Artists
Singer and Actress Ann Nesby Returns with Soulful R&B Anthem “My Man,” a Celebration of Love, Devotion, and Timeless Artistry
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Timed perfectly for Valentine’s season, “My Man” is a heartfelt tribute to her husband and manager, Tim Lee, co-head of her label It’s Time Child Records. The song celebrates enduring love and devotion, offering a universal anthem for listeners.
“‘My Man’ is about loyalty, passion, and the deep connection that withstands life’s challenges,” says Nesby. “It reflects my journey and the timeless love stories that inspire my music.”
Coming off a remarkable 2024, Nesby demonstrated her enduring artistry and versatility across music and performance. In January, she joined Jon Batiste for a show-stopping performance of the Grammy-winning anthem “Optimistic” at the 66th Annual Grammy Awards, a track she initially led with the Sounds of Blackness. Later in the year, she electrified audiences with a surprise appearance during Usher’s Past, Present, and Future tour, reminding fans of the energy and passion that define her career.
A music icon known for hits like “Put It on Paper” and “I Apologize,” Nesby rose to fame as lead vocalist for the Grammy-winning Sounds of Blackness. Her solo career includes collaborations with legends such as Jimmy Jam and Terry Lewis, Luther Vandross, Patti LaBelle, Gladys Knight, and Sting. She’s also shined as an actress in films, television, and stage, from The Fighting Temptations to Queen Sugar, and earned acclaim for her role in Tina: The Tina Turner Musical.
Nesby bridges her rich legacy with modern R&B through “My Man.” The single releases January 24, 2025, on all major platforms via It’s Time Child Records and distributed by GoDigiPath, LLC in association with ADA Worldwide, a Warner Music Group company.
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The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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