Artists
G&G Talent’s Official Contemporary Jazz Band Hits the Road – Stix Bones and The B.O.N.E. Squad
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Stix Bones and the BONE Squad – an acronym for Brothers of Noble Excellence – is set to play songs from their EP, Breaks From The Soul, a unique blend of jazz, hip-hop and soul beats.
The record combines Afro-Latino rhythms and funky beats with spoken word, a smooth jazz saxophone and keyboard solos.
Their latest effort Olimpik Soul marks the recording debut of musician and Olympic gold medalist Bob Beamon. The record also features Abiodun Oyewole of The Last Poets, who delivers a stunning spoken word performance on, “The Price of Freedom.”
His previous recordings include Breaks from the Soul, Vol. 1 and 2, and he has released albums including Bones Beats, Vol. 1, Groove Like This and the Waiting For Mr. Wright Soundtrack.
Stix Bones, born Franklin Brown in Brooklyn, pursued his passions as a musician from a young age after he was inspired by church musicians and local DJs. He went on to pursue a bachelor’s degree in jazz performance from SUNY Purchase and has worked with Rahzel “The Godfather of Noise” and author and poet Jessica Care Moore. He was the music director of The Lyricist Lounge, and was the drummer for the group Soulfege led by Take Back.
Other members of the BONE Squad include Densen “Meighstro” Curwen, Albert Brisbane, and Sean Taylor (Sxntylr).
apple.news/A-aCMUp8kS960JrhcD_35QQ
Stix Bones and The BONE Squad are scheduled to headline at:
The Bean Runner Cafe in Peekskill, NY on August 10, 2024
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The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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