Artists
New Music: Satisfaction by Scribbles Who
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Serving up Afrobeat on new levels, Scribbles Who is releasing her new single ”Satisfaction”; a pivotal record that warmly invites a fusion of pop, afrobeat, soul and R&B that is intended to make the listener discover a moment of pleasure and loosen up to the single’s hypnotic rhythmic pulse.
Around the deepening percussion, the reverb-drenched bassline creates an arousing atmosphere as it grooves in time with Scribble Who’s almost ethereally light R&B vocals, which are put through effects to heighten the eroticism.
On “Satisfaction,” Scribbles Who has successfully found a way to create a sound unique to her, which displays her talent in the art of rhythm and rhymes. The song is produced by NOYDB productions and is one for Africa to Ibiza.
Her African meets pop sound has sent waves through the industry. With many releases in 2022 alone, she’s adding another to the cascade of hits with this latest single, the first from her upcoming “12 Nights Under The Sun” EP, a project inspired by her travels in Africa.
With an EP coming this year, Scribbles Who has plans to put herself on the map. “Satisfaction” is out February 17 on major streaming platforms.
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SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.
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The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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