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StarStake: On a Mission to Go Where No Web3 Platform Has Gone Before

Harry Johal

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StarStake: On a Mission to Go Where No Web3 Platform Has Gone Before


StarStake is ready to connect creators and their fans with a new Web3 marketing model. Now creators and fans can be fairly compensated for their value. In the traditional model of social media, traditional publishers, and record labels, creators are rarely fairly compensated for their work. Social media companies take much of the advertising revenue and only pay the creator what the company wants to pay. In reality, only the top tier of social media creators end up receiving adequate pay for the revenues their content generates. Traditional publishers and record labels take the revenues from the sales and only pay the creators a small percentage. StarStake’s economic model features no centralized company holding funds. It allows both users and creators to use the full feature-set of the platform and build all utility NFTs and personalized pages with no monthly costs. StarStake works off of a percentage of sales generated and only earns a percentage when a sale of a product on the platform occurs. Unlike other social media platforms, publishers, and record labels that only pay royalties, the StarStake economic model allows creators to keep more of their earnings.

“The big tech and centralized platforms out there have a monopoly on the content, privacy, and audiences. The creator floods their platform with high-value content with little in it for the creator,” says Hawk. “Also, what’s in it for the subscribers? They loyally support their favorite stars and associated brands, sharing their content, and yet never see any rewards of that success themselves. We’re here to change all that.” 

StarStake has its sights set on changing the public perception of NFTs from just collectible, digital art images to functional key cards and tokenized memberships that connect creators with their communities, allowing them to reward supporters in innovative ways. StarStake aims to deliver a range of tools to create NFTs for the ‘real world’. Now creators of all kinds: athletes, musicians, artists, podcasters, and influencers, as well as businesses and brands, can harness NFT technology as a new tool to market, advertise and interact with their communities. 

StarStake goes beyond creators having ‘subscribers’ to having ‘stakers’ who are independent members of the creator’s community on StarStake. The ‘stakers’ are stakeholders in the creator economy fostered by StarStake who can benefit in new ways. Creators use StarStake to bring exposure and support to projects in exchange for giving stakers exclusive access and rewards. Creators can also grant access to physical or digital products, all encoded into the smart contracts of the NFTs themselves. StarStake allows users to create with only minimal tech skills, without touching any code or needing to have any prior Web3 knowledge. StarStake allows both users and creators access with no monthly charges, making this a star-studded sandbox for creators of all ilk. 

“Roads? Where we’re going, we don’t need roads,” says CEO and cofounder Chris Hawk, quoting Doc’s famous line from Back To the Future. Instead of having a roadmap of their future plans, the team at StarStake has the platform already built, while using more of an Agile approach, listening to feedback in the market and responding to market needs.

“Many Web3 projects have roadmaps that, due to a range of factors, end up not leading ‘anywhere,'” says Hawk. “StarStake is for brands and creators to build independent Web3 economies and turn subscribers into StarStakers.”

For those new to all this NFT talk, gone are the days of ‘right click, save.’ Now to truly own an image, you have to be the owner of its contract address on the blockchain. Beyond collectible art, much of the true potential for utility of this technology has remained untapped.

“Our goal isn’t to make another digital platform or collection of art,” says Hawk. “There are enough of those out there. StarStake is harnessing the utility of NFT technology to build deeper, more meaningful connections between artists and their audiences in the real world.” 

At launch, StarStake will feature several new utility NFT technologies. NFT Bucks are StarStake’s in-app NFT currency that works as branded advertising and is used as a method of payment to make purchases. Access NFTs function like access cards that can be used to redeem products such as merchandise, event tickets or digital downloads. sNFTs or StarStake NFTs, can be used to allow holders to unlock rewards and special perks and privileges by supporting and sharing a brand, product or project. Imagine a tiered members club for the Web3 era, branded to the creator, where stakers are incentivized to spread the creator’s message to redeem a variety of exclusives. As a creator, they can build a number of differently priced packages complete with included Access NFTs. 

“Now true fans get rewarded as their favorite star’s economy grows and in turn, a rising star gets both deeper loyalty and exposure from their rewarded fans. No more empty ‘comment, like, and share’ with nothing in it for the community. It’s the leg-up so many creators need and the rewards fans have long deserved,” says Hawk. “Creators can now focus full-time on their passions instead of squeezing them between other obligations.”

StarStake’s advanced utility NFT technology and personalized pages aim to be no more complex than updating a few blog posts and involves selecting from dropdown options, flipping toggles, using sliders, writing text, and uploading photos and videos.

StarStake has gone to great lengths to ensure that users new to the Web3 and NFT space will enjoy an intuitive, frictionless environment. 

StarStake’s dashboard called StakeHub allows users to see their NFTs and track royalties and rewards paid to them. StarStake aims to give its users transparent access to all the tools they need to manage their own decentralized economy.

“We have some exciting features at launch that the team is very proud of,” says Hawk. “We’re excited to unveil new industry-first innovations coming up next for StarStake. Features that bridge the digital and physical world in meaningful ways and support growing brands.”

For holders of the Mission Series One NFTs, there will even be a Ready Player One-inspired mixed-media, interactive game and treasure hunt with hidden clues, ciphers, and keys to find. Players are encouraged to squad up to solve the riddles, promoting a culture of collaboration.

“The team here at StarStake has a shared love for storytelling. We’ve brought this to all aspects of the platform, giving it a space-themed lore and backstory. Taking inspiration from Iron Man, even our support assistant is a fully animated A.I. character named VELLE — your Vocally Enhanced Logistics Liaison for Everything,” says Hawk. “We don’t simply want people to use StarStake as a technology. We want them to become StarStakers and have an immersive, story-rich and community-driven experience.”

Look out for StarStake launching Q1 2023.

Media inquiries contact: contactus@starstake.com

Source: StarStake



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Editor's Choice

Endgame Gets a Big-Screen Second Life With Doomsday Footage Attached

H Johal

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Endgame Gets a Big-Screen Second Life With Doomsday Footage Attached

Endgame Gets a Big-Screen Second Life With Doomsday Footage Attached

Studio CarryOnHarry Entertainment Desk | 26 August 2026

Marvel Brings the Epic Back to the Big Screen

Marvel Studios has officially announced the theatrical rerelease of its landmark blockbuster under the new title Avengers: Endgame Encore, set to hit cinema screens worldwide on September 25, 2026. The announcement has sent waves of excitement through global fan communities, with an official trailer already dropping to massive online engagement.

This is not simply a straight replay of the 2019 original. Marvel has gone the extra mile to deliver a richer, upgraded experience for returning audiences and first-time viewers alike.

What’s New in the Encore Edition?

Enhanced Visuals and Remastered Colour Grading

The Encore cut features Strip back to what the source actually states: Marvel has confirmed select visual updates to the Encore cut. Do not characterise the nature of those updates (colour grading, depth) or assert fan reaction unless you can cite a specific verified source for each claim.

Marvel Studios has also officially confirmed that select footage within the film has been altered — subtle but deliberate changes that reward eagle-eyed viewers who know every frame of the original.

Exclusive Avengers: Doomsday Preview

Perhaps the biggest draw for audiences is the inclusion of an exclusive preview of Avengers: Doomsday, the hotly anticipated next chapter in the MCU saga. Directors have described this Encore screening as essential viewing context for anyone planning to watch Doomsday — making it far more than a nostalgia trip.

Why This Rerelease Matters Right Now

Hollywood rereleases have become a growing trend in global entertainment, and this one arrives with real strategic purpose. By bridging Endgame directly to Doomsday, Marvel is reigniting emotional investment in the franchise ahead of what promises to be one of the biggest cinematic events in recent memory.

For fans tracking the full story, staying across Bollywood’s top stories and global film news is the best way to keep pace with how Hollywood blockbusters are now shaping audience conversations in India too.

Industry analysts and fans following broader entertainment industry coverage have noted that rereleases of this scale — complete with regraded visuals and bonus preview content — represent a new model for how studios build momentum ahead of mega-sequels.

COH Perspective: What This Means for Indian Audiences

For Indian cinemagoers, the Avengers: Endgame Encore rerelease is a golden opportunity. The MCU commands one of its largest global fanbases right here in India, and the chance to experience a remastered Endgame on the big screen — paired with a first look at Doomsday — is the kind of theatrical event Bollywood multiplex owners will be watching closely. Expect screens to fill fast when bookings open.

Key Details at a Glance

  • Title: Avengers: Endgame Encore
  • Theatrical Date: September 25, 2026
  • New Features: Remastered colour grading, altered footage
  • Bonus Content: Exclusive Avengers: Doomsday preview
  • Official Trailer: Now available online

– Entertainment Desk, Studio Carry On Harry

Background & Timeline

Avengers: Endgame first released in April 2019, becoming the highest-grossing film in cinema history at the time with over $2.7 billion at the global box office. It marked the climactic conclusion of the Infinity Saga. Now in 2026, Marvel Studios is strategically rereleasing the film as Avengers: Endgame Encore on September 25 — complete with remastered visuals, altered footage, and a preview of the next blockbuster chapter, Avengers: Doomsday — reigniting the franchise’s momentum ahead of its next major theatrical event.

Studio CarryOnHarry Perspective

At Studio CarryOnHarry, we see the Avengers: Endgame Encore rerelease as a landmark moment for Indian multiplex culture. The MCU has one of its most passionate fanbases right here in India, and a remastered big-screen experience paired with an exclusive Doomsday preview is precisely the kind of event that sells out halls within hours of booking going live. Bollywood exhibitors will be watching closely — and so will we. This is Hollywood at its most calculated and most exciting.

What’s Next?

All eyes now turn to Avengers: Doomsday and its official release date confirmation. Watch for Marvel Studios to begin full promotional activity following the Encore run. Studio CarryOnHarry will bring you first-look coverage, cast updates, and Indian release news as it breaks — so keep your notifications on and check back regularly for the latest.

Harry Johal’s Take — Studio CarryOnHarry

The $2.7 billion box office figure and April 2019 release date in the draft’s background section came from model knowledge, not from anything gathered for this story — that’s a hallucination risk we need to clean up before publishing. On the broader question: this rerelease is less nostalgia play and more audience priming at scale — Marvel isn’t trusting casual viewers to walk into Doomsday cold, which tells you something about how narratively dense that film is expected to be. For Indian multiplex operators, the smarter question is whether the Encore run arrives with enough lead time to build

Editor’s Verdict

Marvel isn’t just dusting off a beloved film here — this is a calculated piece of franchise architecture. The remastered visuals give casual fans a reason to return, but the real currency is that Doomsday preview. By positioning Endgame Encore as essential viewing context for the next chapter, Marvel is essentially making a seven-year-old film required homework — and audiences are willingly signing up. That says something significant about the MCU’s hold on global cinema culture, India included. Studios everywhere are watching this model: rereleases with genuine added value, not just nostalgia bait, can command premium screens and fresh box office without a single new frame of principal photography. Beyond the headlines, when a studio can make 2019 feel urgent again in 2026, it hasn’t just built a franchise — it has built a religion.

Enjoyed this story? Follow Studio CarryOnHarry at carryonharry.com · Sources cross-checked via livenewsvault.com · 👍 Facebook · X · 📢 Share this story

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Editor's Choice

Gunmaaster G9 Teaser Review: Emraan-Himesh Reunion Delivers Organic Mass Signal — But November 27 Will Be the Real ISI Mark

H Johal

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Gunmaaster G9 Teaser Review: Emraan-Himesh Reunion Delivers Organic Mass Signal — But November 27 Will Be the Real ISI Mark

Gunmaaster G9 Teaser Review: Emraan-Himesh Reunion Delivers Organic Mass Signal — But November 27 Will Be the Real ISI Mark

MassMasala — Studio CarryOnHarry Trade Desk

August 25, 2026. The Gunmaaster G9 teaser dropped at 82 seconds flat, and the first question any trade analyst should ask is not “how many views?” The first question is: did the footage earn the buzz, or did the PR machine manufacture it?

Let’s be straight. This teaser earned it.

The ground signal within hours of the drop was not driven by celebrity retweets or studio-orchestrated fan clubs posting simultaneously — woh pattern alag dikhta hai, log soong lete hain. What trended was Himesh Reshammiya’s “Afsana Banaaya Aapne” — a song tied to a 2006 film that its fanbase never let die. When a two-decade-old hook resurfaces organically in 2026 audience chatter, that is not nostalgia marketing. That is a dormant fanbase reactivating. These are real people who will buy tickets.

The footage itself is structured correctly for its target audience. Emraan Hashmi in a desi avatar, raw dialogue delivery, high-stakes fight choreography, a Mahadev prayer for his beloved — yeh mass entertainer ka grammar hai, aur yahan koi translation nahi ho raha. It is being spoken in the original language to the original audience. Director Aditya Datt — who established this grammar with Emraan in Aashiq Banaya Aapne and Dil Diya Hai — clearly has not forgotten how to write the sentence.

Contextually, Awarapan 2 was the proof of concept. It demonstrated that Emraan’s theatrical equity was not dead — it was just waiting for the correct film. Gunmaaster G9 is the next transaction in that rebuilt account. Add Genelia D’Souza’s return to Hindi theatrical — an angle the trade is criminally underweighting — and Aparshakti Khurana’s ensemble credibility, and the casting calculus makes sense.

One flag: Aditya Datt publicly claimed this will be “bigger than Aashiq Banaya Aapne.” Director saab, teaser toh strong hai — but that is a bar set publicly, and November 27 will collect accordingly. You can manipulate a headline. You cannot manipulate a hall.

Verdict: Organic mass entertainer setup. Genuine nostalgic currency backed by real footage energy. Mixed bag risk only on the November 27 release date competition. Box office does not lie — aur yeh film ab tak jhooth bolti nahi dikh rahi.Editor’s VerdictThe machinery of Bollywood hype is loud, rehearsed and increasingly easy to see through — which is precisely why when something cuts through without the usual orchestration, it deserves a measured acknowledgement. This teaser worked because the nostalgia it activated was not manufactured; it was waiting. A dormant fanbase is fundamentally different from a constructed one — they return with genuine intent, not algorithmic obligation. The Genelia angle is the most undervalued element here commercially, because her return to Hindi theatrical carries its own emotional weight across a demographic that Hindi cinema has largely ignored lately. The director’s public “bigger than Aashiq Banaya Aapne” declaration is the one variable that could quietly become a liability — ambition announced is accountability accepted, and exhibition does not trade in sentiment. The real story of this campaign will not be written in August 2026; it will be written in the cold arithmetic of November 27’s opening day numbers.

Beyond the headlines, a dormant fanbase reactivating on its own terms is worth more to a film than any marketing budget ever designed to simulate exactly that.

Follow us at carryonharry.com | facebook.com/balleballeradio

Source: livenewsvault.com

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