Artists
Emerging Artist KayeDinero Releases Captivating Tracks “Love Drug,” “Pisces Virgo,” and “I Love Food ATL”
KayeDinero has already made waves as an Atlanta-based marketer at only 25 years old, through her successful business I Love Food Media. Since it launched in 2018, this food-focused influencer brand has assisted more than 100 small businesses with increasing sales, increasing customer base expansion, and improving revenue.
KayeDinero’s creative talents extend far beyond business. To find an outlet for herself and the community around her, she has turned her hand to music; creating emotionally charged compositions like “Love Drug,” which explores relationships in depth; “Pisces Virgo” allows listeners an introspective glimpse of herself; while “I Love Food ATL” pays homage to both her entrepreneurial journey and Atlanta’s vibrant food scene.
KayeDinero’s tracks combine various genres in an original manner to produce an eclectic yet fresh sound, appealing to multiple audiences. Her raw talent combined with emotive lyrics makes her one of the premier artists to watch in her field.
KayeDinero aims to create a media conglomerate built upon community, love, and technology in order to make an indelible mark on the entertainment industry. Leveraging her marketing expertise and passion for music, KayeDinero hopes to empower artists while simultaneously creating an atmosphere of unity among her audience members.
Experience KayeDinero’s music today by streaming “Love Drug,” “Pisces Virgo,” and “I Love Food ATL” across your preferred streaming platforms. Stay updated with her journey and future releases by following her on social media.
About Kaye Dinero:
KayeDinero is an emerging artist, entrepreneur and marketing genius based out of Atlanta. Hailing from Detroit originally, she has since 2018 successfully built Atlanta’s leading food influencer brand I Love Food Media. At 25 years old, KayeDinero’s vision is to establish a media conglomerate which incorporates community values alongside technology innovation; her music serves as an expression of her artistic expression that strikes a deep chord within listeners.
Follow on Social:
TikTok: https://www.tiktok.com/@ilovefood_atl
Facebook: https://www.facebook.com/iLoveFoodATL/
Instagram: https://www.instagram.com/ilovefood_atl
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From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’
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C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.
The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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The song arrives as the latest entry in what Hashimoto has called the "Music Cruise" series, an ongoing project now in its seventh installment, according to prior coverage of his work. The announcement describes the new track as an offering of encouragement, framed around the idea that a better life is within reach.
Hashimoto has built a four-decade career that spans well beyond his nine solo albums, all recorded in English, and a catalog the announcement puts at more than 600 original songs. He’s written jingles for McDonald’s, KFC, Nissan, Canon, Sharp, Kodak and Tokyo Disneyland, among other clients, and took a bronze prize at the Cannes Commercial Film Festival in 1994 for a Panasonic spot. One commercial job, for the Japanese coffee brand UCC, reportedly involved bringing James Brown into the studio to sing for the ad.
Originally from Yaita in Tochigi prefecture, Japan,, Hashimoto won the Grand Prix at the first All Japan Folk Music Festival at age 17, citing Simon & Garfunkel and Peter, Paul and Mary among his early influences. He went on to work with Haruomi Hosono’s Tin Pan Alley project, played a role in Yellow Magic Orchestra’s debut album, and became an original member of La Orquesta Del Sol, described in the announcement as Japan’s first major salsa band.
His American profile traces back to a 1987 visit to Seattle, where local press and broadcasters, including KIRO, KUOW and NBC affiliate KING5, covered his music; a KING5 documentary profiling the artist that was subsequently distributed to 37 additional U.S. markets. He has also taught voice and guitar to more than 1,000 students, including Japanese musicians Sugizo, Miyavi, Takeru and Junya Enoki, and recently received an honorary doctorate in music education from University of Perpetual Help System DALTA in the Philippines.
For Studio CarryOnHarry, the throughline here isn’t the single itself but the career behind it: a working musician who has moved fluidly between recording artist, jingle writer and educator for going on 40 years, in two countries, without a signature hit driving any of it.
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