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Author Robert ‘Bob’ D. Patton’s New Book ‘Living Positive With Imperfection: A Memoir’ is a Beautiful Portrait of One Man’s Strength to Survive All of Life’s Trials

Harry Johal

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Author Robert ‘Bob’ D. Patton’s New Book ‘Living Positive With Imperfection: A Memoir’ is a Beautiful Portrait of One Man’s Strength to Survive All of Life’s Trials


Recent release “Living Positive with Imperfection: A Memoir” from Newman Springs Publishing author Robert “Bob” D. Patton is a stirring memoir that explores the losses and disappointments faced by the author throughout his life. Despite each setback, Patton reveals how he never let these obstacles keep him down, always drawing on his inner strength to forge ahead no matter the odds.

Press Release


Nov 29, 2022

Robert “Bob” D. Patton, who has served his community as a county commissioner and was a member of the Tennessee House of Representatives. He has both taught and chaired the Department of Health Education for East Tennessee State University and has completed his new book “Living Positive with Imperfection: A Memoir”: an insightful memoir detailing the author’s experiences in facing defeat and still managing to get back up again and face challenges head-on.

“I did not think a lot about family history when I was young,” writes Patton. “As I grew older, I became more interested in my past and the experiences and people who helped mold me into the person I am. I have also come to see the importance of the environment I experienced and how it has contributed to my life. Some of it was negative and some positive; however, you can’t change it. I want my children and grandchildren to know more about me; in doing so, they will know more about themselves.

“There have been many times I have wished I could ask my deceased parents about people and places. Since I cannot do that, I thought it important to leave a written record of some of my history for my family and friends. With that in mind, I have tried to record the things I remember about relatives and friends and how they were involved at various stages of my life. I thought it important that I express some of the attitudes and the feelings I have about people, places, and things. My children are old enough to appreciate what I have recorded. The grandchildren may have an interest in forty or fifty years. If any of the family gets interested in their heritage, they will appreciate my efforts. Perhaps this will inspire other individuals to have an interest in leaving a history for their family and friends.”

Published by Newman Springs Publishing, Robert “Bob” D. Patton’s powerful story follows over six decades of the author’s life as he shares the difficulties and disappointments that have plagued his life. Never giving up despite divorces, life as a single parent, and job losses, Patton never gave up and shares with readers encouragement and wisdom that one can only achieve from a life well lived.

Readers who wish to experience this enlightening work can purchase “Living Positive with Imperfection: A Memoir” at bookstores everywhere, or online at the Apple iBooks Store, Amazon, or Barnes & Noble.

For additional information or media inquiries, contact Newman Springs Publishing at 732-243-8512.

About Newman Springs Publishing: 

Newman Springs Publishing is a full-service publishing house for serious authors. Each title produced by Newman Springs Publishing undergoes every step of the professional publishing process, including editing, layout, cover design, circulation, distribution, and publicity. All titles are made available in both eBook and print formats. Newman Springs Publishing distributes to tens of thousands of retail outlets throughout North America and internationally. All manuscripts in any genre are welcome to be submitted for review; If the manuscript meets the necessary criteria and is accepted for publication, Newman Springs Publishing will work closely with the author to bring the book to the retail market for a relatively inexpensive initial investment.

Source: Newman Springs Publishing



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Editor's Choice

Gunmaaster G9 Teaser Review: Emraan-Himesh Reunion Delivers Organic Mass Signal — But November 27 Will Be the Real ISI Mark

H Johal

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Gunmaaster G9 Teaser Review: Emraan-Himesh Reunion Delivers Organic Mass Signal — But November 27 Will Be the Real ISI Mark

Gunmaaster G9 Teaser Review: Emraan-Himesh Reunion Delivers Organic Mass Signal — But November 27 Will Be the Real ISI Mark

MassMasala — Studio CarryOnHarry Trade Desk

August 25, 2026. The Gunmaaster G9 teaser dropped at 82 seconds flat, and the first question any trade analyst should ask is not “how many views?” The first question is: did the footage earn the buzz, or did the PR machine manufacture it?

Let’s be straight. This teaser earned it.

The ground signal within hours of the drop was not driven by celebrity retweets or studio-orchestrated fan clubs posting simultaneously — woh pattern alag dikhta hai, log soong lete hain. What trended was Himesh Reshammiya’s “Afsana Banaaya Aapne” — a song tied to a 2006 film that its fanbase never let die. When a two-decade-old hook resurfaces organically in 2026 audience chatter, that is not nostalgia marketing. That is a dormant fanbase reactivating. These are real people who will buy tickets.

The footage itself is structured correctly for its target audience. Emraan Hashmi in a desi avatar, raw dialogue delivery, high-stakes fight choreography, a Mahadev prayer for his beloved — yeh mass entertainer ka grammar hai, aur yahan koi translation nahi ho raha. It is being spoken in the original language to the original audience. Director Aditya Datt — who established this grammar with Emraan in Aashiq Banaya Aapne and Dil Diya Hai — clearly has not forgotten how to write the sentence.

Contextually, Awarapan 2 was the proof of concept. It demonstrated that Emraan’s theatrical equity was not dead — it was just waiting for the correct film. Gunmaaster G9 is the next transaction in that rebuilt account. Add Genelia D’Souza’s return to Hindi theatrical — an angle the trade is criminally underweighting — and Aparshakti Khurana’s ensemble credibility, and the casting calculus makes sense.

One flag: Aditya Datt publicly claimed this will be “bigger than Aashiq Banaya Aapne.” Director saab, teaser toh strong hai — but that is a bar set publicly, and November 27 will collect accordingly. You can manipulate a headline. You cannot manipulate a hall.

Verdict: Organic mass entertainer setup. Genuine nostalgic currency backed by real footage energy. Mixed bag risk only on the November 27 release date competition. Box office does not lie — aur yeh film ab tak jhooth bolti nahi dikh rahi.Editor’s VerdictThe machinery of Bollywood hype is loud, rehearsed and increasingly easy to see through — which is precisely why when something cuts through without the usual orchestration, it deserves a measured acknowledgement. This teaser worked because the nostalgia it activated was not manufactured; it was waiting. A dormant fanbase is fundamentally different from a constructed one — they return with genuine intent, not algorithmic obligation. The Genelia angle is the most undervalued element here commercially, because her return to Hindi theatrical carries its own emotional weight across a demographic that Hindi cinema has largely ignored lately. The director’s public “bigger than Aashiq Banaya Aapne” declaration is the one variable that could quietly become a liability — ambition announced is accountability accepted, and exhibition does not trade in sentiment. The real story of this campaign will not be written in August 2026; it will be written in the cold arithmetic of November 27’s opening day numbers.

Beyond the headlines, a dormant fanbase reactivating on its own terms is worth more to a film than any marketing budget ever designed to simulate exactly that.

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Editor's Choice

Arijit’s Exit Unlocks Shaan’s Private Battle With Playback Singing

H Johal

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Arijit’s Exit Unlocks Shaan’s Private Battle With Playback Singing

Arijit’s Exit Unlocks Shaan’s Private Battle With Playback Singing

Studio CarryOnHarry Entertainment Desk | 23 August 2026

Veteran Bollywood singer Shaan has opened up about a deeply personal crossroads in his career — a moment when he seriously considered walking away from playback singing altogether. His candid confession comes in the wake of Arijit Singh’s headline-making decision to step back from film playback work, which has been one of the most talked-about developments in Bollywood’s top stories of 2026.

Shaan Opens Up on Arijit Singh’s Departure

Speaking in a candid conversation with veteran trade analyst Komal Nahta, Shaan was quick to offer some nuance around Arijit’s situation. He noted that Arijit hasn’t retired from singing entirely and has reportedly recorded a substantial volume of songs that are yet to see a public release.

“In the next two years, you’ll get to hear a lot of Arijit Singh,” Shaan remarked, adding that nothing is set in stone and the acclaimed singer could very well change his mind down the line.

The Personal Dilemma Shaan Faced in His Thirties

Shaan then turned the lens on himself, revealing that around the age of 33–34, at a point when his career was flourishing and awards were coming his way, he found himself questioning his path. A strong pull toward social work and community service made him feel that his relentless schedule was leaving no room for anything beyond music.

Singing for Everyone — A and B-Grade Films Alike

Unlike Arijit Singh, who rose swiftly to the top and became highly selective about the projects he accepted, Shaan took a very different approach. He would leave home early each morning and lend his voice to films across every budget category — from prestige productions to smaller, independent ventures.

  • Fellow singers KK and Sonu Nigam repeatedly advised him to be more selective
  • Their message was direct: “Don’t sing all kinds of songs. Keep your standard, bro”
  • Shaan, however, found it impossible to decline when approached with warmth and affection

A Legacy Rooted in Family and Gratitude

Shaan’s deep ties to the industry made turning down requests especially difficult. His grandfather was lyricist Jahar Mukherjee, and his father was the late, celebrated music director Manas Mukherjee. Colleagues of his father and their families would often approach Shaan for playback work — and saying no felt like a betrayal of those bonds.

“I got a lot of blessings from them,” Shaan reflected, suggesting that those experiences, however commercially varied, enriched his journey in ways that go beyond awards or chart positions. For broader entertainment industry coverage, this kind of insider perspective rarely surfaces so honestly.

Studio COH Perspective

Shaan’s revelation adds vital context to the ongoing conversation about artistic identity in Bollywood’s playback ecosystem. When icons like Arijit Singh step back and legends like Shaan admit to their own moments of doubt, it signals a deeper reckoning within the industry. The pressures of loyalty, legacy, and commercial demand are forces every artist navigates — and these honest conversations help fans and industry watchers alike understand the human cost of a career in the spotlight.

– Entertainment Desk, Studio Carry On Harry

Background & Timeline

Shaan, born Shantanu Mukherjee, comes from one of Bollywood’s most storied musical families. His grandfather was lyricist Jahar Mukherjee, his father the late music director Manas Mukherjee, and his sister is singer Sagarika. Shaan rose to prominence in the late 1990s and 2000s, becoming one of Hindi cinema’s most versatile voices. In 2026, Arijit Singh’s announcement of stepping back from film playback singing reignited broader discussions about artistic burnout, selectivity, and the personal toll of a high-demand creative career in Bollywood.

Studio CarryOnHarry Perspective

At Studio Carry On Harry, we see Shaan’s candid revelation as a mirror held up to an industry that rarely pauses to reflect. When two of Bollywood’s greatest voices — Arijit Singh and Shaan — both arrive at moments of existential doubt, it tells us something profound about the cost of creative generosity. Shaan’s story, rooted in family loyalty and an open heart, is a reminder that behind every beloved song is a human being navigating impossible choices. That’s the Bollywood story worth telling.

What’s Next?

Watch closely for any further statements from Arijit Singh regarding his playback future, and keep an eye on whether Shaan takes on a more selective approach to his projects in the coming months. With a reported two years’ worth of Arijit recordings still to release, the conversation around Bollywood’s golden-voiced generation is far from over.

Editor’s Verdict

Shaan’s candour here is rarer than it appears. Two celebrated voices, two very different careers, yet both arrived at the same quiet question — is this still worth it? What’s striking is that Shaan’s hesitation wasn’t about fame or fatigue, it was about meaning. He kept saying yes not out of commercial calculation but out of inherited loyalty, the kind that doesn’t show up on a streaming dashboard. That generosity cost him selectivity but gave him something else entirely — a career woven into the fabric of the industry rather than positioned above it. Whether that trade-off was wise is genuinely debatable, but it was deeply human. Beyond the headlines, the most enduring voices in Bollywood may not be the ones who guarded their legacy most carefully, but the ones who gave it away most freely.

Studio Ki Raye

Arijit ka playback se step back lena ek bada news moment tha — lekin Shaan ki baat ussse zyada revealing hai. Arijit ki selectivity ek luxury thi jo overnight stardom ne di. Shaan ka model bilkul ulta tha — har film, har budget, har request. KK aur Sonu Nigam jaisa industry ka koi bhi singer yahi advice deta, lekin Shaan ke liye “standard maintain karna” ek emotional option nahi tha jab baap ke saathiyon ke bachche darwaza khadkhaate the. Yeh sirf nostalgia nahi hai — yeh ek important reminder hai ki Bollywood mein loyalty aur legacy kabhi kabhi artistic identity se bhaari pad jaati hai. Aur is industry mein jo log sab kuch lete hain, woh aksar woh hote hain jinhe “no” kehna sikhaya hi nahi gaya.

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