Artists
“Silk Road Artists’ Rendezvous” Unveiled in East China’s Hangzhou
Press Release
•
Nov 26, 2023
This activity was part of the 1st Liangzhu Forum, aims at deepening civilized dialogue with the countries that jointly built the “Belt and Road Initiative (BRI)”. Artists were amazed by the empirical sites of China’s 5,000-year history of civilization, as well as the diversity and richness of China’s history, culture and art.
HANGZHOU, China, November 26, 2023 (CarryOnHarry.com)
–
Eighty-four artists from 83 countries started their journey of “Silk Road Artists’ Rendezvous” this Friday by visiting the Archeological Ruins of Liangzhu City and Liangzhu Museum, in Hangzhou, capital city of east China’ Zhejiang Province.
This activity was part of the 1st Liangzhu Forum, aims at deepening civilized dialogue with the countries that jointly built the “Belt and Road Initiative (BRI)”. Artists were amazed by the empirical sites of China’s 5,000-year history of civilization, as well as the diversity and richness of China’s history, culture and art.
“I have seen many artifacts similar to my own country here. These amazing common elements between Nigerian and Chinese culture definitely bring much inspiration to my later creations,” said Nigerian artist Oladotun Olatunbosun Alabi, who was fascinated by the jade articles unearthed in Liangzhu and the Chinese culture.
It was the second visit to Hangzhou by German artist Tobias Zaft who studied in China. “China’s 5,000-year history has greatly influenced the world. My primary artistic direction is environmental protection. During my visit to Liangzhu, I learned that the sustainable lifestyle of ancient aborigines made Liangzhu’s ecology the biggest beneficiary. It made me rethink how to get inspiration in environmental protection,” said Tobias Zaft.
Mathilde Moreau Epse Kouassi, an artist from the Republic of Côte d’Ivoire,said that the Liangzhu Museum comprehensively displayed the production process of Liangzhu jade dated back to 5,000 years ago, which opened her eyes. She was fascinated by the most advanced production methods then and greatly enjoyed the charm of Hangzhou’s culture.
After the three-day immersive experience of Liangzhu, foreign artists will combine their own cultural vision with Chinese culture and use personalized artistic language to to accomplish the beauty of a cross-cultural integration and exchange between East and West.
Artists will concentrate on creating a series of artworks after their visit and their works will be displayed in the “Silk Road Artists’ Rendezvous” exhibition held in early December.
Source: Hangzhou Municipal Government
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Artists
Tokyo Soul Singer Tyrone Hashimoto Releases New Single Oct. 2, Plays Tokyo Jazz Club Same Night
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Tyrone Hashimoto (born Shunichi Suzuki), a Tokyo-based singer-songwriter,, plans to release his latest single, "Wake Up in the Morning Sun," across streaming platforms on October 2, per his production company Teddy Bear Productions. The artist will celebrate with a live performance by the Lakeside Struttin’ Band at Sometime Jazz the same evening.
The song arrives as the latest entry in what Hashimoto has called the "Music Cruise" series, an ongoing project now in its seventh installment, according to prior coverage of his work. The announcement describes the new track as an offering of encouragement, framed around the idea that a better life is within reach.
Hashimoto has built a four-decade career that spans well beyond his nine solo albums, all recorded in English, and a catalog the announcement puts at more than 600 original songs. He’s written jingles for McDonald’s, KFC, Nissan, Canon, Sharp, Kodak and Tokyo Disneyland, among other clients, and took a bronze prize at the Cannes Commercial Film Festival in 1994 for a Panasonic spot. One commercial job, for the Japanese coffee brand UCC, reportedly involved bringing James Brown into the studio to sing for the ad.
Originally from Yaita in Tochigi prefecture, Japan,, Hashimoto won the Grand Prix at the first All Japan Folk Music Festival at age 17, citing Simon & Garfunkel and Peter, Paul and Mary among his early influences. He went on to work with Haruomi Hosono’s Tin Pan Alley project, played a role in Yellow Magic Orchestra’s debut album, and became an original member of La Orquesta Del Sol, described in the announcement as Japan’s first major salsa band.
His American profile traces back to a 1987 visit to Seattle, where local press and broadcasters, including KIRO, KUOW and NBC affiliate KING5, covered his music; a KING5 documentary profiling the artist that was subsequently distributed to 37 additional U.S. markets. He has also taught voice and guitar to more than 1,000 students, including Japanese musicians Sugizo, Miyavi, Takeru and Junya Enoki, and recently received an honorary doctorate in music education from University of Perpetual Help System DALTA in the Philippines.
For Studio CarryOnHarry, the throughline here isn’t the single itself but the career behind it: a working musician who has moved fluidly between recording artist, jingle writer and educator for going on 40 years, in two countries, without a signature hit driving any of it.
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According to the announcement, the record lands following months of roster adjustments that solidified the five-member configuration, and the record is framed as the sound of that lineup settling into place. The band describes the title not as a literal question but as a kind of shrug, an expression of the loose, sideways attitude that runs through the tracklist.
The EP opens with “Feeling Sideways,” which the band positions as the reset point for this new phase, constructed from restless grooves and crooked rhythms, per the band’s description. The focus single, “Crooked,” follows, built around jagged guitar work, live drums and a melodic bassline, with the line “I move crooked but I land just right” serving as the track’s stated thesis.
“Morning Sun” is described as a tonal shift toward something wider and brighter, using imagery like a “paper weight sky” to move from heavier material toward something more lifted. “Not Lost” continues that throughline lyrically, with the band pointing to the line “I’m not lost, I’m just aligned / With the beat that hides between your time” as a statement of purpose. The EP closes with “My Shadow’s Got Its Own Mind,” which the announcement calls a late-night, low-lit close to the record, framing the band’s embrace of unpredictability as a deliberate stance rather than a lack of direction.
Taken together, the band and its team describe What The …. as the clearest statement yet of Song 1’s identity: an alternative indie-punk work anchored in big hooks, live-wire guitars and knowing self-awareness about not fitting a mold.
Studio CarryOnHarry will be watching whether “Crooked” gives the band a genuine breakout moment beyond the EP cycle, since focus singles built around a clear lyrical hook are often where a band either finds a wider audience or doesn’t.
No compass or straight lines required, as the band themselves put it, just an audience willing to turn it up.
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