Artists
MTS’ Ten Penny Gypsy Releases Vintage-Themed Music Video for Studio Outtake “River N’ Me”
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Ten Penny Gypsy, working with Sharpe Videography, purposefully filmed the video in black and white, with a reel-to-reel flicker, in order to celebrate simpler times, when the world seemed more innocent and peaceful. The video was shot on location on the Arkansas River.
Watch “River N’ Me” at https://www.youtube.com/watch?v=Y6y4hXvFZ84
About Ten Penny Gypsy: Arkansas singer/songwriters Justin Patterson and Laura Lynn Danley had been writing and performing separately as solo artists for years when they decided to form the Folk/Americana duo Ten Penny Gypsy in 2016. Following the release of their self-titled debut album in 2017, Ten Penny Gypsy received three nominations for the 2018 Arkansas Country Music Awards: “Album of the Year,” “Americana Artist of the Year,” and “Vocal Group of the Year.” The group has since garnered additional Arkansas CMA nominations for “Americana Artist of the Year” in 2019, 2021, 2022 and for “Vocal Group of the Year” in 2019.
In 2020, Ten Penny Gypsy released their second full-length album, “Fugitive Heart,” a collection of original songs once again produced by renowned multi-instrumentalist Anthony Crawford. The album also prominently features the talents of 2021 Arkansas CMA winner Buddy Case (Guitarist of the Year).
The appeal of “Fugitive Heart” is broad. It has spawned a #1 song on the iTunes Country Sales chart in South Africa (Your True You), and videos (Lonesome No More, Making Headway) that have medalled at numerous international film festivals. https://www.tenpennygypsy.com
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C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.
The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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