Books
Amaze on Prime video: PLOTT A LOTT GOTT

Amaze on Prime video: PLOTT A LOTT GOTT
Inviting us at 12 noon for lunch at a 5-star hotel was unusual. The practice is to invite you at 12 or 12.30 pm, and serve you lunch at any time between 3 and 5 pm. Oh, the price you pay for being a journalist! Proceedings begin at around 2 pm, and last for about 1- ½ –2 hours. Lunch dare not be served before the proceedings begin, or while they are on, because savvy organisers believe that starved journalists would wait, while ‘lunched’ ones might give them the slip. So, it is best that they are made to wait, to earn their lunch. There is no such thing as….
Amazon Prime Video broke the tradition on 19th March. They actually served the buffet lunch at 12 noon, and it was on till about 1.20 pm, when the Press Conference was to begin. As it transpired, there was no Press Conference at all. Yes, proceedings did begin in the ball-room, at 1.20 pm. On your seats was a goodies bag, containing mainly nuts and a lemon beverage. As you sat through, you understood the reasons for the early lunch. They were going to keep you at the Grand Hyatt, Santa Cruz East, till 8 pm. The reason? A countless number of forthcoming series and movies, on their OTT platform, were being introduced, along with the makers and the casts. Amazon Prime Video’s top brass came down from the US of A, including Mike Hopkins, Senior Vice President at Prime Video & Amazon MGM Studios, and makers and stars came from across India, especially the South.

Pardon my whining, but specialised compères are a diminishing lot. First, singers took over their jobs in the 70s and 80s, compèring their shows themselves. Then TV personalities turned compères in the 90s. This was followed by film-stars grabbing microphones. And these days, it is the likes of multi-millionaire producer-director Karan Johar, who usurp the MCdom. Imagine, compère Karan kept going till 5.15 pm at least (that is when I left; later accounts informed me that the show went on till 8 pm), introducing series after series, including a few of his own, Dharmatic Productions ventures, that are going to be streamed on Amazon Prime Video (APV). And in the audience was RJ Rohini, who has done a very good job of anchoring APV events in the past. I am not even mentioning that I am a compère of long standing myself.
One wonders why did APV let loose a barrage of shows, with first looks and teams, in photo-op after photo op? Were they trying go ‘one-up’ on the competition? Are they going to dispense with individual show gigs henceforth? Did they believe that journalists would enjoy watching this spectacle unfold for seven hours, and being told time and again and again, to applaud the group and the next and the next, on stage? Did they also believe that the scribes would write about each individual show, in some detail, given there were so many of them (the shows, not the journalists)? Only the APV head honchos can answer these questions. I gave it a decent five hours, and, at the cost of attracting the ire of the PR agency, just had to leave at 5.15 pm, exactly five hours after I had arrived, because I could not sit through the regimen any more, without any fallout.

Fallout? Yes, that is what one of their prime shows is called, and it is helmed by Jonathan Nolan, and no prizes for guessing that he is Christopher ‘Oppenheimer’ Nolan’s brother. Based on one of the greatest video game series of all time, Fallout is the story of haves and have-nots in a world in which there’s almost nothing left to have. The series begins in the present day, when a nuclear bomb sets off the apocalypse. Two-hundred and nineteen years after the apocalypse, the gentle denizens of luxury fallout shelters, called Vaults, which are sealed off from the world outside, are forced to return to the irradiated hell-scape their ancestors left behind—and are shocked to discover an incredibly complex, gleefully weird, and highly violent universe waiting for them.
Ella Purnell is Lucy, an optimistic Vault-dweller, with an all-American can-do spirit. Asked whether she had done her stunts herself, she confessed, “I have a wonderful body double who has done a fantastic job.” Her peaceful and idealistic nature is tested when she is married to a man who turns out to be an infiltrator, and forced to get out to the surface, to rescue her father, who is taken captive by them. Aaron Moten is Maximus, a young, black soldier who rises to the rank of squire in the militaristic faction called Brotherhood of Steel. He will do anything to further the Brotherhood’s goals of bringing law and order to the wasteland. Walton Goggins is the Ghoul, a morally ambiguous bounty hunter, who holds within him a 200-year history of the post-nuclear world. (You must appreciate his incredible prosthetic). Also in the cast is Sarita Choudhury, who made her debut in Mississippi Masala. Sarita Catherine Louise Choudhury is a British actress, and the daughter of an Indian Bengali father and a British mother.
British-American Jonathan Nolan is an Executive Producer on the film, which is produced by Amazon MGM Studios and Kilter Films. Jonathan’s short story, Memento Mori (Latin for ‘remember you will die’) was used by Christopher, as the basis for the screenplay for the critically acclaimed film, Memento. He has also co-written the screenplays for The Prestige and The Dark Knight, with his brother. Jonathan recently created the CBS drama Person of Interest. He has also been credited under his nickname of Jonah.
Fallout will start streaming on April 11. We, ‘privileged’ journalists, were shown Episode 1 on the next day, March 20, at PVR Juhu, where the show began terribly late, delayed much longer than the length of the episode itself. Also, there was a very lengthy interaction between Jonathan, Ella and Sushant Sreeram, Country Director, APR India, who has assumed charge in this position in February 2023. Reviews are under embargo till April 11, but it can be said the show might interest followers of the game much more than ‘game-ignoramuses’. And I had some problems getting the continuity, missing out on some vital, short pieces of dialogue, but I think that might be strictly a personal thing.
Fallout was just the beginning. And when there is fallout, there is so much pick-up and checkout. APV is attacking the Over The Top (OTT) space with a vengeance, and India is their key player in this expansion, with alOTT to offer. Many of the abundant plOTTs are Indian, and there are alOTT of topnotch names associated with them: writers, directors, producers and actors. More about them coming up soon, in this column.
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My apologies to my readers. Due to website and network glitches, I was off the radar for a whole week. Things seem to have been sorted out now.
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Books
Nurse-Turned-Author Jayme Byrd Blends Memory and Invention in New Book “Secrets of Lissa”
Balle Balle Radio™ Entertainment Desk
Jayme Byrd has published a new book, "Secrets of Lissa," tracing a young girl’s path from childhood into adulthood through a mix of real memory and invented detail. The book is published through Page Publishing.
Byrd spent four decades working as a nurse, according to the announcement, alongside raising a family across multiple generations as a wife, mother and grandmother. That professional background, spent listening to patients and observing how people carry hardship, shapes the perspective behind the book, the announcement states.
The book’s own description, listed under fiction in Google Books’ catalog, frames it plainly: the story is based on true events, but names and characteristics of the people in it have been changed, and while the saddest scenes reflect reality, other scenes were, in the author’s words, "enhanced to make my life seem better than it was." The listing poses the same question Byrd raises in the press materials: if you wrote your own life story, wouldn’t you want it told with a little more color?
The narrative centers on a protagonist selectively choosing which historical moments to present faithfully and which to reshape or soften, and asking readers to sit with the difference. Byrd is quoted in the announcement saying she wanted to "honor my journey by telling it authentically while also giving myself permission to make it beautiful," adding that life is worth celebrating "even when—or especially when—we’re recounting the hardest parts."
"Secrets of Lissa" is listed for sale at bookstores and through the Apple iTunes Store, Amazon, Google Play, and Barnes and Noble.
Studio CarryOnHarry finds the premise more interesting than the average memoir-adjacent debut: a writer naming, in the text itself, exactly where she’s chosen to depart from what happened. That’s a more candid contract with the reader than most first-person narratives offer.
From the Editor — Harry Johal
"Stories are the way we make sense of our lives, and the way we make sense of other people’s lives." — Kazuo Ishiguro
I was sitting with my coffee this morning, half-listening to the radio, when something a guest had said months ago drifted back. About how we’re all editors of our own lives, whether we admit it or not.
Then Ishiguro’s words came to mind: "Stories are the way we make sense of our lives, and the way we make sense of other people’s lives."
And that’s exactly what Jayme Byrd is doing in "Secrets of Lissa."
Forty years as a nurse—that’s forty years of listening. Of watching people carry things they couldn’t put down. She knows how a life actually feels from the inside. The weight of it. And then she sits down to tell her own story and does something most people won’t: she names the line between what happened and what she chose to make beautiful.
That’s not dishonesty. That’s honesty about how memory works, how survival works. We don’t just remember our lives—we *live* them again through the telling. And Byrd’s saying: yes, the hardest parts are real. The saddest scenes happened. But over here, I softened this. Over here, I added color. And I’m telling you exactly where I did it.
Most memoirs pretend they’re pure record. Byrd is saying something braver: I’m making sense of my life, and I’m making sense of *myself* in the process. The real story isn’t whether every detail is factual. It’s what it costs to survive, and what we owe ourselves in the retelling.
That’s the quiet revolution in this book. Not the invention. The honesty about it.
Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.
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Page Publishing Author Jana M. Castle Releases Children’s Book “Small Packages Big Impact”
Balle Balle Radio™ Entertainment Desk
Jana M. Castle has published a new children’s book, "Small Packages Big Impact," through Page Publishing, following a family led by a character named Jonathan on what the publisher describes as a mission marked by laughter, chaos and heartbreak.
According to publisher listings, the book is a 32-page paperback aimed at young readers, published in February 2026. It is also available as an eBook, with the eBook edition noted for enhanced typesetting intended to make longer reading sessions easier on the eyes.
The story follows Jonathan and his family through a series of emotional ups and downs, according to the announcement, with the narrative built around themes of surrender, faith and finding unexpected blessings in difficult circumstances. Castle has described her writing as motivated by a wish to share stories that "uplift, encourage, and draw readers closer to God," according to the release.
The author’s background is described in the announcement as rooted in Christian faith, which the publisher says shapes the book’s spiritual perspective throughout.
"Small Packages Big Impact" is available through major retailers including Amazon, Barnes & Noble, the Apple iTunes Store and Google Play, as well as through Page Publishing directly.
For Studio CarryOnHarry, the detail worth noting here is the format: a faith-themed children’s book aimed at family reading, rather than the adult inspirational fiction that dominates most self-published faith titles crossing this desk.
Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.
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