Artists
The Art of Sound: Introducing the OPUS-QUAD
The OPUS-QUAD has a unique design, with a radiating shape that features a sloping top plate and curved edge at the front. It’s designed to not only look sophisticated but also to enable comfortable and intuitive operation.
For the first time ever on a Pioneer DJ all-in-one DJ system, the OPUS-QUAD offers standalone 4-deck playback to enable versatile DJ performances. And with support for various media types, giving total flexibility to play the way you like.
Urgent song request? Find tracks in even the biggest music libraries using the large touch display and the new rotary selector on the OPUS-QUAD. The layout of the deck sections is designed to make performing comfortable and easy and each has a display to keep an eye on the track information. With zone output, you have the option to output sound that’s separate from the master audio, giving you the choice of playing different music genres in different rooms of a venue from just one unit.
Standalone Versatile 4-Deck Unit for Versatile DJ Sets
“The OPUS-QUAD enables standalone playback from 4 decks for versatile DJ sets. This means you can play 4 tracks on 4 different decks at once, prepare tracks in advance, and even leave one deck free for last-minute requests – all from one device. You can also assign a different colour to each deck to match the jog wheel illumination, so you always know which deck you’re playing from.” – Pioneer DJ
The OPUS-QUAD introduces an entirely fresh approach to DJ equipment that harmonizes design and playability. Raising the level of elegance in musical direction and the space the music fills, it helps create a special experience for your audience. Key features and attributes include:
· Harmony between design and playability – With a matte black finish and earth-coloured slits on the front and sides, the unit can enhance the aesthetics of any environment.
· Easy-to-use professional effects – The evolved effects on the OPUS-QUAD make it easy to add texture and tension to the music so you can hype up the crowd and personalise your sound with Beat FX.
·Support for multiple media sources to match different playing styles – Draw from various music libraries with just 1 OPUS-QUAD and you can even pair a mobile device via Bluetooth wireless technology – perfect if you want to quickly drop a request into your set.
·Rapid and accurate track search – even from the biggest collections – Find your tracks faster and more accurately than ever before with the freshly designed user interface with an electrostatic touch module.
·Optimized deck configuration and new Smart Cue – Take control of the music with a slick deck layout that includes a deck display and 8 Hot Cue buttons above each full-size jog wheel.
·High-quality comfortable sound – Designed to meet the needs of the increasingly diverse DJ scene, the OPUS-QUAD produces a high-quality sound that’s comfortable to listen to for long periods of time.
·Zone output for playing different music in different spaces – Thanks to the zone output, which can output sound that’s separate from the master, you can play different music in different rooms from just 1 OPUS-QUAD.
·rekordbox and Serato compatibility – Plug-and-play compatibility for rekordbox Performance mode and Serato DJ Pro is included with the OPUS-QUAD. You can simply plug in your PC/Mac running either application to get started – there’s no need for a license or subscription.
About djkit.com
djkit.com is the UK’s leading DJ retailer, offering an unrivalled range of over 35,000 products and packages for professional musicians and amateurs alike. The team prides itself on being right at the forefront of the industry, stocking only the most cutting-edge technology, offering the highest level of service, affordable DJ finance options and hosting regular events in conjunction with the industry elite.
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Artists
Tokyo Soul Singer Tyrone Hashimoto Releases New Single Oct. 2, Plays Tokyo Jazz Club Same Night
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Tyrone Hashimoto (born Shunichi Suzuki), a Tokyo-based singer-songwriter,, plans to release his latest single, "Wake Up in the Morning Sun," across streaming platforms on October 2, per his production company Teddy Bear Productions. The artist will celebrate with a live performance by the Lakeside Struttin’ Band at Sometime Jazz the same evening.
The song arrives as the latest entry in what Hashimoto has called the "Music Cruise" series, an ongoing project now in its seventh installment, according to prior coverage of his work. The announcement describes the new track as an offering of encouragement, framed around the idea that a better life is within reach.
Hashimoto has built a four-decade career that spans well beyond his nine solo albums, all recorded in English, and a catalog the announcement puts at more than 600 original songs. He’s written jingles for McDonald’s, KFC, Nissan, Canon, Sharp, Kodak and Tokyo Disneyland, among other clients, and took a bronze prize at the Cannes Commercial Film Festival in 1994 for a Panasonic spot. One commercial job, for the Japanese coffee brand UCC, reportedly involved bringing James Brown into the studio to sing for the ad.
Originally from Yaita in Tochigi prefecture, Japan,, Hashimoto won the Grand Prix at the first All Japan Folk Music Festival at age 17, citing Simon & Garfunkel and Peter, Paul and Mary among his early influences. He went on to work with Haruomi Hosono’s Tin Pan Alley project, played a role in Yellow Magic Orchestra’s debut album, and became an original member of La Orquesta Del Sol, described in the announcement as Japan’s first major salsa band.
His American profile traces back to a 1987 visit to Seattle, where local press and broadcasters, including KIRO, KUOW and NBC affiliate KING5, covered his music; a KING5 documentary profiling the artist that was subsequently distributed to 37 additional U.S. markets. He has also taught voice and guitar to more than 1,000 students, including Japanese musicians Sugizo, Miyavi, Takeru and Junya Enoki, and recently received an honorary doctorate in music education from University of Perpetual Help System DALTA in the Philippines.
For Studio CarryOnHarry, the throughline here isn’t the single itself but the career behind it: a working musician who has moved fluidly between recording artist, jingle writer and educator for going on 40 years, in two countries, without a signature hit driving any of it.
Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.
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According to the announcement, the record lands following months of roster adjustments that solidified the five-member configuration, and the record is framed as the sound of that lineup settling into place. The band describes the title not as a literal question but as a kind of shrug, an expression of the loose, sideways attitude that runs through the tracklist.
The EP opens with “Feeling Sideways,” which the band positions as the reset point for this new phase, constructed from restless grooves and crooked rhythms, per the band’s description. The focus single, “Crooked,” follows, built around jagged guitar work, live drums and a melodic bassline, with the line “I move crooked but I land just right” serving as the track’s stated thesis.
“Morning Sun” is described as a tonal shift toward something wider and brighter, using imagery like a “paper weight sky” to move from heavier material toward something more lifted. “Not Lost” continues that throughline lyrically, with the band pointing to the line “I’m not lost, I’m just aligned / With the beat that hides between your time” as a statement of purpose. The EP closes with “My Shadow’s Got Its Own Mind,” which the announcement calls a late-night, low-lit close to the record, framing the band’s embrace of unpredictability as a deliberate stance rather than a lack of direction.
Taken together, the band and its team describe What The …. as the clearest statement yet of Song 1’s identity: an alternative indie-punk work anchored in big hooks, live-wire guitars and knowing self-awareness about not fitting a mold.
Studio CarryOnHarry will be watching whether “Crooked” gives the band a genuine breakout moment beyond the EP cycle, since focus singles built around a clear lyrical hook are often where a band either finds a wider audience or doesn’t.
No compass or straight lines required, as the band themselves put it, just an audience willing to turn it up.
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