Artists
Charlotte Martin Marks Twenty Years of Releasing Music with Tour and Exclusive EP
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In April 2018, Martin opened Something Like A Voice Lesson with the intention of teaching voice lessons to students in person and online. Nearly overnight, Martin’s practical approach to improve singing regardless of age, experience or music education caught the attention of singers worldwide. Martin’s development of personalized curriculums with the opportunity to gradually transfer into songs and/or songwriting kept students engaged before the pandemic, but certainly through it and beyond.
Now with students booking as far as three months in advance, Martin’s vision transitioned into Something Like A Label and Something Like A Music School. This month alone, the label and school are celebrating over 100,000 Spotify streams of Samantha DeLuca’s (one of the Martin’s earliest students) debut single “Love Me In The Light.”
Something Like A Music School embraces The Charlotte Martin Vocal Method and fosters the goals students bring to sessions. Posture, body work, voice and piano lessons, music theory, music management, production—Martin’s building a full-service experience for students based on their needs.
Now recording her nineteenth album featuring co-writes with students from her music school, Martin eagerly returns to the live stage with a double set in each city, promising to play fan favorites, beloved singles, brand new music, and may sneak in an obscure cover or two before closing out each night. Martin elaborates, “Returning to some of my favorite cities to play live, NYC, Philly, DC, in support of 20 years of releasing music, and putting out a tour only EP, actual co-writes with students from my music school, is a dream come true. I can’t wait to see longtime fans and new ones (fans), and share these personal creations but also the music (fans) have come to expect from me. These live experiences will be personal, emotional, and finally showcase the sound I am achieving by working with ultra talented students through Something Like A Music School.”
Over the course of her career, Martin has recorded both major label and independent releases, performed sold-out shows to audiences around the world and shared stages with the likes of Liz Phair, Pete Yorn, Damien Rice, Jason Mraz, and many others. Her music has been licensed for a plethora of television shows, including “So You Think You Can Dance,” which regularly features her song “The Dance” during the show’s open. Details magazine called her “a seductive performer” and “a skilled lyricist who writes with surgical precision” and Performing Songwriter praised Martin as “a born storyteller and affecting vocalist.”
Where to see Charlotte Martin on tour in March:
New York City, NY – City Winery (The Loft)
Thursday, March 16 @ 7 PM
Thursday, March 16 @ 9:30 PM
Philadelphia, PA – City Winery (The Loft)
Friday, March 17 @ 6 PM
Friday, March 17 @ 9:30 PM
Vienna, VA (D.C.-area) – Jammin’ Java
Sunday, March 19 @ 7 PM
Sunday, March 19 @ 9:30 PM
Tickets and more details at: http://charlottemartin.com/
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Artists
SENSANE to Release Debut Vocal Album in October with UK and Indian Artists
Balle Balle Radio™ Entertainment Desk
SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.
The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.
"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."
Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.
Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.
Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.
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Artists
From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’
C’batch reworks a previous guitar recording into instrumental piece “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” continuing the artist’s practice…
Balle Balle Radio™ Entertainment Desk
C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.
The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.
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