Artists
What’s in a Name? MTS’ Swedish Country Artist and Fitness Guru Miqael Persson Rebrands and Finds Healing with “Walking Medicine”
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Persson is starting a new era in his musical journey by rebranding to new stage name, “miQa.El”, while also releasing his lively new single, “Walking Medicine.” The song is a milestone for miQa.El, as it signifies his decision to start over in life and create new and meaningful experiences in all areas of life, which includes his music.
“I felt it was time for a change,” says Persson. “It has been a lot of pain and a lot of decision making, but I decided to put Hicks on the shelf…despite all the chart success, awards and attention. It feels like I’m starting over with everything in life. Feels very exciting.”
“Walking Medicine” hits radio on October 24th, with retail to follow on November 11th. A concept music video will drop the same day as the retail release.
About miQa.El:
With major chart success across US, UK and parts of EU, miQa.El is a unique artist with many awards and accolades. As Hicks, he was named Europe’s Best Country Artist at the British CMAs. Additional awards included Best International Country Artist, Best Video, Best Song and many more. In addition to writing notable songs for his own discography, miQa.El has also written songs for many celebrated artists across the globe, including Jimi Jamison (Survivor), Bobby Kimball (Toto), Little River Band, Giant (Dann Huff), W.E.T, Eclipse, Work Of Art, First Signal Grammy Nominee Toby Hitchcock, along with renowned Swedish artists such as Barbados, Magnus Carlsson, Dogge Doggelito, Micke “Syd” Andersson, Pernilla Wahlgren, Brandsta City Släckers and many more.
More details about miQa.El and his new single “Walking Medicine” can be seen at www.facebook.com/TherealmiQa.El.
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The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
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