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Now on View: ‘Grounded in Clay: The Spirit of Pueblo Pottery’ at the Vilcek Foundation

Harry Johal

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Now on View: ‘Grounded in Clay: The Spirit of Pueblo Pottery’ at the Vilcek Foundation

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Developed in partnership with the School for Advanced Research and the Metropolitan Museum of Art, the exhibition features more than 100 historic and contemporary works of Native American pottery.

The Vilcek Foundation is pleased to present Grounded in Clay: The Spirit of Pueblo Pottery, with dual presentations at the foundation’s Manhattan headquarters and at the Metropolitan Museum of Art from July 2023 through June 2024. Developed in partnership with the School for Advanced Research (SAR), the exhibition includes more than 100 historical and contemporary works of Native American pottery originating in the Pueblo communities of what is now the southwestern United States. 

The exhibition at the Vilcek Foundation opens July 13, 2023, and is on view through June 2, 2024, by appointment. Tours will be conducted by the foundation’s Native American Art Fellow, Povi Romero (Pojoaque, Cochiti, Santa Clara, and Ohkay Owingeh).

The works included in Grounded in Clay: The Spirit of Pueblo Pottery were selected by members of the Pueblo Pottery Collective from the Vilcek Collection and from the collections of the School for Advanced Research and the Indian Arts Research Center in Santa Fe, New Mexico. The collective, established specifically for the purpose of this exhibition, comprises more than 60 curators of diverse ages, backgrounds, and professions from more than 20 Native American communities, as well as non-Native museum professionals. 

Curators wrote about the works they selected for the exhibition and its accompanying catalog. Grounded in Clay is enriched by their voices and the diversity of personal, historical, and cultural insights they bring to exhibition visitors’ understanding of these works. The curators’ essays range from recollections on the practices of gathering clay and preparing pigments to poetry and essays reflecting on the works and their meanings. Several curators wrote about the living traditions of pottery-making and today’s artists and makers whose work links the present and future of pottery-making to the rich and important history of pottery-making in Pueblo communities.

Felicia Garcia (Chumash) of the Santa Ynez Chumash Museum and Cultural Center and of Native American Art Magazine, writes, “Exhibitions like this are really pushing the needle forward within the field and changing the way that Native art is presented within these spaces. Through this diverse collective of Native voices, we can see what is possible within these institutions when it comes to representing Native communities in a more honest, positive, and accurate way.” 

As Grounded in Clay: The Spirit of Pueblo Pottery opens in New York, the Vilcek Foundation launches a digital experience, Pueblo Pottery: Stories in Clay, online. The foundation worked with Pentagram to develop the experience, which serves to highlight and expand on the curatorial insights that make Grounded in Clay so unique, and to bring these insights to a wider audience. Users can navigate three-dimensional views of selected works of pottery that were captured using photogrammetry with the support of foundation partners at Cortina Productions and Forum One. 

Learn more about the exhibition: Grounded in Clay: The Spirit of Pueblo Pottery

Schedule a tour: https://vilcek.co/gic-tour

The Vilcek Foundation

The Vilcek Foundation raises awareness of immigrant contributions in the United States and fosters appreciation for the arts and sciences. The foundation was established in 2000 by Jan and Marica Vilcek, immigrants from the former Czechoslovakia. The mission of the foundation was inspired by the couple’s respective careers in biomedical science and art history. Since 2000, the foundation has awarded over $7 million in prizes to foreign-born individuals and has supported organizations with over $6 million in grants.

The Vilcek Foundation is a private operating foundation, a federally tax-exempt nonprofit organization under IRS Section 501(c)(3). To learn more, please visit vilcek.org. 

Source: The Vilcek Foundation

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SENSANE to Release Debut Vocal Album in October with UK and Indian Artists

H Johal

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SENSANE to Release Debut Vocal Album in October with UK and Indian Artists

Balle Balle Radio™ Entertainment Desk

SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.

The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.

"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."

Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.

Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’

C’batch reworks a previous guitar recording into instrumental piece “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” continuing the artist’s practice…

H Johal

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From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’

Balle Balle Radio™ Entertainment Desk

C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.

The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.

The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.

Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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