Artists
MTS’ Harmony Dreamers Release Eco-Friendly Solar-Powered Trilogy “Spinning Round the Sun”
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Byron Lee Scott says, “During COVID, I bought a travel trailer, set up a studio inside it, and learned to live off grid on propane and solar power. I stayed in remote areas of Arizona and California, and finally, in Nevada, where the album was mastered at The Hideout Studios in Las Vegas.”
“Spinning Round The Sun” is a mesmerizing, synth-heavy pop song that celebrates the wonder of life on Earth and the love the earth receives from the Sun. As part of a larger trilogy, the song serves as the first part of a larger story that explores the connections between space, love, and the human experience. The second part, “Loving The Sun,” offers a more cinematic interpretation of the theme, while part 3, “Solar Rays” presents an electronic dance instrumental version.
“The Sun is blazing through space at about 500,000 miles per hour, and the Earth follows in a spiral path at the perfect distance. I think it’s miraculous!” exclaims Scott. “It’s wondrous and humbling when you become aware of the vast universe. It’s a feeling there is something much bigger than ourselves.”
The Spinning round the Sun trilogy of songs, with its many layers of synthesizers and vocals were almost entirely performed by Byron Scott. Drummer and long-time band mate Larry Dragland adds drum kit grooves to Scott’s many-layered percussion tracks, along with Perm, Russia-based Anna V’s vocals. All the orchestrations, synth bass, and the myriad of electronic sounds were performed by Scott on Guitar Synthesizer.
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SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.
The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.
"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."
Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.
Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.
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C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.
The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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