Artists
MTS’ Chart-Topping R&B Artist Jen Ash Releases New Music Video and Single
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Hitting retail on February 2nd, “Trouble” is a tribute to the late Amy Winehouse. Ms. Ash said, “I wanted to give a little Amy Winehouse vibe on this one. I’m a big fan of her music. She created an entire universe for herself. She is definitely gone too soon. The song is so jazzy and bluesy. it takes me back in time. The saxophone adds another dimension to the song, where I feel like I’m immersed in a 50/60’s black and white movie.”
Listen to “Trouble” on Spotify at https://open.spotify.com/artist/11Iqp1edTM8Qd6iJB40iBi?si=Q8JChCsMS8m_wgJ7ipRhDA
I wrote “I’m Dreaming Of You” in October 2020, in the middle of the pandemic, when solitude hits and all you have is time to think,” Jen said. “After a lot of failures in the ‘love department,’ I often wonder if I will find someone who will love me. I get very emotional every time I talk about it. I imagine The love of my life, my soulmate, my one and only. They say love is fated, and I believe it. I believe someone is right for me, and I can’t wait for my wish to be granted!”
“I’m Dreaming Of You” was produced by Eddie Reid Films. https://www.youtube.com/watch?v=KrpKJv8bd3k
Jen Ash is a soulful pop/r&b artist, born in Lebanon and raised in France. After ending her professional basketball career, she decided to follow her true path, moving to Los Angeles to pursue her music career. She has been performing since 2018 in the City of Angels. Her influences come from the 90’s, with her goal being to create music that connects with and inspires listeners. She has learned to explore music on her own… what an amazing and tumultuous road it has been. Her songwriting channels into past and present experiences and future desires, with a splash of imagination. With the ability to create in French and English her sultry vocals will take you on a memorable journey. Link to website: https://www.jenashmusic.com
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SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.
The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.
"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."
Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.
Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.
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C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.
The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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