Artists
Loveforce International Releases a Christmas Song and a Radio Edit
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The new Digital Music Single release by Ami Cannon is entitled “Daddy’s Coming Home For A Country Christmas”. It is a Christmas song with an Indie, Singer-Songwriter, Country & Western feel. Instrumentally it combines a bass, drums, electric guitar and a steel pedal guitar. It combines the instruments with a melody and Inspirational Holiday lyrics that tell a heartfelt story of a mother telling her children that their Daddy is coming home for Christmas.
The new Digital Music Single by Billy Ray Charles is entitled “I Treat My Woman Better Than I Treat My Wife” Radio Edit. It is a happy, energetic Blues song that can be described as is a cross between Louisiana Shuffle Blues and Southern Soul. It has a happy, energetic feel and a lively beat that is meant to get people moving.
Lyrically, it is a serio-comic story about a guy that has both a wife and a girl friend.
“We have two really strong releases this week,” said Loveforce International CEO Mark Thomas. “We have one song that kicks off ‘A Loveforce Christmas’ with three more different kind of Christmas songs following next month, and a radio edit of very catchy song,” he said. “All told, listeners should be happy with this day after Thanksgiving happy pair of releases,” he continued.
The pair of new Digital Music Singles will be released to Spotify, Pandora, Apple Music, YouTube Music, Amazon Music, Instagram, Facebook, Claro Musica, iHeart Radio, iTunes, Deezer, KK Box, Boomplay, Media Net, Touchtones, Soundtrack by Twitch, Snapchat, NetEase, Anghami, TikTok, Resso, Flo, Audio Mack, Kuack, Pretzel, Gio Saavan, Yandex and Pretzel.
For further information, contact Evan Lovefire at (661) 523-4954.
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The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.
"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."
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The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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