Authors and Artists
Blood Money is the true legal thriller , fight against massive healthcare fraud
Blood Money is the true legal thriller of a terrifying David vs. Goliath fight against massive healthcare fraud brought by a brave Whistleblower, at tremendous personal sacrifice and cost over many years.
Chris Riedel never saw himself as a crusader. He lived the Silicon Valley dream, founding his first company at 24, then starting two others while he was still a young man. The first two companies revolutionized how bacterial infections were diagnosed and treated — saving hundreds of thousands of lives around the world. He retired early to enjoy raising his young sons with his wife Marcia.
Aware of the diminishing number of medical labs in Northern California, Marcia encouraged them to return to the business and they started Meris Laboratories — and that’s where the trouble began! In the decade since they left the business, two major behemoths, Quest and LabCorp, had assumed dominance in the industry, euphemistically referred to as the “Blood Brothers.”
After investing millions into the development of Meris, it became apparent that the “Blood Brothers” pursued predatory business practices that drove their competitors out of business, and at the same time illegally billed millions to Medicaid, while providing kickbacks to doctors and medical practices. Chris had a Sophie’s choice — join them and break the law, or fight them to stop the practice, level the playing field for other labs, and get back some of those millions for the taxpayers.
He chose the latter, filing what is called a Qui-tam, or Whistleblower lawsuit (also called the Lincoln Law, because that President signed it into law to prevent massive fraud by U.S. Army contractors during the Civil War). With a Qui-tam suit, the plaintiff sues on behalf of the taxpayer, and if the suit is won, is rewarded with up to 30% of the recovered monies and damages — to be shared, of course, with the attorneys. Nevertheless, it’s a major legal gamble because many of these cases go nowhere after huge time and money investment. But staying with them can ultimately catch and punish the lawbreakers — while restoring millions or even billions to the public till. And so, Chris stood up for justice!
But that’s where things get really interesting…Chris relates accounts of attempted murder, extortion, money-laundering, hidden money in the Caymen Islands, gold buried in a storage container in a CEO’s backyard, an assistant attorney general sabotaging her state’s case and a corrupt governor torpedoing litigation by his own attorney general.
Never realizing the headaches, heartaches, and the financially and emotionally crushing retaliatory actions that the” Blood Brothers” had in store, Chris refused to give in, even as the cases (they sued in several states beside CA) dragged on — to the point that Meris Labs could no longer sustain itself and the family savings was gone. And finally, while he and Marcia were on the edge of financial Armageddon, a landmark settlement for millions saved the day, and forced the end to those specific illegal practices. At the time, then California Attorney General Kamala Harris said: “This historic settlement affirms that Medi-Cal exists to help the state’s neediest families rather than illicitly line private pockets.”
With Meris Labs closed and his family now restored to financial sustainability, Chris traded his CEO role to focus more time as a Fraud Fighter. In addition to pursuing the lawsuits to their end in the other states, he has become a guide, consultant and supporting partner for other Whistleblowers who decide to file Qui-tam lawsuits to right the wrongs that cost taxpayers billions. One thing that is clear in Blood Money, One Man’s Bare-Knuckle Fight to Protect Taxpayers from Medical Lab Fraud, medical laboratory fraud is enormously widespread by ostensibly reputable companies throughout North America, and Chris could be kept busy the rest of his life fighting this pervasive taxpayer theft. His actions have already resulted in more than $550 million in settlements and a court verdict…and counting.
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Dr. Zee Publishing Adds Ten Titles to Its Children’s Book Universe, Anchored by a Recurring Cast
Balle Balle Radio™ Entertainment Desk
Dr. Zee Publishing announced an expansion of its Story World Universe with a new collection of titles, a larger storytelling universe in which characters, places, ideas, and adventures grow beyond individual books. The company, operated by Lee Enterprise Ventures, LLC, announced the expansion this week from its base in Schaumburg, Illinois.
The new titles are Day Leaf Caliph Leaves, NOT Gonna Be Toast, Rainbow City, Oumi’s Wish, Cuddles Kisses, Moon Maha Thinks She Needs a Holiday, Alam, Nana & the Tiny Ants, Worst Prank EVER, Cloud 9, and Raaji and the Clouds That Refused to Rain. According to the announcement, the stories represent the evolution of Dr. Zee Publishing from individual books into a larger interconnected storytelling universe in which characters and settings recur across multiple titles.
Three of the new books — Worst Prank EVER, Cloud 9, and Raaji and the Clouds That Refused to Rain — follow a single character, an aspiring young astronaut named Raaji, across separate adventures. In Cloud 9, per the publisher’s description, Raaji encounters what the announcement calls the "Cosmic Complaint Committee," part of a broader cast of personified natural elements — sun, moon, stars, clouds, rainbows — that the company says will continue to interact across future titles.
Other entries take on a single theme apiece. NOT Gonna Be Toast follows a piece of bread resisting its intended fate, described in the announcement as a story about individuality and self-determination. Moon Maha Thinks She Needs a Holiday personifies the moon as tired of nightly duty. Alam, Nana & the Tiny Ants asks young readers to consider the inner lives of insects. Oumi’s Wish centers on a child’s wish to meet a dinosaur.
Dr. Zee, founder of Lee Enterprise Ventures, stated that children’s stories can be meaningful while maintaining their sense of wonder. ‘Some of the most memorable lessons arrive wrapped in silliness, imagination, tenderness, or a question nobody thought to ask,’ Dr. Zee said in the announcement, adding that the Story World Universe was built to let children imagine the world behaving differently than it does.
The publisher’s broader catalog, according to its own marketing materials, is built around funny, friendship-centered stories and classroom-oriented literacy activities aimed at young readers — a positioning consistent with this latest batch of titles, which lean on humor and imaginative scenarios where ordinary things take on extraordinary qualities.
For Studio CarryOnHarry, the detail worth watching is the shared-universe structure itself — a recurring cast across a children’s list is an unusual bet in a market usually built book by book, and whether Raaji and the celestial cast become a lasting fixture will say more about the strategy’s staying power than any single title in this batch.
Studio CarryOnHarry Perspective
There’s a quiet rebellion in Dr. Zee’s observation that "memorable lessons arrive wrapped in silliness." Parents and educators often treat humor and substance as competing priorities in children’s literature—as if a book funny enough to hold a child’s attention must sacrifice depth. This philosophy challenges that false choice, asking readers to consider why we’ve accepted this trade-off at all.
In practice, this matters most when a child resists reading. A story about a piece of bread fighting its purpose (NOT Gonna Be Toast) sounds like a joke, but a child who laughs at that premise is already engaged with questions about identity and choice. The humor doesn’t distract from meaning—it’s the vehicle that makes the meaning accessible to someone still learning to sit still with a book. A tired moon or complaining clouds feel less like lectures and more like companions.
The risk, of course, is assuming that any silly story automatically carries depth. Absurdist humor without genuine stakes can feel hollow, and Dr. Zee’s statement doesn’t guarantee that every title in this collection strikes that balance. Whether a story actually lands both funny and meaningful depends on execution—a detail the announcement itself doesn’t address.
The most useful takeaway may be less about publishing strategy and more about how we measure success in children’s media: not by asking whether a book is funny or meaningful, but by recognizing that sustained attention from a child often depends on the author trusting that they’re the same thing.
Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.
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Press Releases at Studio CarryOnHarry
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