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iPOP Alum Madelaine Petsch Starring in Prime Video’s “Maintenance Required”
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After graduating from Tacoma School of the Arts, Madelaine moved to Los Angeles and attended iPOP!, the prestigious biannual talent showcase that helped launch her career. Since attending iPOP, Madelaine has built a résumé of more than fifteen film and television credits, four of which she also executive-produced. She first appeared in a national Coca-Cola campaign before landing her breakout role on “Riverdale.” She went on to star in and executive-produce the thriller Sightless (2020) and, in 2024, headlined “The Strangers,” the first installment of a new reboot trilogy, with the next two films already in development. Beyond acting, she has expanded her influence through brand collaborations, including her own sunglasses collection with Privé Revaux.
In July 2025, it was announced that Madelaine would star in and executive-produce the upcoming Prime Video romantic comedy “Maintenance Required “ opposite breakout star Jacob Scipio, playing Charlie, the fiercely independent owner of an all-female mechanic shop who must reevaluate her future when a flashy corporate competitor opens across the street.
Madelaine is represented by Central Artists Agency and managed by Tiffany Kuzon of Mosaic Media Group.
About iPOP!
iPOP! promotes emerging talent to leading agents, managers, casting directors, and music industry professionals. In business for over 20 years, iPOP! is held in Los Angeles every winter and summer, attracting performers from over 30 countries worldwide. At the event, participants train with industry experts, refine their craft, and compete in front of influential decision-makers who are actively seeking the stars of tomorrow.
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Katt Taylor has released "The Mental Woman Within," a novel tracing the spiritual unraveling and eventual awakening of a woman named Sarah Jane, published through Newman Springs Publishing.
The book’s synopsis describes the account of Sarah Jane, whose consciousness became trapped at age five and existed in profound darkness for decades, unaware of her own aliveness while what the synopsis calls forces of fear, shame, and temptation work against her. The narrative follows her toward what the publisher frames as a spiritual reckoning with good and evil, built around a recurring image of a "garden of truth" where hope, possibility, and fear coexist. According to the book’s own description, Sarah Jane eventually confronts a force called Destruction, framed as working against what the text calls God’s plan for her, and the synopsis notes a follow-up title, "Luke’s Destruction," as forthcoming.
Taylor was born to a teenage mother in Tallulah, Louisiana, and has said her mother’s own unpublished writing first pushed her toward authorship. She raised five children, now has fifteen grandchildren, and counts V.C. Andrews among her primary literary influences on her approach to emotionally charged, spiritually driven storytelling.
"This story represents my attempt to give voice to those who feel trapped within themselves," Taylor said in a statement announcing the book. "Sarah Jane’s journey is about recognizing that even in our darkest moments, transformation and spiritual awakening remain possible if we choose to listen to the voice within."
"The Mental Woman Within" is available at bookstores and through major online retailers including Amazon, Barnes & Noble, Google Play, and the Apple iTunes Store.
Studio CarryOnHarry will be watching to see whether Taylor’s promised sequel, "Luke’s Destruction," builds directly on Sarah Jane’s story or strikes out into new territory.
Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.
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Merida-Gonzalez is a music teacher in Port St. Lucie, Florida, where she works with children with varying needs. She holds a doctorate in education with a focus on exceptional student education, a background she says shapes how she thinks about reaching different kinds of young readers. According to the announcement, the guinea pig characters in the book are drawn from pets her own children had growing up.
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Studio CarryOnHarry sees stories like Mocha’s as part of a steady stream of small-press children’s books built around a simple, repeatable idea: a animal protagonist, a visible flaw, and a lesson about persistence. The appeal isn’t novelty, it’s execution, and that’s worth watching for in any read-aloud picture book pitched this way.
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