Books
Alt-Right Hysteria Meets Slasher Horror in Upcoming Film “Satan’s Peak”
Production is underway for Satan’s Peak, a psychological horror-thriller that blends real-world conspiracy paranoia with cinematic terror. Directed by James L. Edwards (Her Name Was Christa, Bloodletting), and produced by 4321 Films, the film explores the dangerous consequences of extremist media, taking inspiration from real-life events like the Pizzagate conspiracy.
Starring Adam Scott Clevenger (People To Kill), Drew Fortier (Dwellers), Alicia Spurlock (FUN), and Floyd Ewing Jr (The Dead Next Door), Satan’s Peak follows John Dardin, a disgraced police officer spiraling into a world of conspiracy-fueled delusions. Convinced that a small independent film crew is actually a Satanic cult committing real-life atrocities, he takes justice into his own hands — leading to a blood-soaked massacre where fiction and reality collide.
“Satan’s Peak is not just a horror film — it’s a mirror reflecting the terrifying power of misinformation,” says James. “We wanted to explore what happens when paranoia meets violence, in a way that feels disturbingly real.”
With production beginning April, 2025, Satan’s Peak blends psychological horror with cinematic carnage. John Dardin, a decorated but unhinged police officer suspended after a violent altercation, retreats to his family’s remote cabin to escape the public eye. As his grip on reality frays, fueled by extremist talk radio and PTSD-induced hallucinations, he stumbles upon what he believes to be an active Satanic cult performing ritual sacrifices in the woods. In reality, it’s an independent horror film crew wrapping up their latest project. But John doesn’t see actors — he sees a den of demons that must be exterminated.
What follows is a relentless slasher where fiction and reality collide in the most horrifying ways. As the crew celebrates their final night on set, they become unwitting victims in John’s self-righteous crusade, leading to a climax of visceral violence, twisted irony, and a terrifying commentary on radicalization and the power of belief.
With echoes of Maniac, The Texas Chain Saw Massacre, and The Sacrament, Satan’s Peak is a brutal and thought-provoking nightmare crafted for the modern horror audience — where the real horror isn’t supernatural, but the monsters we create ourselves.
“Satan’s Peak is a chilling reflection of modern paranoia, radicalization, and the terrifying consequences of conspiracy-fueled extremism,” said Rick Popko, president of 4321 Films and executive producer of Satan’s Peak. “Inspired by real-world tragedies like Pizzagate, this film explores what happens when misinformation turns into violence.”
Executive produced by Rick Popko and written by Rick, James and Dan West. Practical effects are being handled by Ron George (Hell Van), promising old-school horror effects that deliver the gore.
Satan’s Peak is currently in production, and the film is expected to hit the festival circuit in August 2025, with distribution details to be announced.
For press inquiries, interviews, cast photos or further information, please contact:
Rick Popko
AVP
Stanton PRM
M: 415-425-4756
E: rpopko@stantonprm.com
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Author Ann Aschauer has released "Satan’s Worst Nightmare," a book built around a real outreach event two Michigan women created by reworking Halloween into a Christian production. According to the announcement, the expanded title reads "Satan’s Worst Nightmare: A Testimony of Recognizing, Fighting and Winning Today’s Spiritual Warfare" and it follows two small-town mothers, identified as Annie and Kelly, during the initial development of what the publisher calls a potentially unprecedented theatrical work: the story of Christ’s Resurrection told from Satan’s point of view.
The book arrives from Covenant Books, a Christian publishing house, and comes after Aschauer’s earlier novels including "Counselor," "Vision," and "Sparrows," as well as her prior nonfiction publications. Aschauer has a background in theater, playwriting and drama education, and taught middle school English and drama, experience the publisher says shaped how she reconstructed the obstacles the two women faced in building the event.
The narrative frames the project as spiritual warfare in a literal sense — prayer, obstacles, and what the release calls attacks and opposition standing between the women and a finished outreach. "This story shows that God can use anyone to do remarkable things that bring Him glory," Aschauer said in the announcement, adding that the original event became a testimony to everyone who helped build it. "I pray readers will see their own potential to make a difference in ways they never imagined possible," she said.
The book is being sold through bookstores and online retailers including Amazon, Apple’s iTunes Store, Google Play and Barnes and Noble, per the publisher.
What the announcement doesn’t specify is how the original event has evolved since — whether "Satan’s Worst Nightmare" is still staged annually in the women’s community, or whether the book is meant to document a one-time production. That detail is left to readers to find on their own.
Studio CarryOnHarry Perspective
At Studio CarryOnHarry, we see Aschauer’s career trajectory as instructive for faith-based creators working in theatrical spaces. Her progression from drama educator to playwright to novelist reveals how technical storytelling craft and spiritual conviction can reinforce each other. By teaching middle school drama, she developed an intuitive understanding of how audiences connect with narrative—not through sermon, but through character, conflict, and transformation. That foundation shapes how she approaches faith narratives: not as didactic messages, but as dramatic experiences. Her earlier novels like "Counselor" and "Vision" suggest an author learning to weave theological themes into structured plots. With "Satan’s Worst Nightmare," Aschauer applies those hard-won skills to document a real community event, transforming grassroots ministry into publishable testimony. For Christian creators, her arc demonstrates that investing in craft—understanding how stories actually move people—strengthens rather than dilutes faith-centered work.
Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.
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Author Erin Strong is offering her novel "She Never Left Ground Zero: A Novel of Courage, Love, and the Hidden Cost of 9/11" as a free download through September 30, according to the announcement. No registration, email address, purchase, subscription, or review is required, and coincides with the 25th anniversary of the September 11 attacks.
The novel is fiction but draws on the real experience of an NYPD officer, per the announcement. It centers on Sofia Vega, an NYPD officer whose work amid the smoke and debris in the aftermath leads to lasting consequences she and her family must face. Strong has said she wanted to write about what happened to first responders and their families after press coverage of the attacks faded — a theme that echoes a broader body of anniversary-year 9/11 literature, including nonfiction essay collections and survivor accounts published or reissued around the same milestone.
According to Strong, "I wanted to tell a deeply personal story about what happened after the television cameras moved on." "Many first responders and their families continued living with the consequences of September 11 for years. This novel honors their courage, their sacrifices, and the people who loved them through it all."
The free download is available at sheneverleftgroundzero.com. The book will also remain for sale on Amazon and other retailers after the promotional window closes. Strong’s team can be reached through the same website or by phone.
Studio CarryOnHarry Perspective
At Studio CarryOnHarry, we see Strong’s September timing as a textbook example of anniversary marketing strategy. Major commemorative dates like the 25th anniversary of 9/11 generate enormous search volume and media attention—precisely when potential readers are already thinking about the subject matter. By anchoring a free promotion to this peak-interest window, authors capture visibility they’d need to spend significantly on advertising to achieve otherwise. The counterintuitive logic: giving away the book for free during high-traffic periods can actually drive more long-term sales than traditional paid campaigns, because it builds audience reach, generates word-of-mouth momentum, and establishes the title in readers’ minds before the promotional window closes. When the book returns to paid status in October, those who downloaded it free become natural candidates for follow-up engagement—reviews, recommendations, and future purchases. It’s a calculated play on consumer psychology and search behavior that extends the book’s commercial lifespan well beyond September.
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