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Pioneering Canadian Artist Sells Over $2 Million in NFT Art Collection

Harry Johal

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Pioneering Canadian Artist Sells Over $2 Million in NFT Art Collection


CryptoStacy says her Hunnys NFT collection is only the beginning as she dedicates herself to blockchain art full-time.

Press Release


Sep 29, 2022 10:15 EDT

Samantha Rogan, known as CryptoStacys, started from 0 and began producing digital art NFTs as a side hobby that allowed her to explore technology through her passion for drawing. This month, she celebrated surpassing 1,000 Ethereum in trade volume and selling over $2 million in digital NFT artwork.  

“I had always looked at this as a new and fun way to combine art and technology; I never dreamed it would take off,” said CryptoStacys. 

Non-fungible tokens, or NFTs, are a type of digital signature that lives on a blockchain acting as a unique identifier for a file such as music or images. It allows digital artists to create a “signature” of ownership for their work in the same way that traditional artists do.

CryptoStacys’ Hunnys are a collection of 10,000 NFTs that showcase different hand-drawn elements which are randomly combined to make unique characters. On Sept. 10, 2021, the Hunnys collection sold out. 

Hunnys is CryptoStacys second NFT collection. In March 2021, CryptoStacys created one of the earliest known women-led art projects on the blockchain (Stacys) named after her mother and featuring iconic women characters, making her a pioneer for women in the NFT industry.

Hunnys are traded on the website OpenSea.io using the Ethereum blockchain. Owning a Hunny grants the holder access to perks such as early access to other NFT collections, free giveaways, art airdrops, and the opportunity to join a thriving online community of fellow Hunnys holders. 

“One of the biggest things that differentiate Hunnys from other NFT projects is our commitment to being in this for the long haul. We have been growing our community since very early on, and I’m dedicated to bridging the gap between the art world of the present and future,” said CryptoStacys.

Since the Hunnys collection sold out, CryptoStacys has left her day job to pursue NFT-backed art full-time.

“I feel honoured to be part of this historic moment where artists all over the world are getting the opportunity to change their lives using technology. Now we are looking for ways to grow and give back. This year we created an innovative blockchain-based store with merchandise purchasable with cryptocurrency to help expand the use-cases of Ethereum. We also release free courses to empower other creators to build their own collections without expensive fees. Currently, we’re developing a closet system to allow people to customize their NFTs with new clothes and accessories to truly represent who they want to be online. Ultimately, our goal is to make crypto a fun, open and exciting experience for everyone involved, not something mysterious or scary.”

Although there has been a recent drop in crypto prices as well as negative PR regarding NFTs, the community is stronger than ever, and CryptoStacys does not plan to leave anytime soon.

“I’m not worried about the challenges our community faces in the grand scheme of things. There’s always going to be highs and lows with any new technology, but we are building something much deeper,” said CryptoStacys. “NFTs aren’t only a place for scammers; it’s also a place to find new friends, express yourself, and discover people who truly appreciate your work.”

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For further media inquiries please contact Samantha aka CryptoStacys 

TWITTER: @cryptostacys and @hunnysnft

Source: CryptoStacys



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Artists

Canadian Blues Veteran Wailin’ Walker Sets New Album ‘Bluesmen’ for September 2026

H Johal

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Canadian Blues Veteran Wailin’ Walker Sets New Album ‘Bluesmen’ for September 2026

Balle Balle Radio™ Entertainment Desk

Blues artist Wailin’ Walker has scheduled the September 9, 2026 debut of his album Bluesmen via Jitterbug Records, according to the announcement.

The release comes almost exactly a year after Walker’s last album, Blues Lightnin’, which the announcement states reached the No. 1 spot on Canada’s blues charts within days of its September 2025 release. That back-to-back turnaround is notable for an artist whose catalog has otherwise been built over decades: Walker began his recording career in 1978 alongside The Houserockers and subsequently produced six independent blues records, according to the announcement.

Walker’s earlier records have had international reach. The Devil Made Me Play It, put out under the Amsterdam label Double Trouble Records, topped blues charts in the Netherlands, Spain and Australia, per the announcement. No Regrets and All Fired Up later topped blues charts in the United States and Canada. The announcement also credits Walker as a songwriter for Long John Baldry and Powder Blues, and lists a run as house band at Vancouver’s Commodore Ballroom for 78 shows, along with a stretch touring with the Jerry Doucette Band from 2006 to 2018. Walker’s music has ranked No. 2 on the Roots Music Report in 2014-2015 and No. 1 in 2024-2025, the announcement states.

Walker has said he was personally mentored by Buddy Guy, Pee Wee Crayton and Otis Rush, and has shared stages with Johnny Winter, George Thorogood and Stevie Ray Vaughan, according to the announcement. Such associations situate Walker within a dwindling cohort of contemporary blues performers who have worked directly with blues music pioneers.

No further details on Bluesmen — including tracklist, personnel or recording location — were included in the announcement.

Studio CarryOnHarry Perspective

At Studio CarryOnHarry, we see Walker’s mentorship lineage as perhaps his most significant legacy. In an era when direct connections to blues music’s foundational architects are disappearing, Walker represents a living conduit between generations—trained by Buddy Guy, Pee Wee Crayton, and Otis Rush, figures who shaped the electric blues sound itself. This isn’t merely biographical trivia; it’s cultural preservation. Each album Walker releases carries forward the accumulated knowledge and artistic sensibility of musicians who might otherwise fade into history as names in liner notes. With Bluesmen arriving in 2026, Walker has an opportunity to explicitly honor and transmit what those legends taught him, ensuring their influence doesn’t dilute through abstraction but remains tangible in contemporary recordings. For blues listeners and historians alike, Walker’s work functions as a bridge—proof that the tradition remains vital and evolving, not archived.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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Berlin Producer FANCI Steps From Behind the Boards With Debut Single “Funky Sexy Cool”

H Johal

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Berlin Producer FANCI Steps From Behind the Boards With Debut Single “Funky Sexy Cool”

Balle Balle Radio™ Entertainment Desk

FANCI, a Berlin musician who has recently worked as a producer for other German artists, has unveiled his debut single "Funky Sexy Cool." It’s the first taste of what’s described as his debut solo album, aimed at an international audience.

The move to a solo release follows a career that started well before FANCI worked behind a mixing board. His musical foundation started at age six with piano; he later studied guitar with Rudy Stevenson, who has worked with George Benson and Nina Simone. Stevenson also mentored FANCI as a songwriter. Diana Music & Vision Publishing signed him after hearing his early demos, leading to the release of two tracks on Wemby Records under the Gemini moniker. — releases the announcement credits with regional success, though no specific chart or sales figures are cited.

From there, FANCI moved into production work for other artists while separately writing toward a full album under his own name. The music blends rock, soul, pop, new wave and funk, drawing inspiration from artists like Jamiroquai, Prince, Curtis Mayfield, Peter Gabriel and David Bowie. Other coverage of the artist has referred to him as FANCI FUNK, suggesting the funk influence extends to how he’s being branded, not just how he’s being described.

No release date has been given for the full album "Funky Sexy Cool" is drawn from, and the announcement doesn’t specify how the single has performed since release.

In association with Radio Pluggers

Studio CarryOnHarry Perspective

At Studio CarryOnHarry, we recognize that FANCI’s emergence as a solo artist represents something often overlooked in debut narratives: the quiet power of mentorship across generations. Rudy Stevenson’s fingerprints on this story matter because they connect FANCI directly to a lineage of musical sophistication—the same hands that guided George Benson and Nina Simone’s artistry are now shaping a new voice. This isn’t merely credentialing; it’s DNA. When FANCI channels soul, jazz-inflected guitar work, and lyrical depth, he’s inheriting lessons from two masters who understood how to balance technical mastery with emotional authenticity. For listeners, this context transforms "Funky Sexy Cool" from a promising debut into a continuation of a mentorship tradition that prioritizes craft and character over trend-chasing. In an era of algorithm-driven discovery, FANCI’s path—rooted in human instruction and artistic lineage—stands as a reminder that the most durable artists are often shaped by those who came before.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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