Artists
Pete Schlegel – Releases “Glasses,” Ft. Cledus T. Judd
Listen to and request Pete on your favorite radio station and see him in a city near you in 2023.
Here is a partial list of where you can hear Pete:
93.7 The DAWG
953 The Wolf
WHAS11 News
WDEN Y96.9
95.7 The Big Pig
Kicks Country
Indietv.com
CMCTV
Country Jam USA
Style-City Music, Inc.
Nashville Country Television Network
Roku
Amazon Fire TV
Android TV
CMT.COM
CMT Australia
Raised on a dairy farm in Paulding, Ohio, Pete listened to country radio shows while milking the cows as a child. This early exposure to the radio shows grew his passion for country music. He worked as a state trooper and EMS helicopter pilot but ultimately, it was his love of country music that drove him to pursue his dream of performing.
He headed to Nashville in 2002, where he began working with producer Clyde Brooks. Brooks produced Pete’s debut album, “Strong Stuff,” which saw three singles burst onto national charts. The singles, “Short For Gone,” “Leavin’ Ain’t As Easy As It Sounds,” and “It Takes A Whole Lot Of Liquor To Like Her,” exposed Pete to a wider audience in the US and Europe. “Leavin’ Ain’t As Easy As It Sounds” would go on to dominate international charts for over seven weeks, and became the Number 1 single in Germany. The video of “It Takes A Whole Lot Of Liquor To Like Her” was chosen as a Hot Pick Video on Great American Country (GAC) and received substantial video spins on VH1 Country.
In 2005-2008, Schlegel went on tour with Daryle Singletary and Jeff Carson. During this time, under the direction of Nashville producer Ted Hewitt, Pete completed his sophomore album, “I’m Not Listening.” The first single, “Alcohol Abuse,” was released in the summer of 2006. The single, “You Can’t Bring Her Back,” was released in 2008. Both videos can still be seen regularly on GAC and CMT.
After a short hiatus, Pete’s fourth album was released in April of 2014. A collaboration with Grammy-nominated Nashville producer Greg Cole, “That’s What I Believe” provided fresh material for radio release, as well as some of Pete’s all-time favorite “true” country songs.
Cole would also produce Pete’s fifth album, “Rusty Ole Halo” (a southern gospel album). The track, “My God,” which featured the guest vocals of Darrin Vincent and Aaron McCune, attracted the attention of Nashville-based Joe Kelly Entertainment and On The Rhodes Entertainment group, who signed Pete in September of 2016 with the intention of releasing and promoting singles from this album “That’s What I Believe” and his 2017 release, “J-Town #realcountryandproud.”
Schlegel released his sixth album, “J-Town #realcountryandproud,” on February 13, 2017. It includes 10 songs that he has either written or co-written.
Saving Country Music reviewed the new CD with a 1 ¾ GUNS UP (8/10), “A cross between Don Williams and Mark Chesnutt.”
The first single to radio is “I Don’t Drink Anymore,” charted at 57 on the Music Row Charts, and is currently receiving airplay across the world. The single is being worked by the radio promotion team of Anne Chrisman, Anne Sarosdy and Regina Raleigh.
“My God” was released and promoted by Debbie Randle Promotions the fall of 2021. It took the #1 spot on the Positive Country Charts the week of January 10, 2022, giving Pete his second #1 single to radio.
For more information on Pete, visit his website.
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Artists
Tokyo Soul Singer Tyrone Hashimoto Releases New Single Oct. 2, Plays Tokyo Jazz Club Same Night
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Tyrone Hashimoto (born Shunichi Suzuki), a Tokyo-based singer-songwriter,, plans to release his latest single, "Wake Up in the Morning Sun," across streaming platforms on October 2, per his production company Teddy Bear Productions. The artist will celebrate with a live performance by the Lakeside Struttin’ Band at Sometime Jazz the same evening.
The song arrives as the latest entry in what Hashimoto has called the "Music Cruise" series, an ongoing project now in its seventh installment, according to prior coverage of his work. The announcement describes the new track as an offering of encouragement, framed around the idea that a better life is within reach.
Hashimoto has built a four-decade career that spans well beyond his nine solo albums, all recorded in English, and a catalog the announcement puts at more than 600 original songs. He’s written jingles for McDonald’s, KFC, Nissan, Canon, Sharp, Kodak and Tokyo Disneyland, among other clients, and took a bronze prize at the Cannes Commercial Film Festival in 1994 for a Panasonic spot. One commercial job, for the Japanese coffee brand UCC, reportedly involved bringing James Brown into the studio to sing for the ad.
Originally from Yaita in Tochigi prefecture, Japan,, Hashimoto won the Grand Prix at the first All Japan Folk Music Festival at age 17, citing Simon & Garfunkel and Peter, Paul and Mary among his early influences. He went on to work with Haruomi Hosono’s Tin Pan Alley project, played a role in Yellow Magic Orchestra’s debut album, and became an original member of La Orquesta Del Sol, described in the announcement as Japan’s first major salsa band.
His American profile traces back to a 1987 visit to Seattle, where local press and broadcasters, including KIRO, KUOW and NBC affiliate KING5, covered his music; a KING5 documentary profiling the artist that was subsequently distributed to 37 additional U.S. markets. He has also taught voice and guitar to more than 1,000 students, including Japanese musicians Sugizo, Miyavi, Takeru and Junya Enoki, and recently received an honorary doctorate in music education from University of Perpetual Help System DALTA in the Philippines.
For Studio CarryOnHarry, the throughline here isn’t the single itself but the career behind it: a working musician who has moved fluidly between recording artist, jingle writer and educator for going on 40 years, in two countries, without a signature hit driving any of it.
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According to the announcement, the record lands following months of roster adjustments that solidified the five-member configuration, and the record is framed as the sound of that lineup settling into place. The band describes the title not as a literal question but as a kind of shrug, an expression of the loose, sideways attitude that runs through the tracklist.
The EP opens with “Feeling Sideways,” which the band positions as the reset point for this new phase, constructed from restless grooves and crooked rhythms, per the band’s description. The focus single, “Crooked,” follows, built around jagged guitar work, live drums and a melodic bassline, with the line “I move crooked but I land just right” serving as the track’s stated thesis.
“Morning Sun” is described as a tonal shift toward something wider and brighter, using imagery like a “paper weight sky” to move from heavier material toward something more lifted. “Not Lost” continues that throughline lyrically, with the band pointing to the line “I’m not lost, I’m just aligned / With the beat that hides between your time” as a statement of purpose. The EP closes with “My Shadow’s Got Its Own Mind,” which the announcement calls a late-night, low-lit close to the record, framing the band’s embrace of unpredictability as a deliberate stance rather than a lack of direction.
Taken together, the band and its team describe What The …. as the clearest statement yet of Song 1’s identity: an alternative indie-punk work anchored in big hooks, live-wire guitars and knowing self-awareness about not fitting a mold.
Studio CarryOnHarry will be watching whether “Crooked” gives the band a genuine breakout moment beyond the EP cycle, since focus singles built around a clear lyrical hook are often where a band either finds a wider audience or doesn’t.
No compass or straight lines required, as the band themselves put it, just an audience willing to turn it up.
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