Artists
MTS’ Award-Winning Artist Takes the Reins for Empowering Video “No More Limits”
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Ananda says, “I wanted to create a Galactic/Interdimensional, timeless vibe in the video, so we shot it at a very special ‘art park’ in Toronto that has pieces of old buildings and lots of nature and open sky, to create a timelessness. We added a powerful energetic healing technique throughout the video called ‘Light Weaving” so that by watching the video and hearing the music the viewer will feel inspired beyond their perceived limitations. and perhaps even experience a transcendental state of personal healing and evolution.”
Watch “No More Limits” at https://youtu.be/mb3IwYwq7GU
As a founding member of infamous girl-punk band, B Girls, Ananda Xenia Shakti toured the world, opening for legendary punk rock band, The Clash. She’s also sang back-up on some of Blondie’s biggest hits, on the album, “Autoamerican.” On her own, and with Love Power The Band, Ananda has amassed more than 120K Spotify streams for her signature blend of meditation, relaxation, world, dance and pop music. Her singles, “Cosmic Quiver” and “I Am Love” both reached the UK iTunes Top 3, and her music videos have been watched more than 45K times on Youtube.
Ananda Xenia Shakti & Love PowerThe Band creates “Music for Body and Soul, Vibrational Healing and Celebrating the Festival of Life.” As an inter-dimensional intuitive artist, Ananda receives the songs of Love Power the Band while in a semi trance state, acting as a conduit for “Higher Realm Wisdom.” She says, “The songs focus on offering blessings and inspiration to the listeners, while celebrating the innate Divinity that lives within every Soul. Love Power the Band’s music asks you to sing, dance and be ready to hear cosmic truth spoken in straight talk.”
More details about Ananda Xenia Shakti and her latest music video can be seen at http://www.onlyloveisreal.love
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SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.
The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.
"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."
Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.
Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.
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C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.
The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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