Artists
Creators of the World’s Largest Computer Driven Kinetic Sculpture to Unveil a New Immersive Public Installation at Art Miami, 2023
BREAKFAST, in collaboration with HOFA Gallery and Art Miami, is set to unveil the highly anticipated ‘Flashbacks, Green Lines’ – an immersive kinetic installation at Art Miami 2023. BREAKFAST has recently garnered acclaim for creating the world’s largest computer-controlled kinetic sculpture. Art Miami’s groundbreaking installation will be on public display from 5 to 10 December 2023, offering a unique narrative where each viewer’s interaction with the artwork becomes an integral part of the captivating ‘Flashback, Green Lines’ installation
MIAMI, December 5, 2023 (CarryOnHarry.com)
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Art Miami is poised to host a captivating immersive art installation titled ‘Flashbacks, Green Lines’ by BREAKFAST, in collaboration HOFA Gallery and Art Miami. This groundbreaking showcase will fuse kinetics and art, offering a unique and interactive perspective on the convergence of art and memory. Positioned prominently at the entrance of the renowned art fair, the installation invites the public to experience its unique narrative from 5 – 10 December 2023.
BREAKFAST is renowned for their digitally driven kinetic sculptures and has recently garnered global recognition for their masterpiece, ‘The Pearl’ – the world’s largest computer-controlled kinetic sculpture, slated to launch in 2024.
BREAKFAST’s interactive installation at Art Miami, ‘Flashbacks, Green Lines’ promises a unique engagement with each participant. This innovative piece will record a brief clip of everyone who interacts with it, replaying these moments from the artwork’s memory through mesmerising and dynamic flip-discs. ‘Flashbacks, Green Lines’ transcends the traditional viewer-artwork dynamic, transforming each participant into an integral part of the artistic experience. It extends an invitation to reflect on how individual curiosity, movements, and mere presence contribute to the vibrant life of the artwork.
Nick Korniloff, Director Art Miami, says about the forthcoming collaboration, “It is an amazing interactive installation at the entry of the Art Miami that will engage all our guests as they enter our 33rd edition of the Fair.”
HOFA will proudly represent twenty-two leading contemporary artists, among them the pioneering BREAKFAST at Art Miami 2023. Renowned for being at the forefront of pushing artistic boundaries, the gallery’s exhibition is a curated collection that not only showcases the exceptional talent of diverse artists but also serves as a testament to the gallery’s core values, rich history, and forward-looking vision. The diverse portfolio spans various artistic disciplines, with a particular emphasis on embracing diversity and employing a multitude of techniques and creative practices.
Sougwen Chung and Krista Kim will also prominently feature in HOFA’s presentation this year. Sougwen Chung’s series of distinctive paintings, a result of collaboration with robotic entities, showcases the intricacies of the artist’s profound research and performative practice. This unique collaboration introduces the world to a new dimension of digital consciousness, adding an innovative layer to the overarching artistic narrative. Further enriching HOFA’s showcase is the debut of Krista Kim’s zen-digital work during Art Miami.
HOFA Gallery, Booth AM 109, Art Miami
Artists Represented: ILHWA KIM, SOUGWEN CHUNG, ZHENG LU, VLADINSKY, ESER GÜNDÜZ, JASON SIMS, JULIAN VOSS-ANDREAE, LYÈS, BREAKFAST, MARY RONAYNE , ZHUANG HONG YI, JOSEPH KLIBANSKY, JAN KALÁB, GIANFRANCO, MEGGIATO, ROMINA RESSIA, KRISTA KIM, LI JIE, WANG ZILING, MAX PATTÉ, KOSTAS PAPAKOSTAS, MAXIM WAKULTSCHIK, SOPHIE VICTORIA.
Source: HOFA Gallery
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Artists
Tokyo Soul Singer Tyrone Hashimoto Releases New Single Oct. 2, Plays Tokyo Jazz Club Same Night
Balle Balle Radio™ Entertainment Desk
Tyrone Hashimoto (born Shunichi Suzuki), a Tokyo-based singer-songwriter,, plans to release his latest single, "Wake Up in the Morning Sun," across streaming platforms on October 2, per his production company Teddy Bear Productions. The artist will celebrate with a live performance by the Lakeside Struttin’ Band at Sometime Jazz the same evening.
The song arrives as the latest entry in what Hashimoto has called the "Music Cruise" series, an ongoing project now in its seventh installment, according to prior coverage of his work. The announcement describes the new track as an offering of encouragement, framed around the idea that a better life is within reach.
Hashimoto has built a four-decade career that spans well beyond his nine solo albums, all recorded in English, and a catalog the announcement puts at more than 600 original songs. He’s written jingles for McDonald’s, KFC, Nissan, Canon, Sharp, Kodak and Tokyo Disneyland, among other clients, and took a bronze prize at the Cannes Commercial Film Festival in 1994 for a Panasonic spot. One commercial job, for the Japanese coffee brand UCC, reportedly involved bringing James Brown into the studio to sing for the ad.
Originally from Yaita in Tochigi prefecture, Japan,, Hashimoto won the Grand Prix at the first All Japan Folk Music Festival at age 17, citing Simon & Garfunkel and Peter, Paul and Mary among his early influences. He went on to work with Haruomi Hosono’s Tin Pan Alley project, played a role in Yellow Magic Orchestra’s debut album, and became an original member of La Orquesta Del Sol, described in the announcement as Japan’s first major salsa band.
His American profile traces back to a 1987 visit to Seattle, where local press and broadcasters, including KIRO, KUOW and NBC affiliate KING5, covered his music; a KING5 documentary profiling the artist that was subsequently distributed to 37 additional U.S. markets. He has also taught voice and guitar to more than 1,000 students, including Japanese musicians Sugizo, Miyavi, Takeru and Junya Enoki, and recently received an honorary doctorate in music education from University of Perpetual Help System DALTA in the Philippines.
For Studio CarryOnHarry, the throughline here isn’t the single itself but the career behind it: a working musician who has moved fluidly between recording artist, jingle writer and educator for going on 40 years, in two countries, without a signature hit driving any of it.
Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.
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Song 1’s New EP “What The ….” Leans Into Five Tracks of Deliberate Disorder
Balle Balle Radio™ Entertainment Desk
London indie-punk band Song 1 have released a new five-track EP called What The…., following a year of lineup changes and what the band describes as a shift toward sharper, more off-kilter songwriting.
According to the announcement, the record lands following months of roster adjustments that solidified the five-member configuration, and the record is framed as the sound of that lineup settling into place. The band describes the title not as a literal question but as a kind of shrug, an expression of the loose, sideways attitude that runs through the tracklist.
The EP opens with “Feeling Sideways,” which the band positions as the reset point for this new phase, constructed from restless grooves and crooked rhythms, per the band’s description. The focus single, “Crooked,” follows, built around jagged guitar work, live drums and a melodic bassline, with the line “I move crooked but I land just right” serving as the track’s stated thesis.
“Morning Sun” is described as a tonal shift toward something wider and brighter, using imagery like a “paper weight sky” to move from heavier material toward something more lifted. “Not Lost” continues that throughline lyrically, with the band pointing to the line “I’m not lost, I’m just aligned / With the beat that hides between your time” as a statement of purpose. The EP closes with “My Shadow’s Got Its Own Mind,” which the announcement calls a late-night, low-lit close to the record, framing the band’s embrace of unpredictability as a deliberate stance rather than a lack of direction.
Taken together, the band and its team describe What The …. as the clearest statement yet of Song 1’s identity: an alternative indie-punk work anchored in big hooks, live-wire guitars and knowing self-awareness about not fitting a mold.
Studio CarryOnHarry will be watching whether “Crooked” gives the band a genuine breakout moment beyond the EP cycle, since focus singles built around a clear lyrical hook are often where a band either finds a wider audience or doesn’t.
No compass or straight lines required, as the band themselves put it, just an audience willing to turn it up.
Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.
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