Books
Acclaimed Mockumentary “A Day Without a Mexican” Hits Streaming, Timed Perfectly for the Exploding Immigration Debate as Trump Takes Office
Originally released in 2004, “A Day Without a Mexican” presents a whimsical yet poignant scenario where all the people of Mexican descent in California inexplicably disappear. As the day unfolds, the film explores themes of identity, immigration, and mostly, the indispensable roles these individuals play in society—from agriculture and service industries to professionals and entertainers.
This timely re-release aims to engage a new generation of viewers while prompting critical conversations about community dynamics and cultural contributions.
Newly restored and re-mastered in HD from its original 35mm elements, audiences will be able to experience (or re-experience) this unique narrative for the first time in years.
“A Day Without a Mexican” has received praise for its clever humor and insightful commentary. The film invites viewers to consider what life would be like without those who often go unnoticed, making it a must-watch for anyone seeking to understand the complexities of a contemporary society, sometimes overly obsessed with a simplistic version of identity.
Launched in 2004 with an ad campaign that played on the sensitivity of the subject, the film attracted extensive coverage from CNN, the CBS Evening News, the Fox Network and more. English- and Spanish-speaking audiences alike flocked to see the film, which garnered an impressive box office gross in its first limited domestic release; its U.S. distributor, Xenon Pictures, shipped over 500,000 units in the film’s initial DVD release.
The title continued to be a strong performer in the ensuing years, however as the home entertainment marketplace evolved from physical into streaming media, the licensing agreements then in-effect left the film in limbo, and its availability suffered. Recently, Xenon and the film’s creators—producers Sergio Arau and Yareli Arizmendi—hammered out an agreement to get the film back out to the public. Arau and Arizmendi co-wrote, and Arau (son of famed Mexican director Alfonso Arau) directed.
“Re-releasing ‘A Day Without a Mexican’ is our way of adding clarity to the murkiness and hatefulness that has taken hold of our world,” said writer/producer Arizmendi. “This very serious comedy invites all to pause, think, and pull the curtain back on fake. Its message is more relevant today than it was when it first premiered. We hope it inspires conversations and reflections on the value of the unseen in our communities.”
While a broad rollout is scheduled for January next year as the Trump administration begins enacting its border policies, the film is currently available for streaming exclusively on adaywithoutamexican.com.
Next in the pipeline from the Xenon Pictures/Arau-Arizmendi collaboration is the pair’s follow up mockumentary ¡Naco es chido!, a “mostly based on true events” history of Arau’s popular “Guacarock” band, Botellita de Jerez.
For more information, trailers, and behind-the-scenes content, visit adaywithoutamexican.com.
Filmmaking team of Sergio Arau and Yareli Arizmendi are available for interviews.
The film is rated R for language and brief sexuality. In English and Spanish, with optional Spanish subtitles.
PR Contact: Tyler Judd (tyler@xenonpictures.com)
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Twenty-five years after the September 11 attacks postponed its debut, a founding XM executive has released a memoir about the satellite radio company’s launch. "They Pay for Water: Building XM Satellite Radio from a Paper Concept to Millions of Subscribers," by Dan Murphy, went on sale August 17 in ebook, paperback and hardcover, according to the announcement.
The company was set to launch its inaugural U.S. satellite radio service on September 12, 2001, in the Dallas/Fort Worth and San Diego markets. Murphy and the executive team flew out of Washington, D.C. in the early morning hours of September 11, per the announcement. The launch was pushed back, going live September 25 and expanding nationally by that November.
After joining Sony as a 24-year-old with minimal prior experience, Murphy spent 15 years helping to capitalize, build, and launch XM’s satellite infrastructure, create its receivers, and establish distribution channels in retail and automotive sectors., the announcement states. "After Walkman, Discman, I was looking to join the next big audio innovation when a recruiter called," Murphy said. "It sounded perfect. It was going to be radio the way it should be."
The volume addresses the company’s funding rounds, satellite deployment, distribution challenges across retail and automotive channels, programming strategy, customer economics, multiple Chapter 11 threats, and its ultimate acquisition by Sirius., according to the announcement. "We had spent years getting ready for the biggest launch of our careers, and then the country stopped," Murphy said. "For weeks afterward, I did not know whether anyone would still care about satellite radio."
Positioned as both corporate history and personal narrative, the book targets audiences seeking insight into the construction of major consumer-facing ventures requiring substantial capital investment. — a framing the announcement ties to ongoing debates in the audio industry over subscription economics. It is Murphy’s first book and is available now on Amazon.
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Books
‘SALIGIA’ Inverts the Seven Deadly Sins: New Book Explores Virtues Through Mythological Fantasy
Balle Balle Radio Entertainment Desk
Author Tagore Almeida’s new book, “SALIGIA: The Evil Is Outside. The War Is Within.,” is now available on Amazon, according to the announcement promoting the release.
The title is not invented for the book. SALIGIA is a centuries-old Latin mnemonic device used in Christian theology to remember the seven deadly sins: Superbia (pride), Avaritia (greed), Luxuria (lust), Invidia (envy), Gula (gluttony), Ira (wrath) and Acedia (sloth). The sins themselves never appear as an explicit list in the Bible; the grouping developed within early Christian tradition, drawing on scattered biblical passages, and the acronym became a memory aid for clergy and laypeople alike. The announcement itself does not spell out this connection, though it’s central to how the book’s central conceit works.
Where the traditional mnemonic catalogs vices, Almeida’s book inverts it: according to the announcement, the story is structured as a journey through a symbolic ancestral dwelling with separate rooms, each embodying different virtues rather than sins — courage, compassion, humility, integrity, forgiveness, reverence and love. Other promotional material describes the book as a mythological fantasy following characters named Salem and Medea on a quest against the forces the title names, and credits the release to publisher The Alcove Publishers, which has described the book as blending mythology, self-reflection and mystery.
The announcement frames the project as “a fusion of mythological elements, spiritual themes, philosophical inquiry, and personal exploration,” built around the idea that readers already possess the virtues the book examines, rather than seeking them from external sources.
The book is currently listed for sale on Amazon under Almeida’s author page.
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