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Artist RRealCamChambers’ Finished Debut Album, “Genesis To Revelations,” Drops 10/1/22

Harry Johal

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Artist RRealCamChambers’ Finished Debut Album, “Genesis To Revelations,” Drops 10/1/22


Longview, WA, September 19, 2022 –(PR.com)– “Genesis To Revelations,” Set to release on 10/1/22, is the latest album to look out for. Cameron describes it as, “My best work yet.” Stating, “In 2022, I surrendered to Jesus Christ and have not looked back.” When asked about his goals for the album: “My ultimate goal was to make worship songs that felt like you were praying.” When he was 16, he decided to move from Wenatchee, Washington to Portland, Oregon. “Portland was a culture shock to me, riding the max, seeing all the different people.” He learned the ins and outs of the industry real quick and started shows frequently in 2008. He mentions, “When I started my career I was putting out tons of music with no real meaning. It’s when I found God, that’s when the real music started to happen.”

His new album is produced by billboard charting producer Freek Van Workum.
The whole album was recorded in the Famous Eleven Studios in Vancouver, Washington. The engineer, Zach, mixed and mastered the whole album. He hopes that when people listen to the album, they come to know Jesus Christ.

When asked his expectations for the album, he mentions, “God knows my heart and will bless this album fully.” He plans to donate half of his album sales to faith-based charities.



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Artists

Tokyo Soul Singer Tyrone Hashimoto Releases New Single Oct. 2, Plays Tokyo Jazz Club Same Night

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Tokyo Soul Singer Tyrone Hashimoto Releases New Single Oct. 2, Plays Tokyo Jazz Club Same Night

Balle Balle Radio™ Entertainment Desk

Tyrone Hashimoto (born Shunichi Suzuki), a Tokyo-based singer-songwriter,, plans to release his latest single, "Wake Up in the Morning Sun," across streaming platforms on October 2, per his production company Teddy Bear Productions. The artist will celebrate with a live performance by the Lakeside Struttin’ Band at Sometime Jazz the same evening.

The song arrives as the latest entry in what Hashimoto has called the "Music Cruise" series, an ongoing project now in its seventh installment, according to prior coverage of his work. The announcement describes the new track as an offering of encouragement, framed around the idea that a better life is within reach.

Hashimoto has built a four-decade career that spans well beyond his nine solo albums, all recorded in English, and a catalog the announcement puts at more than 600 original songs. He’s written jingles for McDonald’s, KFC, Nissan, Canon, Sharp, Kodak and Tokyo Disneyland, among other clients, and took a bronze prize at the Cannes Commercial Film Festival in 1994 for a Panasonic spot. One commercial job, for the Japanese coffee brand UCC, reportedly involved bringing James Brown into the studio to sing for the ad.

Originally from Yaita in Tochigi prefecture, Japan,, Hashimoto won the Grand Prix at the first All Japan Folk Music Festival at age 17, citing Simon & Garfunkel and Peter, Paul and Mary among his early influences. He went on to work with Haruomi Hosono’s Tin Pan Alley project, played a role in Yellow Magic Orchestra’s debut album, and became an original member of La Orquesta Del Sol, described in the announcement as Japan’s first major salsa band.

His American profile traces back to a 1987 visit to Seattle, where local press and broadcasters, including KIRO, KUOW and NBC affiliate KING5, covered his music; a KING5 documentary profiling the artist that was subsequently distributed to 37 additional U.S. markets. He has also taught voice and guitar to more than 1,000 students, including Japanese musicians Sugizo, Miyavi, Takeru and Junya Enoki, and recently received an honorary doctorate in music education from University of Perpetual Help System DALTA in the Philippines.

For Studio CarryOnHarry, the throughline here isn’t the single itself but the career behind it: a working musician who has moved fluidly between recording artist, jingle writer and educator for going on 40 years, in two countries, without a signature hit driving any of it.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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Song 1’s New EP “What The ….” Leans Into Five Tracks of Deliberate Disorder

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Song 1’s New EP “What The ….” Leans Into Five Tracks of Deliberate Disorder

Balle Balle Radio™ Entertainment Desk

London indie-punk band Song 1 have released a new five-track EP called What The…., following a year of lineup changes and what the band describes as a shift toward sharper, more off-kilter songwriting.

According to the announcement, the record lands following months of roster adjustments that solidified the five-member configuration, and the record is framed as the sound of that lineup settling into place. The band describes the title not as a literal question but as a kind of shrug, an expression of the loose, sideways attitude that runs through the tracklist.

The EP opens with “Feeling Sideways,” which the band positions as the reset point for this new phase, constructed from restless grooves and crooked rhythms, per the band’s description. The focus single, “Crooked,” follows, built around jagged guitar work, live drums and a melodic bassline, with the line “I move crooked but I land just right” serving as the track’s stated thesis.

“Morning Sun” is described as a tonal shift toward something wider and brighter, using imagery like a “paper weight sky” to move from heavier material toward something more lifted. “Not Lost” continues that throughline lyrically, with the band pointing to the line “I’m not lost, I’m just aligned / With the beat that hides between your time” as a statement of purpose. The EP closes with “My Shadow’s Got Its Own Mind,” which the announcement calls a late-night, low-lit close to the record, framing the band’s embrace of unpredictability as a deliberate stance rather than a lack of direction.

Taken together, the band and its team describe What The …. as the clearest statement yet of Song 1’s identity: an alternative indie-punk work anchored in big hooks, live-wire guitars and knowing self-awareness about not fitting a mold.

Studio CarryOnHarry will be watching whether “Crooked” gives the band a genuine breakout moment beyond the EP cycle, since focus singles built around a clear lyrical hook are often where a band either finds a wider audience or doesn’t.

No compass or straight lines required, as the band themselves put it, just an audience willing to turn it up.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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