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Teaching Phonics to Children

Harry Johal

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Teaching Phonics to Children

Phonics is a necessary part of any good method of teaching children to read. Teaching Children phonics and helping them develop phonemic awareness is the key to mastering words, which is the first key step toward successful reading. Children need to develop a knowledge of the letters, the sounds represented by the letters, and the connection between sounds created by combining the letters where words are formed. This is an essential part of mastering reading, and enabling children to become independent readers. By learning phonics and phonemic awareness, children gain the ability to pronounce new words, develop clear articulation, improve spelling, and develop self confidence.

When it comes to teaching your children to read, it must include three basic principles:

1) Reading for the child, whether it’s a word, sentence, or story, must appeal to your child’s interests.

2) Never pressure or force your child into reading, turning it into a negative “event” in their life. It should be a fun, enjoyable, and rewarding experience. This will take ample amounts of patience on the part of the parents, and some creativity.

3) Teaching your child to read must begin with the mastery of the phonemes – the individual sounds which makeup the words.

The basic process of teaching phonics and phonemic awareness to children includes teaching them the letters and letter sounds; then you teach the child to combine (or blend) various letter sounds together to form words; which is then followed by reading sentences and simple stories. This is a logical progression for children to learn reading, where they develop accuracy in decoding words and pronouncing words. This method of teaching also helps the child to spell correctly. Gradually, the different elements of phonics are combined to produce new words, and leads to the discovery of new words by the child using this process which becomes an “automatic reflex”.

Teaching phonics to children should take 10 to 15 minutes each day, and these “lessons” should take place in several small sessions each day – such as 4 or 5 session lasting 3 to 5 minutes each. For older pre-school children, lessons can be slightly longer; however, several minutes each session is all that’s needed.

One way to start teaching phonics to children with with ear training – by helping them develop the understanding that words are made up of smaller units of sounds, or known as phonemes, and when you combine these sounds, a word is formed. You can start this with very short sessions, as already mentioned. A few minutes a day is all that you need. The key, however, is consistency and patience.

During these short sessions, sound out words slowly and distinctly. You can do this without even making the child aware that you are trying to teach them. Simply take words from your everyday speaking to your child and include oral blending sounds into your sentences. For example, if you wanted to ask your child to drink his milk, you could say: “Joe, d-r-i-n-k your m-ilk.” The words drink and milk are sounded out slowly and distinctly. The level of sound separation can be set by you to increase or lower the difficulty. Thus, if Joe has a tough time figuring out that d-r-i-n-k means drink, you can lower the difficulty by blending the word as dr-ink instead.

Alternatively, you could simply pick different words and play blending sounds games with your child. You simply say the sounds of the word slowly, and ask the child try to guess what you are saying.

This concept of individual sounds forming words may take some time for your child to grasp. Some children will pick it up quickly, while other children may take longer, but one thing that’s certain is that if you keep it up, your child will catch on. Below are some sample words which you can use to play blending sounds activities with your child.

J-u-m-p   J-ump
R-u-n   R-un
S-i-t   S-it
S-t-a-n-d   St-and
M-i-l-k   M-ilk
S-t-o-p   St-op

The first word is more segmented than the second word, and will be more difficult to sound out. Please note that hyphens are used to indicate the letter sounds instead of slashes.

ie: J-u-m-p  /J/ /u/ /m/ /p/

This is done to make things easier to read; however, when you read it, you should not read the names of the letters, but instead say the sounds of the letters. This type of ear training for phonics and phonemic awareness should continue throughout the teaching process, even well after your child have grasped this concept. It can be applied to words with increasing difficulty. Again, please always keep in mind that not all children can readily blend the sounds to hear the word, so you must be patient, and drill this for days, weeks, or even months if needed. Consistency and frequency is the key to success here, and not sporadic binge sessions.

If you would like to learn about a simple step-by-step program designed to easily teach your children how to read, please click here.

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Editor's Choice

Shahid Kapoor Joins Varun Dhawan in Upcoming Film No Entry 2

H Johal

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Studio CarryOnHarry Entertainment Desk

The highly anticipated sequel to the 2005 hit comedy No Entry is making headlines as emerging reports suggest that Shahid Kapoor is in talks to join Varun Dhawan in Anees Bazmee’s No Entry 2. The original film, featuring an ensemble cast, became a cultural touchstone with its humorous exploration of extramarital affairs, and its upcoming sequel aims to capture that quintessential comedic essence once more.

While the first film starred Anil Kapoor, Salman Khan, and Fardeen Khan among others, the sequel is expected to follow new character arcs, potentially intertwining the chaotic lives of Kapoor and Dhawan’s characters. Anees Bazmee, known for his work in comedy and romantic films, is expected to bring his signature style to the project, ensuring a mix of humor and poignant moments.

Fans are increasingly excited about the prospect of Kapoor and Dhawan sharing the screen, especially after their individual successes in recent years. Kapoor, known for his versatile roles, has been making waves with films like Kabir Singh and Jersey. On the other hand, Dhawan, who recently starred in Bhediya and jug jug jeeyo, brings a youthful energy that could blend well with Kapoor’s intensity.

The release date and further casting details remain unconfirmed, but the interest surrounding No Entry 2 is palpable, potentially paving the way for another box office success. As with the original, audience expectations will likely revolve around the comedic misadventures that arise from misunderstandings and mistaken identities.

With expectations set high from both fans and industry insiders, No Entry 2 stands to be a significant entry in the contemporary Bollywood landscape, blending nostalgia with new-age storytelling.

#StudioCarryOnHarry #BalleBalleRadio #ShahidKapoor #VarunDhawan #NoEntry2 #Bollywood #AneesBazmee #ComedyFilm

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Editor's Choice

Small Budget Films Gain Momentum at Box Office: Hits or Misses?

H Johal

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Studio CarryOnHarry Entertainment Desk

The recent box office performance of small budget films like **Daadi Ki Shaadi** and **Krishnavataram Part 1** has sparked a dialogue among industry watchers and moviegoers alike. Both titles experienced notable jumps in collections over the weekend, prompting the question: can they be deemed hits? **Daadi Ki Shaadi**, despite a rocky start with an opening day collection of just ₹0.50 crore, saw a significant improvement, raking in ₹1 crore on Saturday and an estimated ₹1.25 crore on Sunday. Such a rapid weekend turnaround, while encouraging, needs more sustained momentum to solidify its status as a commercial success.

Conversely, **Krishnavataram Part 1** has garnered a more robust audience response, with its opening weekend grossing around ₹7.32 crore. Highlighting a remarkable 733% jump from its first day collection, the film clearly resonated with its audience. The heartwarming narrative and strong marketing strategies contributed to this impressive performance, signaling there is still strong market interest in storytelling anchored in cultural mythology.

However, the uncertain nature of box office performance makes it tricky to define a hit. While the increase in weekend collections is positive, longevity in cinemas is vital. A film that starts strong but wanes in subsequent weeks can still end up being classified as a flop. The liquidity of audience interest is contingent on various factors including word-of-mouth, critical reception, and competition from larger productions releasing soon. As we move deeper into the next few weeks, the box office trajectories of these films will be revealing.

Thus, as of now, while both films show promising upward trends, stakeholders await confirmation on their long-term viability. The uncertain fate rests heavily on sustaining viewer interest and pressing beyond initial weekend excitement.

#StudioCarryOnHarry #BalleBalleRadio #DaadiKiShaadi #Krishnavataram #BoxOffice #HitOrFlop #SmallBudgetFilms #CinematicTrends

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