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Argylle, Review: Spyurious stuff | Filmfestivals.com

Harry Johal

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Argylle, Review: Spyurious stuff | Filmfestivals.com


Argylle, Review: Spyurious stuff

Don’t even try. To make sense of this one. It’s a tribute to James Bond, Jason Bourne, Die Hard, Lethal Weapon. That is what the makers want you to believe. Well, it’s one tribute the ‘quartet’ can do without. There is a cat in the film, getting a fair amount of footage. Maybe that’s a tribute to Solomon, the cat of the Bond villain Ernst Stavro Blofeld, who appears in several 007 films, a white, blue-eyed Turkish Angora. In Argylle, it is a Scottish Fold cat, named Alfie, which belongs to the protagonist, a female novelist who has been a spy. There is so much back story to the heroine that you desperately want the film to get back to the story. Instead, it takes you on a tour of Europe and America, not to mention HongKong and some part of Arabia. And yet, Argylle misses its target by a mylle.

Elizabeth ‘Elly’ Conway is a reclusive spy author (if spies are reclusive by definition, what’s wrong with a spy author being so?). She writes about a Super Spy called Aubrey Argylle. And each of the four novels she has written have turned out be bestsellers. But there is a problem. Her plots of international espionage turn out to be predictive and prophetic. What she writes, actually happens. On a train journey (Elly has a fear of flying) to visit her parents, she is suddenly attacked a horde of men, and miraculously saved by the man sitting next to her, who reveals himself to be Aidan Wylde, a real-life spy, and a fan of hers. He tells her that she was attacked by the Division, because of the prophetic nature of her writing.

Aidan accompanies Elly to London, where, he hopes, she will lead them to the MasterKey, and thus put paid to the plans of the Division. Not sure of Aidan’s intentions, Elly calls her parents, who turn out to be Dr. Margaret Vogeler (Ruth) and Director Ritter (Barry), the bosses at the Division, who had assumed the identities of Elly’s parents when she was in their captivity, suffering from amnesia and semi-conscious. Aidan and Elly manage to dodge them and escape to France, where they meet former CIA Deputy Director, Alfie. ‘Alfie’ is short for Alfred, and has no connection with Elly’s cat, Alfie, which she takes around wherever she goes. Alfie tells Elizabeth that Argylle is derived from her real name, which is R. (Rachel) Kylle. And soon, it is all guns blazing, as the good guys try to get rid of the Division (did I hear them call it the Directorate, on a couple of occasions?).

Convoluted is a word that readily comes to mind when I look at the script by actor-writer Jason Fuchs (Ice Age: Continental Drift, Pan and Wonder Woman. By comparison, this is the first ‘realistic’ script coming from him, the others being about a legend, a super heroine and animation. Perhaps the complications arise from his desire to go overboard, in an attempt to impress. Giving the cat so much prominence, for only two worthwhile scenes, is irrational. Elizabeth Conway’s many incarnations are always two-steps ahead of the audience’s intellect. Train attacks have been filmed many times in earlier films, and cannot get much better. Why cannot spy film writers think beyond a pen-drive? And what a colossal waste of the likes of Henry Cavill (Superman, Mission Impossible, The Man from U.N.C.L.E.), who is seen in apparitions by Conway, each one just a few seconds long, as the Argylle in print. One tends to agree with director Matthew Vaughn that Cavill is Bond material, but is this how you treat Bond material?

Is Matthew Vaughn the son of actor Robert Vaughn? No, says a paternity test. It is a bit complicated, like Argylle, but his full name(s) is/are Matthew Allard de Vere Drummond (born Matthew Allard Robert Vaughn; 7 March 1971), and is known as Matthew Vaughn, professionally. Many of us know him as Kingsman or King’s Man. Producer, Executive producer, writer and director, Vaughn also directed the X-Men: First Class. Notching 15 films as producer and only 10 as director, Vaughn appears to be smitten by the spy genre. After three Kingsman films, we now have the fourth, Argylle, which he also produced, like the Kingsman series and the X-Men film.

For most of Argylle, the director seems to be unsure whether it is to be a comedy, a spoof or an original spy thriller. Yes, the transformation of Elly from a house-wife-like character into a fighting mean machine persona is a mild tour de force. And just when you have written off Alfie, the cat, as a mere ‘passenger’, she gets to the eyes (literally). Aidan is not very convincing as the superhuman spy, and the role needed better casting. The title itself is not attractive, and the 139 minutes’ length gets to you. He brings back his Stardust actor Henry Cavill, only as a figment of Elly’s imagination. Fights are often unrealistic, with a dozen or more gunmen pouncing on one or two protagonists, and failing to match them. Alfie raises one laugh when he bounces from a mattress on a road up to a high storey window. The dance sequence is impressive and sensual.

Discovered by M. Night Shyamalam, and cast in two of his films, Bryce Dallas Howard (Pete’s Dragon, Rocketman) is the daughter of actor-director Ron Howard. Elly Conway looks the dowdy novelist Elizabeth Conway, and metamorphoses into Rachel Kylle with ease. Both Bryce (42) and Sam Rockwell (Aidan), who is 55, belie their age. The villain-in-chief, Ritter, and his female half, Dr. Margaret Vogler, are played by Bryan Cranston and Catherine O’Hara. Both are made to behave in a clichéd manner, perhaps in the hope that they will come across as comedians. Nothing doing. Richard E. Grant plays Fowler, Ritter’s book counterpart in the Argylle novels. Samuel L. Jackson as Alfie could have sleep-walked into this role. And Sofia Boutella as Saba Al-Badr is completely dispensable to the plot.

Cinematography is by George Richmond and the film is edited by Lee Smith, Tom Harrison-Read and Col Goudie, with music by Lorne Balfe. An Apple Original Films production there is neither any juicy apple in it nor originality. In fact, everybody who likes originality should keep away from this spyurious stuff.

Rating: **

Trailer: https://www.youtube.com/watch?v=7mgu9mNZ8Hk



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Authors and Artists

Two new consciousness‑style paperbacks on Amazon

Ruby Dosanjh

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Two new consciousness‑style paperbacks on Amazon

Two new consciousness‑style paperbacks on Amazon, Author Ruby Dosanjh has released, expanding a growing body of atmospheric, introspective fiction. The titles — Likewise and Otherwise — explore the quiet emotional shifts that happen between two people who are paying attention.

The first release, Likewise, is a story about subtlety and mirrored feeling. It follows the second meeting that changes the first, the presence that fits too perfectly, and the kind of recognition that arrives without language. Described as “a quiet echo,” the book offers a soft, atmospheric experience for readers who sense emotional shifts before they can name them. Some connections linger — not because they’re forced to, but because they belong.

The second paperback, Otherwise, moves into deeper territory. It traces the moment reflection becomes truth, when two people think of each other without stopping and without softening it into something smaller. What begins as quiet awareness grows into something unmistakable — familiar, unsettling, and impossible to ignore. Otherwise follows the slow, honest shift from noticing to knowing, and the quiet courage it takes to stop pretending nothing is happening.

Together, the releases mark a clear evolution in Ruby Dosanjh’s one‑word consciousness series — stories that move gently, speak quietly, and leave a lasting imprint. Both paperbacks are now available worldwide on Amazon.

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Books

How To Read People Like A Book Enters Competitive Body Language Genre

H Johal

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How To Read People Like A Book Enters Competitive Body Language Genre

Balle Balle Radio™ Entertainment Desk

Sebastian Clark has released "How To Read People Like A Book: The Subtle Art of How to Analyze People and Speed-Reading to decode Body Language, Intentions, Thoughts, Emotions, Behaviors, and Connect Effortlessly!", first published in 2022, according to an announcement received by Studio CarryOnHarry.

The book lands in a crowded shelf of nonverbal-communication guides. Its own marketing places it alongside Allan and Barbara Pease’s "The Definitive Book of Body Language," Joe Navarro’s "What Every BODY is Saying," and Thomas Erikson’s "Surrounded by Idiots" — three long-running titles that have anchored the popular body-language genre for years. Clark’s book positions itself as a newer entry covering similar ground: understanding facial expressions, gestures, posture, and vocal tone to reveal someone’s actual thoughts.

According to the announcement, the book walks through strategies applicable across various contexts including professional environments, social gatherings, and interpersonal connections — with the stated aim of helping readers spot emotions and intentions that go unspoken. Listed topics include facial expression and gesture analysis, context-specific body language decoding, interpreting non-verbal communication, reading vocal cues for emotional undertone, and trusting intuitive reads of subtle signals. The work is categorized within social science studies.

No further biographical detail on Clark accompanied the announcement, and independent listings for the title largely repeat the same publisher description rather than adding new information about the author or the book’s reception since 2022.

Studio CarryOnHarry Perspective

At Studio CarryOnHarry, we’re interested in whether books like Clark’s deliver on their practical promise. The appeal of body-language guides lies less in theory and more in real-world application—the job interview where you’re trying to gauge whether the hiring manager is genuinely interested, the first date where mixed signals leave you uncertain, the negotiation where knowing if the other party is bluffing matters financially. Clark’s positioning across "professional environments, social gatherings, and interpersonal connections" suggests he’s aware readers want transferable skills, not just academic frameworks. The question worth asking: does his approach to vocal cues, facial analysis, and contextual interpretation actually equip readers to make better decisions in these high-stakes moments? Or does it risk reinforcing the confidence-without-accuracy trap that plagues intuitive people-reading? For readers considering this purchase, the gap between what body language can reliably tell us and what we wish it could tell us deserves scrutiny.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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