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Big Noise Artist Mark Winkler Releases 22nd Album, “Hold On”

Harry Johal

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Big Noise Artist Mark Winkler Releases 22nd Album, “Hold On”

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Los Angeles, CA, October 16, 2025 –(CarryOnHarry.com)– Prolific vocalist and lyricist Mark Winkler has released his 22nd album, Hold On, a collection of mostly original tunes with, according to Winkler, “a few tasty standards for good measure.”

An acclaimed artist on the Los Angeles jazz scene, Winkler’s original songs have been sung and recorded by a cadre of top singers like Dianne Reeves, Joe Sample, Randy Crawford, and Dee Dee Bridgewater.

Over his long recording career, Winkler has invited other top jazz vocalists to join him in the studio. He has recorded with Jackie Ryan, Steve Tyrell, Claire Martin, and Sara Gazarek, among others. He shared top billing on two albums with Cheryl Bentyne from the iconic group The Manhattan Transfer, and collaborated with David Benoit on their album Old Friends, about which Jersey Jazz said, “Winkler is one of the best male vocalists on the jazz scene.”

Big Noise has worked with Winkler since 2013.

Despite his long tenure at the microphone, Winkler does not just sit on his laurels. Each new album builds on the previous one. According to JW Vibe, “Winkler is one of those rare artists who not only never misses, but keeps getting better with time.”

Winkler continues to seek new and interesting ways of expressing himself through the creative energy he draws from working with other like-minded artists. For Hold On, he worked with six stellar pianists, including Grammy Award Winner John Beasley, Rich Eames, Tamir Hendelman, Eric Reed, Greg Gordon Smith, and Jamieson Trotter. Each brings his own style to the project, creating a rich tapestry of sounds.

Also joining Winkler are some top Los Angeles players including Gabe Davis (bass), Christian Euman (drums), Kendall Kay (drums), Bob Sheppard (sax), Brian Swartz (trumpet), Lemar Guillary (trombone), Joey De Leon (percussion), George Doering (guitar), Emmy Award Nominee Grant Geissmann (guitar), and The GGS Singers (background vocals).

The album was produced by Barbara Brighton, who also produced eight of Winkler’s previous albums.

Over the years, Winkler mainly wrote lyrics with four major collaborator composers. For Hold On, Winkler co-wrote four of the eleven songs with Greg Gordon Smith, whose production company specializes in cinematic original music and sonic branding for major brands like Hulu and Dolby. Winkler says, “Greg is a fantastic composer. We’re really in sync with each other. I feel like I found my very own Bacharach.”

Winkler opens the album with the title track, his original co-written with Smith, “Hold On,” which Smith also arranged. “A Little Taste” is an iconic Dave Frishberg song. Winkler was attracted to its witty, literate lyrics. As a lyricist, Winkler is particularly drawn to great writers and considers Frank Loesser one of the best. Most versions of Loesser’s “If I Were a Bell” have been sung by women, but Winkler could not resist singing it.

Winkler is a film buff and loves noir and campy sci-fi moves. “Cat Women on the Moon” is his homage to the goofy sci-fi flicks of the fifties. After Frank Sinatra put his imprimatur on “It Was a Very Good Year,” relatively few people dared to record it. But Winkler finds his own way with the song after he was inspired by a bossa nova version he heard.

Another collaboration with Smith, Winkler co-wrote the swinger “My Future’s Just a Memory.” Written from the perspective of an older person, the song is about consciously savoring the good moments of your life. Billy Joel’s “Vienna,” a song suggested by Brighton, features Beasley’s spare and elegant arrangement, which allows the lyrics to shine.

Winkler was inspired to write “Train in the Desert” after visiting an exhibit of Georgia O’Keefe’s paintings. When Winkler started dating again after his husband passed away, he met some “interesting” people. “The Devil Don’t Want a Saint,” arranged by Eames, was inspired by one guy in particular who wound up being quite different than he pretended to be.

Composed by Smith, “My Electric Car” is Winkler’s homage to clean energy. Winkler closes the album with “I Dream of You Each Night.” It was inspired by the TV series Fellow Travelers, a show about two gay men in the 1950s who had to hide their decades-long relationship. Coming of age in the 60s and 70s, Winkler well understands the oppression that gay men endured.

Mark Winkler has accrued a legion of fans because he has shown time and again his ability to engage hearts and minds as a performer, recording artist, and lyricist. Hold On brings us into Winkler’s world where swing, humor, and even elegance conspire to create a thoroughly enjoyable listening experience.

Hold On was released on Café Pacific Records and is available on Spotify, Apple Music, Amazon Music, and all streaming platforms.

Online:
Markwinklermusic.com
facebook.com/mark.winkler.10

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SENSANE to Release Debut Vocal Album in October with UK and Indian Artists

H Johal

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SENSANE to Release Debut Vocal Album in October with UK and Indian Artists

Balle Balle Radio™ Entertainment Desk

SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.

The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.

"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."

Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.

Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’

C’batch reworks a previous guitar recording into instrumental piece “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” continuing the artist’s practice…

H Johal

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From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’

Balle Balle Radio™ Entertainment Desk

C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.

The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.

The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.

Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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