Artists
Ulterground Records Releases “We Were Here,” a New Single by Stefan Kristinkov
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The first piece draws from the timeless grace of the classical tradition, weaving a lush, tranquil but commanding soundscape that celebrates nature’s quiet resilience. Here, long after the last traces of human ambition have faded, plant life thrives in golden stillness. The music evokes wind through tall grasses, the strength of roots, and the unhurried rhythm of time — an Earth reclaimed, not ruined.
Then, with a brash leap forward, the second track plunges listeners into the swaggering pulse of swing jazz. It’s the sound of mid-century cities lit by neon and cigarette smoke, full of confidence, noise, and oblivious flair. Beneath its toe-tapping energy lies a subtle tension: what happens when the show ends?
Together, these two contrasting pieces form a layered, elegant reflection on impermanence, irony, and perspective. Untold Stories: We Were Here doesn’t lecture— it invites. Through beauty and wit, it asks: What outlasts us? What stories remain, long after we’re gone?
Untold Stories: We Were Here is available on all major streaming and download platforms starting May 28, 2025.
Stefan Kristinkov is an eclectic composer, known primarily for his work in independent films, and a clarinetist with an extensive performing background, currently based in the New York City.
His music is characterized by its inventiveness in combining diverse, often unexpected musical elements, blurring the boundaries of styles and genres.
Regardless of being an accomplished musician, music producer and an ambitious composer with years of professional experience, Stefan retains a profound curiosity allowing him to consistently explore new ideas and pursue unique creative solutions.
https://www.stefankristinkov.com
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The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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