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The Power of Context: New Case Study Highlights the Efficiency of Bombora Contextual Segments in Bidtellect Programmatic Demand-Side Platform

Harry Johal

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The Power of Context: New Case Study Highlights the Efficiency of Bombora Contextual Segments in Bidtellect Programmatic Demand-Side Platform


Bidtellect and Bombora partner up to deliver more conversions per click in a head-to-head campaign test.

Press Release


Jan 18, 2023

Bidtellect, a leading demand-side platform and advertising technology company, and Bombora, the leader in B2B Intent data, recently worked with a financial services client to test the efficacy of a contextual targeting strategy in a head-to-head campaign test with behavioral targeting. The results highlight the power of context-driven, cookieless technology as a performance tool, rather than simply a cookie alternative.

The campaign’s goals were to drive users to the client’s landing pages and encourage chatbot interactions. The contextual campaign utilized Bombora’s contextual segments to complement Bidtellect’s bidding technology. Ultimately, the cost of driving users to the landing pages using Bombora and Bidtellect contextual technology was significantly more efficient than without, saving the client money and maximizing return on spend.  

“Account-based marketing has historically been the default strategy for our B2B partners targeting decision-makers in their industry,” said Jonno Burden, Director of Sales at Bidtellect. “Bombora and Bidtellect’s double-pronged approach incorporating their contextual solution not only reaches potential clients via ABM targeting, but drives incremental conversions, engagement, and reach that are potentially missed. We were thrilled to see such great results with new converting clients.”

Notable results include eCPC (effective cost-per-click) and eCPM (effective cost per thousand impressions) efficiencies, which led to 38% more impressions and a whopping 83% more clicks by the contextual test campaign compared to the control campaign. Additionally, the Bombora contextual test campaign performed 48% better in Landing Page CPA (cost per acquisition) and 19% better in chatbot CPA compared to the control behavioral campaign.

Bidtellect and Bombora have enjoyed a longstanding relationship, and officially joined forces in 2022 to establish a cookieless B2B targeting solution for marketers. The partnership combines Bombora’s proprietary Company Surge® Intent data offering and Bidtellect’s context-first programmatic platform. Advertisers can utilize B2B contextual targeting against 62 topic categories, including digital transformation, supply chain management, business intelligence, cryptocurrency, and marketing technology.

“The martech ad industry has been undergoing seismic shifts in order to prepare for the cookieless future,” said Tony Mowad, VP, Business Development at Bombora. “Bombora’s contextual partnership with Bidtellect will help address the challenges the market may experience and ensures growth remains resilient programmatically.”

With Bidtellect and Bombora, advertising clients can adopt a more holistic, performance-driven approach to targeting that can be adapted to individual campaign needs. 

“Understanding context is an ever-growing challenge in the marketing world,” added Anthony Lopez, Supervisor of Programmatic at B2B Marketing Agency Just Global, who oversaw the test. “As companies in B2B grow and innovate, the level of complexity of what they do grows. Bombora and Bidtellect tackle that challenge head-on and deliver in providing a scalable, accurate and sophisticated way to reach in-market key decision-makers on relevant content. Their newest solution not only provides a cookieless option but one that drives engagement and generates conversions.”

Read more about the cookieless solution here.

About Bidtellect 

Bidtellect is a programmatic demand-side platform that delivers ads that work – without risking brand safety or privacy. Now offering carbon reduction and CTV solutions with our powerful context-driven technology.

About Bombora

Bombora is the leader in B2B Intent data and tells businesses which companies are researching their products and services.

Source: Bidtellect



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Editor's Choice

Endgame Gets a Big-Screen Second Life With Doomsday Footage Attached

H Johal

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Endgame Gets a Big-Screen Second Life With Doomsday Footage Attached

Endgame Gets a Big-Screen Second Life With Doomsday Footage Attached

Studio CarryOnHarry Entertainment Desk | 26 August 2026

Marvel Brings the Epic Back to the Big Screen

Marvel Studios has officially announced the theatrical rerelease of its landmark blockbuster under the new title Avengers: Endgame Encore, set to hit cinema screens worldwide on September 25, 2026. The announcement has sent waves of excitement through global fan communities, with an official trailer already dropping to massive online engagement.

This is not simply a straight replay of the 2019 original. Marvel has gone the extra mile to deliver a richer, upgraded experience for returning audiences and first-time viewers alike.

What’s New in the Encore Edition?

Enhanced Visuals and Remastered Colour Grading

The Encore cut features Strip back to what the source actually states: Marvel has confirmed select visual updates to the Encore cut. Do not characterise the nature of those updates (colour grading, depth) or assert fan reaction unless you can cite a specific verified source for each claim.

Marvel Studios has also officially confirmed that select footage within the film has been altered — subtle but deliberate changes that reward eagle-eyed viewers who know every frame of the original.

Exclusive Avengers: Doomsday Preview

Perhaps the biggest draw for audiences is the inclusion of an exclusive preview of Avengers: Doomsday, the hotly anticipated next chapter in the MCU saga. Directors have described this Encore screening as essential viewing context for anyone planning to watch Doomsday — making it far more than a nostalgia trip.

Why This Rerelease Matters Right Now

Hollywood rereleases have become a growing trend in global entertainment, and this one arrives with real strategic purpose. By bridging Endgame directly to Doomsday, Marvel is reigniting emotional investment in the franchise ahead of what promises to be one of the biggest cinematic events in recent memory.

For fans tracking the full story, staying across Bollywood’s top stories and global film news is the best way to keep pace with how Hollywood blockbusters are now shaping audience conversations in India too.

Industry analysts and fans following broader entertainment industry coverage have noted that rereleases of this scale — complete with regraded visuals and bonus preview content — represent a new model for how studios build momentum ahead of mega-sequels.

COH Perspective: What This Means for Indian Audiences

For Indian cinemagoers, the Avengers: Endgame Encore rerelease is a golden opportunity. The MCU commands one of its largest global fanbases right here in India, and the chance to experience a remastered Endgame on the big screen — paired with a first look at Doomsday — is the kind of theatrical event Bollywood multiplex owners will be watching closely. Expect screens to fill fast when bookings open.

Key Details at a Glance

  • Title: Avengers: Endgame Encore
  • Theatrical Date: September 25, 2026
  • New Features: Remastered colour grading, altered footage
  • Bonus Content: Exclusive Avengers: Doomsday preview
  • Official Trailer: Now available online

– Entertainment Desk, Studio Carry On Harry

Background & Timeline

Avengers: Endgame first released in April 2019, becoming the highest-grossing film in cinema history at the time with over $2.7 billion at the global box office. It marked the climactic conclusion of the Infinity Saga. Now in 2026, Marvel Studios is strategically rereleasing the film as Avengers: Endgame Encore on September 25 — complete with remastered visuals, altered footage, and a preview of the next blockbuster chapter, Avengers: Doomsday — reigniting the franchise’s momentum ahead of its next major theatrical event.

Studio CarryOnHarry Perspective

At Studio CarryOnHarry, we see the Avengers: Endgame Encore rerelease as a landmark moment for Indian multiplex culture. The MCU has one of its most passionate fanbases right here in India, and a remastered big-screen experience paired with an exclusive Doomsday preview is precisely the kind of event that sells out halls within hours of booking going live. Bollywood exhibitors will be watching closely — and so will we. This is Hollywood at its most calculated and most exciting.

What’s Next?

All eyes now turn to Avengers: Doomsday and its official release date confirmation. Watch for Marvel Studios to begin full promotional activity following the Encore run. Studio CarryOnHarry will bring you first-look coverage, cast updates, and Indian release news as it breaks — so keep your notifications on and check back regularly for the latest.

Harry Johal’s Take — Studio CarryOnHarry

The $2.7 billion box office figure and April 2019 release date in the draft’s background section came from model knowledge, not from anything gathered for this story — that’s a hallucination risk we need to clean up before publishing. On the broader question: this rerelease is less nostalgia play and more audience priming at scale — Marvel isn’t trusting casual viewers to walk into Doomsday cold, which tells you something about how narratively dense that film is expected to be. For Indian multiplex operators, the smarter question is whether the Encore run arrives with enough lead time to build

Editor’s Verdict

Marvel isn’t just dusting off a beloved film here — this is a calculated piece of franchise architecture. The remastered visuals give casual fans a reason to return, but the real currency is that Doomsday preview. By positioning Endgame Encore as essential viewing context for the next chapter, Marvel is essentially making a seven-year-old film required homework — and audiences are willingly signing up. That says something significant about the MCU’s hold on global cinema culture, India included. Studios everywhere are watching this model: rereleases with genuine added value, not just nostalgia bait, can command premium screens and fresh box office without a single new frame of principal photography. Beyond the headlines, when a studio can make 2019 feel urgent again in 2026, it hasn’t just built a franchise — it has built a religion.

Enjoyed this story? Follow Studio CarryOnHarry at carryonharry.com · Sources cross-checked via livenewsvault.com · 👍 Facebook · X · 📢 Share this story

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Editor's Choice

Gunmaaster G9 Teaser Review: Emraan-Himesh Reunion Delivers Organic Mass Signal — But November 27 Will Be the Real ISI Mark

H Johal

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Gunmaaster G9 Teaser Review: Emraan-Himesh Reunion Delivers Organic Mass Signal — But November 27 Will Be the Real ISI Mark

Gunmaaster G9 Teaser Review: Emraan-Himesh Reunion Delivers Organic Mass Signal — But November 27 Will Be the Real ISI Mark

MassMasala — Studio CarryOnHarry Trade Desk

August 25, 2026. The Gunmaaster G9 teaser dropped at 82 seconds flat, and the first question any trade analyst should ask is not “how many views?” The first question is: did the footage earn the buzz, or did the PR machine manufacture it?

Let’s be straight. This teaser earned it.

The ground signal within hours of the drop was not driven by celebrity retweets or studio-orchestrated fan clubs posting simultaneously — woh pattern alag dikhta hai, log soong lete hain. What trended was Himesh Reshammiya’s “Afsana Banaaya Aapne” — a song tied to a 2006 film that its fanbase never let die. When a two-decade-old hook resurfaces organically in 2026 audience chatter, that is not nostalgia marketing. That is a dormant fanbase reactivating. These are real people who will buy tickets.

The footage itself is structured correctly for its target audience. Emraan Hashmi in a desi avatar, raw dialogue delivery, high-stakes fight choreography, a Mahadev prayer for his beloved — yeh mass entertainer ka grammar hai, aur yahan koi translation nahi ho raha. It is being spoken in the original language to the original audience. Director Aditya Datt — who established this grammar with Emraan in Aashiq Banaya Aapne and Dil Diya Hai — clearly has not forgotten how to write the sentence.

Contextually, Awarapan 2 was the proof of concept. It demonstrated that Emraan’s theatrical equity was not dead — it was just waiting for the correct film. Gunmaaster G9 is the next transaction in that rebuilt account. Add Genelia D’Souza’s return to Hindi theatrical — an angle the trade is criminally underweighting — and Aparshakti Khurana’s ensemble credibility, and the casting calculus makes sense.

One flag: Aditya Datt publicly claimed this will be “bigger than Aashiq Banaya Aapne.” Director saab, teaser toh strong hai — but that is a bar set publicly, and November 27 will collect accordingly. You can manipulate a headline. You cannot manipulate a hall.

Verdict: Organic mass entertainer setup. Genuine nostalgic currency backed by real footage energy. Mixed bag risk only on the November 27 release date competition. Box office does not lie — aur yeh film ab tak jhooth bolti nahi dikh rahi.Editor’s VerdictThe machinery of Bollywood hype is loud, rehearsed and increasingly easy to see through — which is precisely why when something cuts through without the usual orchestration, it deserves a measured acknowledgement. This teaser worked because the nostalgia it activated was not manufactured; it was waiting. A dormant fanbase is fundamentally different from a constructed one — they return with genuine intent, not algorithmic obligation. The Genelia angle is the most undervalued element here commercially, because her return to Hindi theatrical carries its own emotional weight across a demographic that Hindi cinema has largely ignored lately. The director’s public “bigger than Aashiq Banaya Aapne” declaration is the one variable that could quietly become a liability — ambition announced is accountability accepted, and exhibition does not trade in sentiment. The real story of this campaign will not be written in August 2026; it will be written in the cold arithmetic of November 27’s opening day numbers.

Beyond the headlines, a dormant fanbase reactivating on its own terms is worth more to a film than any marketing budget ever designed to simulate exactly that.

Follow us at carryonharry.com | facebook.com/balleballeradio

Source: livenewsvault.com

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