Artists
MTS’ Ludlow Creek Releases New Christmas Single “This Baby Boy”
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Band member Jeffrey Friend tells how the single “This Baby Boy” came together, while almost tearing the band apart: “I wrote and recorded ‘This Baby Boy’ just before Christmas 2014, with Dave and Michelle singing harmonies. Michelle fell in love with it. Every Christmas after, Michelle would play it and talk about how the world needed to hear it, too. As we worked through 2022, we planned some rehearsals for the song. After the first rehearsal, I fired off an email that should have been a real-life conversation, and it blew everything up. Things got worse. We felt like Ludlow Creek was doomed.”
He further added, “After a week of ugly emails, we finally all sat in one room filled with loving tears, and forgiveness. This is where life, love, and hope happen; together, in an ordinary place. It wasn’t long before Michelle brought us back around to ‘This Baby Boy’. We rehearsed, recorded, mixed, and mastered the song in a few short weeks.”
“This Baby Boy” drops on October 14th, 2022.
About Ludlow Creek: Defining their signature sound as “modern classic rock,” celebrated Dayton-area band, Ludlow Creek has finally unveiled their latest album, “Which Way is Forward.” Released on September 16th, 2022, the album is dubbed as Ludlow Creek’s magnum opus, featuring some of the band’s best songs to date. “Stoney Lonesome Road” from the album reached #51 on the UK iTunes Rock Songs chart. Two other singles have helped the band rack up more than 50K Spotify streams in 2022 alone. These achievements propelled the group to a 2022 International Singer Songwriter Association Award win.
More details about Ludlow Creek can be seen at http://www.ludlowcreek.com.
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SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.
The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.
"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."
Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.
Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.
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C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.
The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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