Artists
New Album Release: “Skyline” by D.S. Wilson
Available January 6, 2023, “Skyline” is an album containing ten cohesive compositions that offer varying but complementary themes, drawing on Wilson’s inspirations from recent life events as well as his melodic sensibilities and catchy hooks. The album opens with the sultry song “Nightfall,” which is the next single receiving radio promotion.
With the first song of his recent collaborations with co-producer Adam Hawley, the advance single, “Leave It to the Gods,” was released on July 15, 2022, following his earlier single release, “Life with You” in April, 2022, that landed him in the Top 100 on the RadioWave and SmoothJazz.com charts. “Leave It to the Gods” spent 20 weeks in the SmoothJazz.com Global Top 100 Chart leading up to the release of the full “Skyline” album.
D.S Wilson’s “Skyline” album attracted the attention of SmoothJazz.com, which has resulted in a new global marketing partnership between SmoothJazz.com and the eclectic artist. SmoothJazz.com will be handling promotional support for the artist’s new album “Skyline,” with radio promotion by Gorov Music Marketing.
Performing on the album alongside D.S Wilson on saxophones and piano are multi-hit guitarist and producer Adam Hawley (Los Angeles, CA) on keyboards and guitars, Eric Valentine (Los Angeles, CA) on drums, two-time Grammy winner Mel Brown (Phoenix, AZ) on bass guitar, and Carnell Harrell (Los Angeles, CA) on keyboards.
The artists seamlessly blend Smooth Jazz and the Jazz Funk genres, melding and marrying together contemporary elements from a wide range of styles and influences including jazz, funk, rock, pop, and blues – crafting music that is fitting for a number of events, feelings, and sentiments.
A recent review RadioAirplay.com described the single “Leave It to the Gods” as, “Providing nearly endless excitement… the stellar radio single boasts a polished sound and consistent, relaxed mood that will keep listeners entertained and chilled out.”
For the complete list of links to listen, purchase and follow the artist and his music, please visit linktr.ee/dswilsonmusic.
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Artists
Tokyo Soul Singer Tyrone Hashimoto Releases New Single Oct. 2, Plays Tokyo Jazz Club Same Night
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Tyrone Hashimoto (born Shunichi Suzuki), a Tokyo-based singer-songwriter,, plans to release his latest single, "Wake Up in the Morning Sun," across streaming platforms on October 2, per his production company Teddy Bear Productions. The artist will celebrate with a live performance by the Lakeside Struttin’ Band at Sometime Jazz the same evening.
The song arrives as the latest entry in what Hashimoto has called the "Music Cruise" series, an ongoing project now in its seventh installment, according to prior coverage of his work. The announcement describes the new track as an offering of encouragement, framed around the idea that a better life is within reach.
Hashimoto has built a four-decade career that spans well beyond his nine solo albums, all recorded in English, and a catalog the announcement puts at more than 600 original songs. He’s written jingles for McDonald’s, KFC, Nissan, Canon, Sharp, Kodak and Tokyo Disneyland, among other clients, and took a bronze prize at the Cannes Commercial Film Festival in 1994 for a Panasonic spot. One commercial job, for the Japanese coffee brand UCC, reportedly involved bringing James Brown into the studio to sing for the ad.
Originally from Yaita in Tochigi prefecture, Japan,, Hashimoto won the Grand Prix at the first All Japan Folk Music Festival at age 17, citing Simon & Garfunkel and Peter, Paul and Mary among his early influences. He went on to work with Haruomi Hosono’s Tin Pan Alley project, played a role in Yellow Magic Orchestra’s debut album, and became an original member of La Orquesta Del Sol, described in the announcement as Japan’s first major salsa band.
His American profile traces back to a 1987 visit to Seattle, where local press and broadcasters, including KIRO, KUOW and NBC affiliate KING5, covered his music; a KING5 documentary profiling the artist that was subsequently distributed to 37 additional U.S. markets. He has also taught voice and guitar to more than 1,000 students, including Japanese musicians Sugizo, Miyavi, Takeru and Junya Enoki, and recently received an honorary doctorate in music education from University of Perpetual Help System DALTA in the Philippines.
For Studio CarryOnHarry, the throughline here isn’t the single itself but the career behind it: a working musician who has moved fluidly between recording artist, jingle writer and educator for going on 40 years, in two countries, without a signature hit driving any of it.
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According to the announcement, the record lands following months of roster adjustments that solidified the five-member configuration, and the record is framed as the sound of that lineup settling into place. The band describes the title not as a literal question but as a kind of shrug, an expression of the loose, sideways attitude that runs through the tracklist.
The EP opens with “Feeling Sideways,” which the band positions as the reset point for this new phase, constructed from restless grooves and crooked rhythms, per the band’s description. The focus single, “Crooked,” follows, built around jagged guitar work, live drums and a melodic bassline, with the line “I move crooked but I land just right” serving as the track’s stated thesis.
“Morning Sun” is described as a tonal shift toward something wider and brighter, using imagery like a “paper weight sky” to move from heavier material toward something more lifted. “Not Lost” continues that throughline lyrically, with the band pointing to the line “I’m not lost, I’m just aligned / With the beat that hides between your time” as a statement of purpose. The EP closes with “My Shadow’s Got Its Own Mind,” which the announcement calls a late-night, low-lit close to the record, framing the band’s embrace of unpredictability as a deliberate stance rather than a lack of direction.
Taken together, the band and its team describe What The …. as the clearest statement yet of Song 1’s identity: an alternative indie-punk work anchored in big hooks, live-wire guitars and knowing self-awareness about not fitting a mold.
Studio CarryOnHarry will be watching whether “Crooked” gives the band a genuine breakout moment beyond the EP cycle, since focus singles built around a clear lyrical hook are often where a band either finds a wider audience or doesn’t.
No compass or straight lines required, as the band themselves put it, just an audience willing to turn it up.
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