Artists
Rivers are Life Premieres ‘Toxic Art’ Showcasing the Power of Collaboration & Creativity in Environmental Protection
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MIDLAND, Mich., October 25, 2023 (CarryOnHarry.com)
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Today, in honor of World Sustainability Day, Rivers are Life unveils their latest film highlighting Appalachian Ohio’s Sunday Creek and environmental efforts made by local River Heroes John Sabraw, Guy Reifler, and Michelle Shively MacIver. Located in Southeastern Ohio, the 27-mile-long creek is severely polluted by acid mine drainage (a product of the area’s several abandoned coal mines). The film, “Toxic Art,” focuses on the collaborative effort using art and innovative technology to revitalize streams devastated by historic coal mining.
John Sabraw is an artist, environmentalist, activist, and Professor of Art at Ohio University. When he first moved to Ohio, he was able to learn about the local environment through his environmentalist colleagues. On a trip to a local stream, John was shocked to find that these waterways were orange and full of sludge as a result of acid mine drainage and the pollutant iron oxide.
Sabraw learned that more than 6,650 stream miles in Central Appalachia run orange due to the impact of acid mine drainage. The Truetown Discharge, located in the Sunday Creek watershed, is the largest single acid mine drainage discharge in the state of Ohio with a flow rate of 988 gallons per minute. This amounts to approximately 2,183,065 pounds of iron oxide dumping into Sunday Creek each year, decimating aquatic habitat for seven miles.
After seeing the severity of this pollution firsthand, Sabraw took home a jar of sludge from the creek and, using his knowledge of iron oxides from his experience as an artist, began experimenting with turning this sludge into a pigment. He eventually joined forces with Ohio University Professor and Chair of Civil Engineering, Guy Riefler, and after years of experimentation, the pair succeeded in creating a pigment that was both environmentally and economically sustainable.
The duo later collaborated with nonprofit regional community development organization Rural Action, as well as state and federal agencies, to create True Pigments. True Pigments is a social enterprise committed to creating socio-economic opportunities for the local community while cleaning and restoring Sunday Creek, allowing life to return to the heavily-polluted seven miles of stream.
“When we put people together from different disciplines and different backgrounds, that is when this magic happens,” John said. “Humans have exponential potential to solve these crises and to take stewardship over a future that is going to be sustainable and joyous. I believe more than ever that that’s possible, and that’s what we have to do.”
In June 2023, Rural Action, Ohio University, Ohio Department of Natural Resources, and the U.S. Office of Surface Mining Reclamation and Enforcement broke ground on the new True Pigments Acid Mine Drainage Treatment & Pigment Production Facility. Once this plant goes live, 100% of coal mine pollution will be intercepted before it reaches waterways.
The full “Toxic Art” film, along with limited edition prints from Sabraw, are available on Rivers are Life’s platform HERE.
Source: Rivers are Life
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Artists
SENSANE to Release Debut Vocal Album in October with UK and Indian Artists
Balle Balle Radio™ Entertainment Desk
SENSANE, a Derby producer and DJ, will launch his upcoming album on 22 October 2026 via AHK Global Records, his own record label, according to the announcement. The album combines prominent voices from Panjabi music, new talent from India, and UK artists, marking SENSANE’s debut appearance as a vocalist.
The album follows SENSANE’s long-running mix of Panjabi and Bhangra traditions with folk, hip-hop, R&B, garage and electronic production, a sound he’s built his name on as both a touring DJ and label head. AHK Global Records, which he founded, has previously put out Punjabi-facing projects, including a five-track EP with vocalist Kulvinder Johal that reportedly debuted at number six and was described by some as the first Punjabi album to reach that position on its chart.
"This album brings together the sounds and artists that have shaped me," SENSANE said in the announcement. "I wanted the album to honour the legends, give new voices a platform and show where I’m going next. Putting my own voice on a track is a big moment for me, and I can’t wait for people to hear it."
Details about the complete track listing, collaborators, and SENSANE’s vocal debut track will be revealed before the album drops, according to the statement.
Studio CarryOnHarry will be watching whether SENSANE’s own vocal debut changes how listeners place him: as a producer stepping forward, or as an artist who’s been building toward this the whole time.
Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.
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Artists
From vault to vision: C’batch reimagines archive recording as ‘Our Little Pooh Pea (The Last Light) 4 – Cinematic’
C’batch reworks a previous guitar recording into instrumental piece “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” continuing the artist’s practice…
Balle Balle Radio™ Entertainment Desk
C’batch has released “Our Little Pooh Pea (The Last Light) 4 – Cinematic,” an instrumental track built from a previously recorded guitar performance that the artist has reshaped into a new piece.
The release continues a pattern in C’batch’s work: revisiting prior work and reimagining it across multiple versions instead of viewing recordings as standalone pieces. Multiple outlets covering the release have noted that this approach — returning to older ideas and giving them new context — has become something of a signature, with this track functioning as the fourth installment under the “Our Little Pooh Pea (The Last Light)” title.
The piece is instrumental, with the guitar serving as the primary voice throughout the piece rather than functioning as one element among vocals or other lead instruments. Coverage of the release has described the guitar as the connective thread of the piece, tying its texture and tone together in a way multiple reviewers have called cinematic — the arrangement building mood and movement without lyrics to guide it.
Studio CarryOnHarry finds the more interesting story here isn’t the track itself but the method: a musician who views archived material as material for reinterpretation across multiple versions, and building a numbered series out of revisiting it.
Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.
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