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Agustina Palma Participates in the 78th Cannes Film Festival Highlighting Her International Acting Career
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Argentine actress Agustina Palma attended the 78th edition of the Cannes Film Festival, one of the world’s most prestigious cinematic events, where she walked the red carpet as part of her ongoing engagement with international film and arts institutions. Her appearance drew attention from attending media outlets, who described her white evening gown as “refined and sculptural,” noting how it “reflected a growing maturity and confidence in her public image.”
Palma, who is currently based in Los Angeles, has built a versatile acting career spanning Latin America and Europe. She became known for her starring roles in Disney Channel’s Once and Bia, which aired across Latin America and Europe, earning her a loyal fanbase and industry recognition. Since then, she has expanded her body of work through collaborations with production companies in Spain, Belgium, and the Netherlands.
Most recently, Agustina appeared in the international television drama Máxima, a Dutch-Belgian co-production released on Videoland, which portrays the life of Queen Máxima of the Netherlands. Palma plays a central supporting role in the narrative, navigating the challenges of performing in multilingual environments with emotional depth and credibility.
Her participation at Cannes coincides with the development of her upcoming independent film project, which will be shot between Miami and Madrid, and is expected to premiere in 2026. The project marks her transition into more complex dramatic roles and positions her not only as an actress, but also as a creative producer involved in script development and character construction.
“Being part of the 78th Cannes Film Festival is a milestone in my journey as an artist,” said Palma. “It’s an opportunity to connect with global storytellers and audiences, and to represent Latin American voices in spaces where we are still growing in visibility.”
The Cannes Film Festival, founded in 1946, continues to be a platform where cinema and culture intersect. Its red carpet and official selections are watched by international press and industry professionals alike. For emerging global talents such as Agustina Palma, participation in Cannes not only opens networking doors, but reaffirms their positioning within the broader international film landscape.
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Joe Reina has published a new novel, "Shadows over Scottsdale: An Unsolved Murder Mystery," built around a scenario true-crime statistics make uncomfortably familiar: a man commits a devastating crime and simply disappears, leaving investigators and a grieving community with no resolution.
The book follows a character named Robert, who flees the country using forged documents and a cargo ship after an act of destruction that leaves behind, as the publisher describes it, charred remains and an unanswered investigation. The case goes cold. The novel, according to its publisher, is less concerned with the mechanics of the escape than with what happens afterward, to the people left waiting for answers that never come.
Reina, now retired in Scottsdale, spent decades in international business across apparel, footwear, and real estate, with extensive time in Europe and a particular connection to Italy that shaped two earlier books, "The Goat Sleeps in the Kitchen" and "A Love Affair in Tuscany." "Shadows over Scottsdale" marks a different direction, built instead around the real scale of unsolved homicide in the U.S. The publisher’s materials cite roughly 346,000 unsolved homicides since 1965, with more than a dozen occurring unresolved each day. Separate reporting on the book has cited a figure of about 7,778 murders in 2023 alone, which it similarly frames as more than a dozen a day going unresolved.
"Writing ‘Shadows over Scottsdale’ forced me to confront uncomfortable questions about justice itself," Reina said, according to the announcement. "Too many crimes go unsolved, too many families wait endlessly for answers. I wanted readers to understand that behind every cold case statistic is a real story, real suffering, and real questions that may never be answered."
The publisher positions the novel as an examination of institutional limits as much as a crime story: the toll of a case gone cold on the people who can’t move past it, and what it means for a community when accountability simply never arrives.
"Shadows over Scottsdale" is published by Covenant Books and is available in paperback and hardcover through the publisher’s website and major retailers including Amazon, Barnes & Noble, and Apple Books.
Cold-case statistics tend to get cited and then forgotten. Studio CarryOnHarry is curious whether fiction built directly around that number does more to stick with a reader than the number alone ever does.
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Reina comes to this material from outside the art world. His career was built in apparel, footwear, and real estate development in Chicago, and the publisher’s materials trace his interest in European history, and in Italy specifically, to years of international business travel. He has published several previous books, including "The Goat Sleeps in the Kitchen," "A Love Affair in Tuscany," and "Shadows over Scottsdale," before turning to this account of a fictionalized moment at the hinge of the Renaissance.
"I wanted to capture that extraordinary moment when masters speak to each other across time through their work," Reina said in the announcement. "These paintings represent not just gifts, but a conversation about what it means to pursue greatness while remaining grounded in purpose and principle."
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Studio CarryOnHarry is intrigued by novels that build fiction around real historical figures at a specific, dramatized turning point rather than attempting straight biography — the approach succeeds or fails based on how seamlessly the fictional moment integrates with documented historical fact.
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