actuality.  

Ilhwa Kim’s artworks showcase the mastery of patience, guiding viewers into a contemplative state. Her commanding perspective deftly manipulates precision, depth, and space, evoking elusive imagery that invites interpretation through the lens of each individual’s perspective.

As a multidisciplinary artist, Jan Kaláb’s work reflects a conflicting spectrum, oscillating between the spontaneity of graffiti and controlled geometric forms. His method is essentially a documentation of experimenting with a repertoire of medium, motion, and variation.

Mary Ronayne’s artistry is marked by her remarkable skill with fluid enamel, capturing the dynamic energy and movement of her subjects with immediacy. Through her figurative yet abstract compositions, she achieves a captivating aesthetic that radiates playfulness, in delightful contrast to the meticulous control she maintains over the narrative.

Regarded as a refuge from the world’s noise, Hannes Schauer’s art serves as a space for quiet contemplation, akin to communing with nature. His highly embodied and intuitive process involves laying the canvas on the floor and expressively splashing it with highly diluted ink and acrylic paint, shaping its precipitation and atmospheric turbulence in a spiritual ritual.

Alejandro Monge’s portraits defy the confines of flat canvases, reaching beyond the visual limits of two-dimensional art. His works, influenced by Caravaggio’s chiaroscuro and the mastery of John Singer Sargent, possess a sculptural quality that pushes against the boundaries of traditional space. Monge’s painted elements exhibit a hyperrealistic allure reminiscent of photography, skilfully deceiving the vision of the observer.

Establishing himself as a dedicated researcher in the field of oil painting, Li Jie actively portrays his commitment to continuous artistic growth. His unique perspective and aesthetic insights propels his experimentation with depth, layering and structure that defy the boundaries of two dimensional works. This duality of environment and experience has undoubtedly influenced his artistic vision, creating a compelling and diverse body of work that captivates art enthusiasts worldwide. 

Breakfast pushes the boundaries of computer-driven kinetic art to generate an emotionally impactful aesthetic. At the heart of their work is a commitment to developing advanced artworks that seamlessly integrate deep concepts, software, and hardware. These pieces not only offer interactive experiences that bridge distances, but also narrate the profound stories shaping our rapidly transforming world.

Exploring the frontiers of human-machine connection, Sougwen Chung is a prominent artist and researcher, renowned for groundbreaking work in the realm of human-machine collaboration. Chung’s artistic endeavours transcend conventional boundaries, showcasing the intricate interplay between the mark-made-by-hand and the mark-made-by-machine. 

‘Abstract Actuality’ HOFA Gallery (Booth B11) Art Central, Hong Kong, 28 – 31 March 2024

Source: HOFA Gallery

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Artists

SENSANE to Release Debut Vocal Album in October with UK and Indian Artists

H Johal

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SENSANE to Release Debut Vocal Album in October with UK and Indian Artists

Balle Balle Radio™ Entertainment Desk

SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.

The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.

"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."

Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.

Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’

C’batch reworks a previous guitar recording into instrumental piece “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” continuing the artist’s practice…

H Johal

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From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’

Balle Balle Radio™ Entertainment Desk

C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.

The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.

The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.

Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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