Artists
Paramount COO Susana Sala to Deliver Keynote at Miami Web Fest 2022
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Her speech will be part of the culminating event of Miami Web Fest. Founded in 2014 and already considered a Top 5 web series festival globally, Miami Web Fest further distinguishes itself by adding a new film market to its robust 2022 lineup of screenings, niche panels, workshops, master classes, fireside chats and unforgettable Miami nightly parties – all carefully curated experiences, designed to showcase the best of Indie episodic content against the backdrop of Miami’s pulsating Food & Entertainment landscape.
A work-play environment, the annual event attracts an international audience to Miami’s vast, multicultural community of filmmakers and film enthusiasts. Miami Web Fest allows the general public to see independently produced shows before they are discovered by major television networks and media entities. 2022’s film market addition brings Film Distributors and Hollywood Executives from prestigious organizations, including Michelle Alban of Paramount, Erica Barrabi of Maverick Entertainment and others. The event is a refreshed “speed dating” face to face business opportunity for filmmakers. A number of Miami Web Fest alums have already found commercial success through distribution and acquisition deals.
This edition, Sept. 29 – Oct. 2, showcases both in-person local events and online experiences for worldwide audiences. Locations include: the Silverspot Cinema in downtown Miami, The Wolfsonian Museum in South Beach, Rooftop Bar at Kimpton Angler’s Hotel on South Beach, and Toe Jam Backlot in Wynwood. Celebrity appearances and performances will include: Dada 5000, former mixed martial artist and internet celebrity with his no holds barred street fight videos and the MTV award-winning house and dance music singer and songwriter, Crystal Waters, best known for her 1990s dance hits “Gypsy Woman” and “100% Pure Love,” DJ Pabanor, Kingnyne, Jessi Campo, U4riah, Day Ja La Joba, Lindsay J, El Chico Bom Bom, DJ Steva, Max Herrera, and Shalo.
Sala’s keynote will take place Sunday, October 2. Photocall for the awards gala begins at 6pm, and the ceremony begins 8pm at the Silverspot Cinema, 300 SE 3rd St #100, Miami, FL 33131.
For details, go to www.miamiwebfest.com.
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SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.
The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.
"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."
Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.
Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.
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Artists
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C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.
The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
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