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Major Vietnam Art Exhibition in America : Opens at the Monthaven Arts and Cultural Center in Hendersonville, Tennessee

Harry Johal

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Major Vietnam Art Exhibition in America : Opens at the Monthaven Arts and Cultural Center in Hendersonville, Tennessee

Major Vietnam Art Exhibition in America :  The unmistakable whirling roar of a Vietnam War-era helicopter will soon be heard over the Monthaven Arts and Cultural Center (MACC) in Hendersonville, Tennessee, and it will usher in one of this summer’s most strikingly original art exhibitions.

Press Release



updated: Jun 3, 2021 13:00 CDT

Major Vietnam Art Exhibition in America

The exhibit, titled Vietnam 2 Soldiers. 2 Artists. 2 Journeys. Then & Now, will run June 20 to August 1 and will feature the work of two stellar Tennessee-based artists who both served in the Vietnam War. An authentic Huey helicopter, which flew in Vietnam during the 1960s and later appeared in various Hollywood films and television shows, will provide rides to the public on opening day.

“The MACC is honored to be the first art gallery in America to present this amazing exhibition, which will showcase the artwork of David Wright and Chuck Creasy,” says Cheryl Strichik, the MACC’s executive director and CEO. “I am excited about this show because it’s not just another war exhibit. David’s and Chuck’s expressive drawings and watercolors focus our attention on ordinary people, on American soldiers and Vietnamese civilians, and on the beauty of the Vietnamese countryside. So this is really an exhibition about our shared humanity. It’s about the healing, transformative power of art.”

Wright, long one of America’s foremost painters of the American frontier and the Civil War, served as an adviser in the U.S. Army while stationed in Vietnam in 1965. During his tour of duty, he drew sketches of his American comrades and of civilians in the highlands of Vietnam. Many of his original drawings from the war will be on display at the MACC.

Creasy, who spent 48 years working as a top advertising creative in Nashville, was an artillery forward observer attached to an infantry company in Vietnam in 1968. He returned to Vietnam exactly 50 years later, traveling the country and photographing the people and places he visited. He used these photographs as a source to create the deeply felt watercolors that will appear at the MACC this summer.

Wright and Creasy will both be at the exhibition’s opening reception, which takes place from 1 p.m. to 5 p.m. on Sunday, June 20. An authentic Huey UH-1 helicopter, on loan from MARPAT Aviation in West Virginia, will also be on hand to provide rides to the public. This helicopter flew in Vietnam from 1962 to 1971 and was once assigned to the 114th Assault Helicopter Company.

After the war, it became something of a Hollywood star in its own right, appearing in the climactic scene of 1988’s blockbuster film Die Hard as well as on Baywatch and other TV shows. Rides on the helicopter are free but donations are suggested to help pay for the maintenance of this icon of American military history.

Dr. David Black, who served in the U.S. Marine Corps and was stationed in Vietnam during 1968-1969, and Congressman Diane Black, are the presenting sponsors for the exhibition. U.S. Pest Protection, J.K. and Erica Brister are the corporate sponsors.

Monthaven Arts and Cultural Center is conveniently located off Gallatin Pike just three miles east of Rivergate Mall. The place serves as a haven for the arts, hosting major art exhibitions throughout the year. It also offers classes and summer camps on art and film for children and adults. Monthaven Mansion is available to rent for weddings, receptions, showers, corporate team-building classes and private parties.

For more information, visit www.monthavenartsandculturalcenter.com or call (615) 822-0789. Also more Art Information info available at our  Media Releases

Source: Monthaven Arts and Cultural Center

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Artists

Canadian Blues Veteran Wailin’ Walker Sets New Album ‘Bluesmen’ for September 2026

H Johal

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Canadian Blues Veteran Wailin’ Walker Sets New Album ‘Bluesmen’ for September 2026

Balle Balle Radio™ Entertainment Desk

Blues artist Wailin’ Walker has scheduled the September 9, 2026 debut of his album Bluesmen via Jitterbug Records, according to the announcement.

The release comes almost exactly a year after Walker’s last album, Blues Lightnin’, which the announcement states reached the No. 1 spot on Canada’s blues charts within days of its September 2025 release. That back-to-back turnaround is notable for an artist whose catalog has otherwise been built over decades: Walker began his recording career in 1978 alongside The Houserockers and subsequently produced six independent blues records, according to the announcement.

Walker’s earlier records have had international reach. The Devil Made Me Play It, put out under the Amsterdam label Double Trouble Records, topped blues charts in the Netherlands, Spain and Australia, per the announcement. No Regrets and All Fired Up later topped blues charts in the United States and Canada. The announcement also credits Walker as a songwriter for Long John Baldry and Powder Blues, and lists a run as house band at Vancouver’s Commodore Ballroom for 78 shows, along with a stretch touring with the Jerry Doucette Band from 2006 to 2018. Walker’s music has ranked No. 2 on the Roots Music Report in 2014-2015 and No. 1 in 2024-2025, the announcement states.

Walker has said he was personally mentored by Buddy Guy, Pee Wee Crayton and Otis Rush, and has shared stages with Johnny Winter, George Thorogood and Stevie Ray Vaughan, according to the announcement. Such associations situate Walker within a dwindling cohort of contemporary blues performers who have worked directly with blues music pioneers.

No further details on Bluesmen — including tracklist, personnel or recording location — were included in the announcement.

Studio CarryOnHarry Perspective

At Studio CarryOnHarry, we see Walker’s mentorship lineage as perhaps his most significant legacy. In an era when direct connections to blues music’s foundational architects are disappearing, Walker represents a living conduit between generations—trained by Buddy Guy, Pee Wee Crayton, and Otis Rush, figures who shaped the electric blues sound itself. This isn’t merely biographical trivia; it’s cultural preservation. Each album Walker releases carries forward the accumulated knowledge and artistic sensibility of musicians who might otherwise fade into history as names in liner notes. With Bluesmen arriving in 2026, Walker has an opportunity to explicitly honor and transmit what those legends taught him, ensuring their influence doesn’t dilute through abstraction but remains tangible in contemporary recordings. For blues listeners and historians alike, Walker’s work functions as a bridge—proof that the tradition remains vital and evolving, not archived.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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Berlin Producer FANCI Steps From Behind the Boards With Debut Single “Funky Sexy Cool”

H Johal

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Berlin Producer FANCI Steps From Behind the Boards With Debut Single “Funky Sexy Cool”

Balle Balle Radio™ Entertainment Desk

FANCI, a Berlin musician who has recently worked as a producer for other German artists, has unveiled his debut single "Funky Sexy Cool." It’s the first taste of what’s described as his debut solo album, aimed at an international audience.

The move to a solo release follows a career that started well before FANCI worked behind a mixing board. His musical foundation started at age six with piano; he later studied guitar with Rudy Stevenson, who has worked with George Benson and Nina Simone. Stevenson also mentored FANCI as a songwriter. Diana Music & Vision Publishing signed him after hearing his early demos, leading to the release of two tracks on Wemby Records under the Gemini moniker. — releases the announcement credits with regional success, though no specific chart or sales figures are cited.

From there, FANCI moved into production work for other artists while separately writing toward a full album under his own name. The music blends rock, soul, pop, new wave and funk, drawing inspiration from artists like Jamiroquai, Prince, Curtis Mayfield, Peter Gabriel and David Bowie. Other coverage of the artist has referred to him as FANCI FUNK, suggesting the funk influence extends to how he’s being branded, not just how he’s being described.

No release date has been given for the full album "Funky Sexy Cool" is drawn from, and the announcement doesn’t specify how the single has performed since release.

In association with Radio Pluggers

Studio CarryOnHarry Perspective

At Studio CarryOnHarry, we recognize that FANCI’s emergence as a solo artist represents something often overlooked in debut narratives: the quiet power of mentorship across generations. Rudy Stevenson’s fingerprints on this story matter because they connect FANCI directly to a lineage of musical sophistication—the same hands that guided George Benson and Nina Simone’s artistry are now shaping a new voice. This isn’t merely credentialing; it’s DNA. When FANCI channels soul, jazz-inflected guitar work, and lyrical depth, he’s inheriting lessons from two masters who understood how to balance technical mastery with emotional authenticity. For listeners, this context transforms "Funky Sexy Cool" from a promising debut into a continuation of a mentorship tradition that prioritizes craft and character over trend-chasing. In an era of algorithm-driven discovery, FANCI’s path—rooted in human instruction and artistic lineage—stands as a reminder that the most durable artists are often shaped by those who came before.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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