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The GRAMMY® Award-Winning National Children’s Chorus (NCC) Announces the Launch of Its 2022/23 Season Entitled Resounding Voices

Harry Johal

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The GRAMMY® Award-Winning National Children’s Chorus (NCC) Announces the Launch of Its 2022/23 Season Entitled Resounding Voices

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This month, the GRAMMY® Award-winning National Children’s Chorus (NCC), under the leadership of Artistic Director Luke McEndarfer and Associate Artistic Director Dr. Pamela Blackstone, commences Season 2022/23 entitled Resounding Voices. 

Inspired by powerful experiences over the past year, the NCC chose to curate a deeply meaningful season that celebrates the power and potential of the human voice. “In planning Resounding Voices, we looked back with reverence at our Lincoln Center collaboration in May with the Ukrainian Zhayvir Choir. Performing Eric Whitacre’s Sing Gently in a half-live, half-digital immersive rendition of the piece that transported the audience to the streets of Lviv, our students from around the country joined hearts and voices with children from thousands of miles away, unified by our artistry and vision for a peaceful world,” said Artistic Director Luke McEndarfer. “In reflecting on that experience, and watching the world around us, our team agreed that voices truly matter; that speaking up is important; and when enough people join their voices behind something great they believe in, it shapes and changes our world for the better.”

2022/23 Season Overview

Beginning a full year of unique and unprecedented artistic initiatives, the National Children’s Chorus in September released its first major album on the Lexicon Classics label, featuring the poignant opera Brundibár, by Czech composer Hans Krása. Captured on smartphones by students and chamber orchestra across the country during quarantine in 2020, this magical recording can be streamed and enjoyed on Spotify and Apple Music. Written in 1938 and performed by youth in the Theresienstadt concentration camp from 1943-1944, the story of Brundibár celebrates the power of voices joining together in the name of justice and righteousness, ultimately prevailing over tyranny through the lens of a children’s fairytale.

Throughout December, students in all seven of the NCC’s Chapter Cities will celebrate the holidays with winter performances in Los Angeles, New York, Washington, D.C., San Francisco, Austin, Dallas, and Boston. Drawing from more than 1,000 choristers nationwide, each performance will feature a mixture of voices from various cities, as the children share their musical achievements and make new friends along the way. A special appearance at Macy’s Herald Square in Manhattan, in addition to debut concerts in Dallas and Boston, headline the chorus’ list of festivities.

Repertoire for the NCC’s advanced Senior Division includes music that will be recorded in the summer of 2023 as the organization creates its first-ever holiday album, offering heartfelt expressions of the season from more than 15 cultures and traditions around the globe. The world premiere of Himig Pasko, commissioned by the NCC and written by Filipino-American composer George G. Hernandez, continues the chorus’ tradition of expanding the art form and solidifies its commitment to presenting music that reflects the rich diversity of its expansive membership. The Junior Division, comprised of students as young as five, will proudly sing eclectic programs, with each level challenged through exposure to new languages, sophisticated voice leading, and harmonic textures.

In February, the National Children’s Chorus excitedly takes the stage at Walt Disney Concert Hall in a tour de force concert performance, presented by the Los Angeles Philharmonic in collaboration with the American Youth Symphony. Under the baton of Maestro Carlos Izcaray, the NCC will sing Benjamin Britten’s colossal and deeply moving War Requiem. This work, completed in 1962, is considered to be one of the most significant pieces ever written for chorus, soloists and orchestra, as it depicts the haunting atrocities of warfare in the hopes of signifying the importance of global unity. 

In mid-April, the National Children’s Chorus will perform in the National Cherry Blossom Festival Parade in Washington, D.C. The event will be the NCC’s 4th appearance in what has now become an annual tradition, featuring students from around the country who greatly value participating in one of the city’s most vibrant and exciting community celebrations. Televised across the nation, participants will sing rousing selections under the baton of NCC Principal Conductor Dr. Allan Laiño. 

In May, students will bring this journey to a grand culmination of performances, once again in each chapter city, including the Senior Division’s all-city event at Carnegie Hall’s Stern Auditorium. Annual scholarship galas in Los Angeles, New York and Washington, D.C. will also take place in 2023, infused with the theme of All You Need Is Love. Aligning with the NCC’s planned recording projects at Abbey Road Studios and AIR Studios in London, the chorus sets its sights on raising record funds for scholarship recipients while lending special tribute to The Beatles and praising the innovation they brought to music that continues to inspire.

In July, the National Children’s Chorus embarks on its 7th international tour to the United Kingdom with stops in Edinburgh, Wales and London. In addition to enjoying the cultural wonders of the itinerary, students of the Senior Division will sing in concerts along the way, collaborating with local choirs in dramatic concert settings. In London, the NCC will sing its premier performance of the tour where students will share the stage live with the world-renowned VOCES8. At the conclusion of the tour, the NCC will spend three full days at Abbey Road Studios and AIR Studios recording music for the organization’s planned holiday album that will be released on Spotify and Apple Music toward the end of 2023. 

In August, the National Children’s Chorus will host its 3rd Vail Opera Camp, led by NCC Alumnus and GRAMMY® Nominee Johnathan McCullough, who serves as the organization’s Vail Opera and Operatic Studies Director. Students of the Senior Division will perform the comedic opera The Tinker of Tivoli at one of the most beautiful outdoor amphitheaters nestled at the base of the Rocky Mountains. Young opera campers will study acting, stagecraft, prop making, vocal pedagogy, opera history and the music of Rossini in what promises to be an exhilarating experience, combining top-level performance instruction with fun and thrilling activities in the beautiful outdoors of Vail.

“Looking ahead, Season 2022/23 significantly advances the mission of the National Children’s Chorus,” said Associate Artistic Director Dr. Pamela Blackstone. “Now more than ever, our vision is to bring children together with the singular goal of music as the ultimate medium for personal growth and self-realization. We know how important our work is within the lives of the NCC’s young artists, and strive to make our programs as accessible as possible as we continue building our educational programs.”

For more information on the National Children’s Chorus, visit https://nationalchildrenschorus.com

About the National Children’s Chorus

The GRAMMY® Award-winning National Children’s Chorus, under the leadership of Artistic Director Luke McEndarfer and Associate Artistic Director Dr. Pamela Blackstone, has quickly become one of the world’s leading children’s choirs. Among the most exciting and fastest-growing music institutions for youth in the nation, the chorus provides its unparalleled training to talented singers locally and abroad, with more than 35 choirs and 1,000 students based in the chapter cities of Los Angeles, New York City, Washington, D.C., San Francisco, Austin, Dallas and Boston. Now in its second decade, the NCC’s groundbreaking Season 2022/23, entitled Resounding Voices, expands on the chorus’ recent success, featuring an array of special projects, demonstrating the organization’s firm commitment to eclectic programming, new music, world culture and extraordinary collaborations.

Source: National Children’s Chorus

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Editor's Choice

Audiences Are Rating ‘Spider-Man: Brand New Day’ and ‘Resident Evil’ Among 2026’s Hottest Films

H Johal

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Audiences Are Rating ‘Spider-Man: Brand New Day’ and ‘Resident Evil’ Among 2026’s Hottest Films

Balle Balle Radio™ Entertainment Desk

Two 2026 releases, "Resident Evil" and "Spider-Man: Brand New Day," are tied at the top of Rotten Tomatoes’ running Verified Hot list, each pulling in more than 5,000 Verified ratings from ticket-buying audiences, according to the site’s latest update.

Just as Certified Fresh represents critics’ consensus via the Tomatometer, Verified Hot is its audience equivalent, requiring a minimum 90% score on the Popcornmeter using ratings exclusively from Fandango ticket buyers, according to the guide. Rotten Tomatoes introduced the badge to give paying audiences their own equivalent stamp of approval, separate from critical consensus.

Behind the two leaders in the largest-sample tier, "The Odyssey" ranks second with over 5,000 Verified ratings, followed by "Project Hail Mary," "Obsession," "Hoppers" and "The Super Mario Galaxy Movie." Several of these titles also turn up on other year-end and mid-year lists tracking 2026’s most-discussed films, including "The Odyssey," "Project Hail Mary" and "Obsession" among the movies cited as generating the most audience conversation this year.

In the next tier, covering films with 1,000 to 5,000 Verified ratings, "Avengers: Endgame," "Heart of the Beast," "Forgotten Island" and "Practical Magic 2" share the top spot, with "Coyote vs. Acme," "The Invite," a musical performance film featuring Stray Kids and others filling out the rest of the ranking. Rotten Tomatoes notes a third, smaller tier of 250 to 999 ratings exists for titles still building an audience track record, which it describes as newer and more niche releases.

New films earning a 90% Popcornmeter score are added weekly, with placement within each tier based on cumulative Verified rating volume.

Studio CarryOnHarry will be watching whether films lower in the 1,000-to-5,000 tier gain enough ratings to crack the top bracket as the list updates through the rest of 2026.

Read more People’s Choice stories on Studio CarryOnHarry. Reporting via Live News Vault.

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Editor's Choice

Revisiting Octavia Butler’s “Wild Seed,” the 1980 novel that opens her Patternist series

H Johal

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Revisiting Octavia Butler’s “Wild Seed,” the 1980 novel that opens her Patternist series

Balle Balle Radio™ Entertainment Desk

Octavia E. Butler’s "Wild Seed," released in 1980, remains one of the author’s most widely read novels decades after its release. It opens Butler’s five-book Patternist cycle, a five-book speculative fiction cycle, and continues to draw new readers and critical attention.

Butler, who died in 2006, is widely regarded as one of the first Black women to gain major recognition in American science fiction, a genre that offered her few peers when she began publishing in the 1970s. Her work is frequently cited within Afrofuturism, the broader cultural movement that uses speculative fiction, technology, and alternate histories to explore the experiences of the African diaspora and to imagine Black futures beyond the constraints of the present.

"Wild Seed" is addresses themes of gender, healing roles, and the experiences of Black women, reflecting the novel’s focus on characters navigating power, transformation, and survival across generations. Readers and reviewers have consistently described it as a character-driven work rather than a plot-heavy one, with its two central figures carrying the novel through sustained psychological and emotional depth. The book is the first in the five-volume Patternist series and has drawn an active readership on platforms like Goodreads, where it holds a strong average rating from tens of thousands of readers.

The novel has also found renewed life in reading groups and community discussions in recent years, often paired with other Afrofuturist or speculative work, a sign of Butler’s lasting pull on readers well outside the genre’s traditional audience.

Studio CarryOnHarry sees "Wild Seed" as a useful entry point for readers curious about Butler’s influence on contemporary speculative fiction, and worth a look for anyone building out an Afrofuturism reading list.

About the Author: An American science fiction writer, one of the best-known among the few African-American women in the field.

[Comment by Tricia Sullivan, on The Guardian][1]:
Octavia E Butler (1947–2006)

> I was teaching in New York when I came across Octavia E Butler’s Kindred in a secondary-school catalogue of novels recommended to support diversity. It caught my attention because Butler was described as a science-fiction writer. I thought I was familiar with science fiction, but I’d never heard of her – nor have a great many other readers, I suspect. For many years, Butler was the sole African-Ameri

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Harry Johal — Entertainment Editor

Harry Johal is the Entertainment Editor at Studio CarryOnHarry, overseeing the newsroom's day-to-day coverage.

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