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Teaching Phonics to Children

Harry Johal

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Teaching Phonics to Children

Teaching Phonics to Children

Phonics is a necessary part of any good method of teaching children to read. Teaching Children phonics and helping them develop phonemic awareness is the key to mastering words, which is the first key step toward successful reading. Children need to develop a knowledge of the letters, the sounds represented by the letters, and the connection between sounds created by combining the letters where words are formed. This is an essential part of mastering reading, and enabling children to become independent readers. By learning phonics and phonemic awareness, children gain the ability to pronounce new words, develop clear articulation, improve spelling, and develop self confidence.

When it comes to teaching your children to read, it must include three basic principles:

1) Reading for the child, whether it’s a word, sentence, or story, must appeal to your child’s interests.

2) Never pressure or force your child into reading, turning it into a negative “event” in their life. It should be a fun, enjoyable, and rewarding experience. This will take ample amounts of patience on the part of the parents, and some creativity.

3) Teaching your child to read must begin with the mastery of the phonemes – the individual sounds which makeup the words.

The basic process of teaching phonics and phonemic awareness to children includes teaching them the letters and letter sounds; then you teach the child to combine (or blend) various letter sounds together to form words; which is then followed by reading sentences and simple stories. This is a logical progression for children to learn reading, where they develop accuracy in decoding words and pronouncing words. This method of teaching also helps the child to spell correctly. Gradually, the different elements of phonics are combined to produce new words, and leads to the discovery of new words by the child using this process which becomes an “automatic reflex”.

Teaching phonics to children should take 10 to 15 minutes each day, and these “lessons” should take place in several small sessions each day – such as 4 or 5 session lasting 3 to 5 minutes each. For older pre-school children, lessons can be slightly longer; however, several minutes each session is all that’s needed.

One way to start teaching phonics to children with with ear training – by helping them develop the understanding that words are made up of smaller units of sounds, or known as phonemes, and when you combine these sounds, a word is formed. You can start this with very short sessions, as already mentioned. A few minutes a day is all that you need. The key, however, is consistency and patience.

During these short sessions, sound out words slowly and distinctly. You can do this without even making the child aware that you are trying to teach them. Simply take words from your everyday speaking to your child and include oral blending sounds into your sentences. For example, if you wanted to ask your child to drink his milk, you could say: “Joe, d-r-i-n-k your m-ilk.” The words drink and milk are sounded out slowly and distinctly. The level of sound separation can be set by you to increase or lower the difficulty. Thus, if Joe has a tough time figuring out that d-r-i-n-k means drink, you can lower the difficulty by blending the word as dr-ink instead.

Alternatively, you could simply pick different words and play blending sounds games with your child. You simply say the sounds of the word slowly, and ask the child try to guess what you are saying.

This concept of individual sounds forming words may take some time for your child to grasp. Some children will pick it up quickly, while other children may take longer, but one thing that’s certain is that if you keep it up, your child will catch on. Below are some sample words which you can use to play blending sounds activities with your child.

J-u-m-p   J-ump
R-u-n   R-un
S-i-t   S-it
S-t-a-n-d   St-and
M-i-l-k   M-ilk
S-t-o-p   St-op

The first word is more segmented than the second word, and will be more difficult to sound out. Please note that hyphens are used to indicate the letter sounds instead of slashes.

ie: J-u-m-p  /J/ /u/ /m/ /p/

This is done to make things easier to read; however, when you read it, you should not read the names of the letters, but instead say the sounds of the letters. This type of ear training for phonics and phonemic awareness should continue throughout the teaching process, even well after your child have grasped this concept. It can be applied to words with increasing difficulty. Again, please always keep in mind that not all children can readily blend the sounds to hear the word, so you must be patient, and drill this for days, weeks, or even months if needed. Consistency and frequency is the key to success here, and not sporadic binge sessions.

If you would like to learn about a simple step-by-step program designed to easily teach your children how to read, please click here.

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Editor's Choice

Naseeruddin Shah Speaks Out: Veteran Actor Condemns Violence, Backs Students in NEET Controversy

H Johal

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Naseeruddin Shah Speaks Out: Veteran Actor Condemns Violence, Backs Students in NEET Controversy

Naseeruddin Shah Speaks Out: Veteran Actor Condemns Violence, Backs Students in NEET Controversy

Veteran Bollywood actor Naseeruddin Shah has made his position crystal clear amid the escalating controversy surrounding the Chalo Sansad march at Jantar Mantar, publicly denouncing those who unleashed violence on demonstrating students.

Shah pulled no punches in his condemnation, labelling the individuals responsible for the attacks as nothing short of thugs, while firmly expressing his support for the student community protesting against the alleged NEET examination paper leak scandal.

The actor’s statements come in the wake of a misleading video that spread rapidly across social media, purportedly showing Shah at the demonstration site. Sources reveal the footage was actually captured at an entirely separate event — a film screening held in Mumbai — with no connection to the Delhi protests whatsoever.

Meanwhile, the unrest has refused to stay contained within the capital. Entertainment circles and observers note that demonstrations have now rippled outward, with students taking their grievances to the streets of Mumbai as well.

Authorities in the city have responded swiftly, according to insiders, implementing restrictions on public gatherings as tensions continue to simmer across the nation over the examination integrity scandal.

The NEET controversy has ignited a fierce national conversation about fairness in India’s high-stakes academic examination system, with students and public figures alike demanding accountability from those in charge.

Shah’s vocal stance adds a prominent cultural voice to what has become one of the most charged student-driven movements in recent memory, with insiders suggesting his words have further amplified the conversation around justice for the affected candidates.

Harry’s Take

Distance doesn’t necessarily dilute solidarity — but in this case, it does complicate it. Shah’s condemnation carries moral weight, yet the viral video confusion inadvertently made his physical absence the story, which risks overshadowing the substance of what he actually said. A statement made from the sidelines, however sincerely meant, invites the question of whether cultural figures in India are prepared to put presence behind their principles when the moment demands it.

Editor’s Verdict

Naseeruddin Shah’s intervention here is significant, but the viral video mishap is the more instructive story. When misinformation positions someone at a protest they never attended, the clarification inevitably becomes louder than the cause itself — and that is a genuine problem for movements that rely on celebrity solidarity to sustain public attention. Shah’s words carry earned credibility; few voices in Indian cinema have maintained that kind of consistent moral clarity over decades. But the episode quietly exposes how fragile that solidarity can appear in the social media age, where a mislabelled clip can simultaneously amplify and undermine a public figure’s standing within hours. Students fighting a legitimate battle over examination integrity deserve more than complicated news cycles about who was or wasn’t where. Beyond the headlines, when the messenger becomes the story, the message has already lost ground it may struggle to recover.

Studio Ki Raye

Naseeruddin Shah ka NEET par bayan aana — yeh Bollywood ka ek jaana-pehchaana pattern hai. Jab bhi koi bada student ya social movement uthta hai, kuch selective voices saamne aati hain, baaki industry khamosh rehti hai. Lekin asli sawaal yeh hai ki Shah ka bayan ek fake viral video ke *response* mein zyada clearly define hua — matlab unhe apni position isliye explain karni padi kyunki social media ne pehle unhe wahan “place” kar diya. Yeh solidarity hai ya damage control? Dono ke beech ki line Bollywood mein hamesha blurry rehti hai. Aur jab tak industry ka sirf ek-do percent hi bolega, baaki chuppe rahenge — toh cultural weight kitna meaningful hai, yeh sochne wali baat hai.

  • Entertainment Desk, Studio Carry On Harry

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Editor's Choice

Jana Nayagan Pre-Sales Cross Rs 14.94 Crore Before Release

H Johal

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Jana Nayagan Pre-Sales Cross Rs 14.94 Crore Before Release

Vijay’s Political Swan Song Sets Box Office Ablaze With Massive Pre-Sales

Thalapathy Vijay is heading into his final cinematic chapter with a bang. His much-anticipated action drama *Jana Nayagan* has stormed advance booking charts, pulling in close to Rs 14.94 crore in pre-sales nationwide ahead of its theatrical debut.

Tamil Nadu is spearheading the ticketing frenzy, with Chennai emerging as a particularly dominant force in occupancy numbers, according to insiders. The response signals an enormous appetite among fans eager to witness the superstar’s farewell performance on the big screen.

Entertainment circles suggest the film carries considerable thematic weight, with its director steering the narrative toward ideals of unity and democratic values rather than conventional mass-entertainer fare. Sources reveal the creative team has been deliberate in crafting a story that resonates beyond pure spectacle.

The stakes surrounding *Jana Nayagan* extend well beyond typical box office competition. Industry insiders confirm this project is widely understood to be Vijay’s final film before he steps away from cinema altogether to pursue a full-time political career — a transition that has captivated both fans and observers across South India.

Critics note that the combination of a star-driven farewell, strong pre-release buzz, and a socially charged storyline creates a rare cinematic event that transcends the usual release cycle. Whether the film meets its towering expectations at the box office remains to be seen, but the advance numbers suggest audiences are already voting with their wallets.

– Entertainment Desk, Studio Carry On Harry

Harry’s Take

The tension here is real: Vijay’s farewell leverage is greatest right now, at peak sentimental value, yet Vinoth is spending that leverage on a civics lesson rather than a crowd-pleasing spectacle. That’s either a genuinely bold artistic bet or a miscalculation — because audiences voting with pre-sale wallets are buying the star’s exit, not necessarily the ideology attached to it. Whether the film can hold that theatrical momentum past opening weekend will be the real verdict on whether the thematic ambition helped or hurt.

Editor’s Verdict
The Rs 14.94 crore advance is impressive, but the more interesting story here is what it actually represents — a superstar essentially using his final film as a public manifesto before entering politics. That is an almost unprecedented convergence of cinema and political ambition in modern Indian entertainment, and it changes how audiences experience the film before they’ve even seen a single frame. The thematic pivot toward unity and democratic values isn’t incidental — it reads like a calculated statement of intent, a trailer for the politician as much as the actor. Whether the film sustains that weight across its full runtime, or whether the mass-entertainer instincts eventually override the message, will determine whether this farewell is remembered as cinema or simply as campaign material. Beyond the headlines, when a superstar’s last scene doubles as his political opening act, the audience isn’t just buying a ticket — they’re casting an early vote.

Studio Ki Raye
Vijay ka yeh farewell film sirf ek superstar ka last release nahi hai — yeh ek carefully orchestrated political launchpad hai. Rs 14.94 crore ka pre-sales number impressive zaroor hai, lekin asli baat yeh hai ki “unity aur democratic values” wali theming coincidence nahi lagti jab aap jaante hain ki yeh aadmi seedha politics mein jaane wala hai. Yeh film basically unka manifesto hai — cinematic packaging mein. Fans ticket khareed rahe hain farewell ke liye, lekin director aur Vijay dono ek future voter base nurture kar rahe hain. South Indian politics mein yeh playbook naya nahi hai — MGR ne bhi yahi kiya tha — lekin jis scale par yeh narrative build ho rahi hai, woh batata hai ki Vijay ka political team cinema ko apna sabse bada campaign tool maanta hai.

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